(1991) How High the Moon [from Expo Sevilla 1992]

“Tear Me Down” by Joyner Lucas and Ava Max dropped July 17, 2025 via Atlantic Records, tied to “ADHD 2.” Billy Idol and Steve Stevens performed “No More Tears” at...
Tyler, The Creator’s “Don't Tap the Glass” (July 21, 2025) spans 28 minutes with ten self-produced tracks mixing hip-hop, funk, house, and dance. Uncredited features include Baby Keem, Daisy World,...
Bien’s "All My Enemies Are Suffering" blends afropop, Afro R&B, and gengetone with lyrical triumph. Sheebah Karungi’s "Somebody" leans into bongo flava. Mr Eazi returns with mellow Afrobeats on "Corny."...
This bi-weekly update highlights major movements across global music charts, featuring over 100 artists including Rosé, Kendrick Lamar, Lady Gaga, Davido, and Babymetal. Spanning 16 genres, it tracks new entries,...
“Suerte” pairs Yan Block’s sharp delivery with RaiNao’s soft vocals under Slow Jamz’s mellow production—Puerto Rico meets lounge house with club shadows. Soolking’s “Tkt Pas” fuses raï, soul, and melodic...
Guy2Bezbar links with Killa Predator on “La Jeunesse Dorée,” continuing a streak of concise 2025 drops. Morad and Gazo fire off bilingual bars on “Cuídate,” while Headie One returns with...
Ski Mask the Slump God fires up “Catch Me Outside 2” with Timbaland and Missy Elliot, throwing back to his 2017 breakout over 2000s-styled trap. Drake’s “What Did I Miss?”...
Bad Bunny’s “NUEVAYoL” flips a salsa classic with dembow drums and Puerto Rican pride stamped all over, while DJ Snake and J Balvin go full '90s throwback in “Noventa,” VHS...
Lila Iké and Masicka blend reggae and dancehall on “Romantic,” while Assala’s “Daribet El Bo3d” leans into Arabic pop with polished restraint. “So What” brings Holly Evans and El Grande...
Benson Boone’s “Mr Electric Blue” pokes fun at music biz debt, while Ed Sheeran’s “Drive” brings racing energy with help from John Mayer and Dave Grohl. Lorde opens her album...
"MiuMiu" by Sofía Reyes, Luísa Sonza, and RaiNao pairs sharp beats with a bilingual hook, while TINI and Beéle's “Universidad” leans into romantic confusion. Katteyes, Jere Klein, and Lucky Brown...
Fit For A King’s “Lonely God” leads their eighth album with themes of isolation and ambition. Alice Cooper’s “Wild Ones” revives his original lineup, drawing from 1950s rebellion. The Haunted’s...
Didi B and Doupi Papillon trade coded intimacy on “Entre Nous Deux,” while Danya Devs leans into Afro-pop sincerity with “Asambe.” Rose Muhando’s “Tuma Malaika” channels spiritual resolve in Swahili,...
Ozuna returns to afro-Caribbean fusion on “Sirenita,” while Duki swings irony through trap on “Golfista.” Myke Towers and Quevedo reunite for the coastal-toned “Soleao,” and Kidd Keo blurs languages in...
“Bate” by DENNIS, Luísa Sonza, and Kenia OS prioritizes repetition and rhythm over narrative, built for dancefloor hypnosis. Montaner’s “Si Tuviera Que Elegir” returns as a family trio ballad, while...
“FOLOMiANA” sees Chriss Eazy, Kevin Kade, and The Ben blend Afrobeat with Kinyarwanda finesse. Chella’s “My Darling” weaves Igbo grief into groove. Jay Melody and Alikiba team on “Nishalowa,” a...
April’s vintage charts show minimal disruption, with only a few new entries—New Edition, XTC, Machine Head, and Kodak Black—shuffling into established rankings. Most top tracks hold firm
On April 24, 2025, Beéle & Ovy On The Drums take over *Urbano Latino* with “Mi Refe.” Natti Natasha debuts, and “Santa” lands at 17. In *Metalcore*, I Prevail’s “Bad...
Mafe Cardona makes her official debut with "Hastaluegui," twisting goodbye into something sly over a polished Latin beat. Guilherme e Santiago’s "Anjo Na Terra" blends sertaneja charm with smooth production,...