Rosalía

Rosalía slips into Palestine fundraiser, exits with "La Perla" and pointed blame

Rosalía materializes unannounced at a Palestine benefit concert in Barcelona, slipping into the lineup after Morad and Bad Gyal with surgical precision. She closes the evening with “La Perla,” a meditative pull from her November release 'Lux.'

The event directs all proceeds to cultural organizations across Palestine, including the AJEE/Lajee Center. Prior tension with designer Miguel Adrover over her perceived silence resurfaces, prompting her to redirect blame toward political leadership.

Rosalía skips the Motomami sequel, returns with 18 tracks in 13 languages

Rosalía sidesteps the obvious sequel to Motomami and instead surfaces two and a half years later with Lux, a genre-twisting opus of 18 tracks performed in 13 languages. Composed with the London Symphony Orchestra, the project skirts easy labels—pop? classical?—while reshaping the notion of musical boundaries in an era of rapid consumption.

Split into four movements, Lux bypasses structural rigidity, moving from reggaetón fragments to Italian arias. Tracks like "Dios Es Un Stalker" flirt with mainstream appeal, while "Sexo, Violencia y Llantas" opens like a piano étude before erupting into orchestrated drama.

Rosalía goes full nun as Madonna declares Lux her 13-language obsession

Two days before Rosalía’s fourth album Lux hits shelves, Madonna broadcasts her endorsement on Instagram, praising the Spanish artist as “a true visionary” and confessing she “can’t stop listening.” The cover—unapologetically ecclesiastical, with Rosalía cloaked in a nun’s habit—is hard to miss.

Lux trades the reggaetón-pop palette of Motomami for orchestral gravitas, with lyrics penned across three years and sung in 13 languages. Think string quartets colliding with Björk, and a sonic ambition that nods to Patti Smith and Taoist poetry in one breath.

Rosalía trolls tradition in 14 tongues, marriage gets the breakup it deserves

Rosalía’s new album “Las Mujeres Ya No Lloran” balks at romantic conventions, poking at an ex with lyrical mischief and destabilizing the notion of marriage not as a bond but as an outdated performance. She sings across 14 languages, not in pursuit of cosmopolitan flair but as fluid extensions of constantly shifting identity.

Between flamenco echoes and experimental pop, she bends genres with intent rather than spectacle, using sound less as celebration than confrontation.

Rosalía Turns 33, TMZ Celebrates with Selfies over Singles

TMZ marks Spanish singer Rosalía’s 33rd birthday by curating a gallery of her sultriest snapshots. The feature highlights her dual presence—radiant under stage lights and casually commanding attention through unapologetic Instagram selfies.

The piece refrains from offering retrospective career appraisals, instead savoring the performer’s visual charisma in curated frames. A stylized homage, the collection leans into her image more than her music, favoring spectacle over sound.