Wild Child

Crawling Kingsnake

Stay All Night

Going Down South

On The Game

The Night Before

Stay In Your Grave (w/ Alice Cooper)

Sin City


The Black Keys

1 Search Results Found

Echo Chamber

The Black Keys vs. The Machine: Fame, Fury, and a System That Chews You Up

The Black Keys recount their disillusionment with the music industry, a terrain they say “inevitably” exploits. By 2015, they find themselves deep in its machinations—confused, furious, seeking vengeance rather than vindication.

Time, and perhaps some maturity, may have helped cool the fever. Still, the wounds remain fresh, their anger palpable, their narrative an indictment lingering somewhere between personal betrayal and systemic rot.


Source: Music Industry News – Published on August 10, 2025

The Black Keys shrug off trends, plug in amps, and call it a recalibration

Following a career blip that left critics blinking, The Black Keys sidestep reinvention and lean into what they do with weary confidence: gritty guitar riffs, no-frills percussion, and a blues-rock groove stubbornly resistant to trends.

Their new LP runs smooth, neither trying too hard nor phoning it in—a recalibration, not a revolution. It’s the sonic equivalent of worn denim: familiar, functional, and free of delusion about what it isn’t.


Source: Music – Rolling Stone – Published on August 8, 2025

Search Results

Me:nu Du Jour February 13 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Fugees, Sérgio Mendes, Phil Collins, Black Sabbath, 2Pac, Bob Dylan, The Band, Rolling Stones, Emeli Sandé, Ella Fitzgerald, Charles Mingus, Taj Mahal, Dianne Reeves,...

This week In Singing Ladies 07/52

Sarah Vaughan’s "Send In The Clowns," from her 1981 album, highlights her vocal depth, turning Sondheim’s poignant lyrics into an intimate experience. Katie Melua’s "Spider’s Web" blends subtle guitar work...

This week In Guitar Virtuosi 05/52

Santana’s “Once It’s Gotcha” layers Latin jazz percussion with Carlos Santana’s subtle guitar and vocals, while Bill Frisell’s “Outlaws” shifts between jazz fusion and Americana across two albums, each offering...

This week In Jazz Legends 05/52

Bill Evans’ moody “Nardis” evolves into an introspective canvas, while Carmen McRae’s haunting take on “Round Midnight” fuses jazz clarity with late-night ache. The Modern Jazz Quartet reshapes “Softly, as...

Close Menu

Your Favorite Artists