(1991) How High the Moon [from Expo Sevilla 1992]
How well do you know the music of The Wallflowers, The Stone Roses, Curtis Stigers, The Saw Doctors, Paul Weller, Cast, Gun, Manic Street Preachers, Nick Cave & The Bad...
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To John Mayall, Funkadelic, Ella Fitzgerald, Weather Report, The Futureheads We Celebrate Christine McVie, Wilko Johnson, Benny Carter, Minnie Riperton We Watch Al Jarreau, Bob...
How well do you know the music of Sneakbo, Pitbull, Steve Aoki & Laidback Luke, Vato Gonzalez, Taio Cruz, David Guetta, Axwell ^ Ingrosso, Steve Angello & Laidback Luke, Petite...
Ella Fitzgerald's 'A Perfect Match' is a live album recorded on July 12, 1979 at the Montreux Jazz Festival, with the Count Basie Orchestra and released the same year by...
“Suerte” pairs Yan Block’s sharp delivery with RaiNao’s soft vocals under Slow Jamz’s mellow production—Puerto Rico meets lounge house with club shadows. Soolking’s “Tkt Pas” fuses raï, soul, and melodic...
Guy2Bezbar links with Killa Predator on “La Jeunesse Dorée,” continuing a streak of concise 2025 drops. Morad and Gazo fire off bilingual bars on “Cuídate,” while Headie One returns with...
Ski Mask the Slump God fires up “Catch Me Outside 2” with Timbaland and Missy Elliot, throwing back to his 2017 breakout over 2000s-styled trap. Drake’s “What Did I Miss?”...
Bad Bunny’s “NUEVAYoL” flips a salsa classic with dembow drums and Puerto Rican pride stamped all over, while DJ Snake and J Balvin go full '90s throwback in “Noventa,” VHS...
Lila Iké and Masicka blend reggae and dancehall on “Romantic,” while Assala’s “Daribet El Bo3d” leans into Arabic pop with polished restraint. “So What” brings Holly Evans and El Grande...
Benson Boone’s “Mr Electric Blue” pokes fun at music biz debt, while Ed Sheeran’s “Drive” brings racing energy with help from John Mayer and Dave Grohl. Lorde opens her album...
"MiuMiu" by Sofía Reyes, Luísa Sonza, and RaiNao pairs sharp beats with a bilingual hook, while TINI and Beéle's “Universidad” leans into romantic confusion. Katteyes, Jere Klein, and Lucky Brown...
Fit For A King’s “Lonely God” leads their eighth album with themes of isolation and ambition. Alice Cooper’s “Wild Ones” revives his original lineup, drawing from 1950s rebellion. The Haunted’s...
Didi B and Doupi Papillon trade coded intimacy on “Entre Nous Deux,” while Danya Devs leans into Afro-pop sincerity with “Asambe.” Rose Muhando’s “Tuma Malaika” channels spiritual resolve in Swahili,...
Ozuna returns to afro-Caribbean fusion on “Sirenita,” while Duki swings irony through trap on “Golfista.” Myke Towers and Quevedo reunite for the coastal-toned “Soleao,” and Kidd Keo blurs languages in...
“Bate” by DENNIS, Luísa Sonza, and Kenia OS prioritizes repetition and rhythm over narrative, built for dancefloor hypnosis. Montaner’s “Si Tuviera Que Elegir” returns as a family trio ballad, while...
“FOLOMiANA” sees Chriss Eazy, Kevin Kade, and The Ben blend Afrobeat with Kinyarwanda finesse. Chella’s “My Darling” weaves Igbo grief into groove. Jay Melody and Alikiba team on “Nishalowa,” a...
April’s vintage charts show minimal disruption, with only a few new entries—New Edition, XTC, Machine Head, and Kodak Black—shuffling into established rankings. Most top tracks hold firm
On April 24, 2025, Beéle & Ovy On The Drums take over *Urbano Latino* with “Mi Refe.” Natti Natasha debuts, and “Santa” lands at 17. In *Metalcore*, I Prevail’s “Bad...
Mafe Cardona makes her official debut with "Hastaluegui," twisting goodbye into something sly over a polished Latin beat. Guilherme e Santiago’s "Anjo Na Terra" blends sertaneja charm with smooth production,...
