Igual Que Un Ángel (w/ Peso Pluma)

Telepatía

Labios Mordidos (w/ Karol G)

Sad Girlz Luv Money Remix

Fue Mejor (w/ Sza)

Moonlight

Drugs N Hella Melodies (w/ Don Toliver)

I Wish You Roses


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Kali Uchis

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Echo Chamber

Travis Scott Steps In to Defend Rap Lyrics as Art, Not Evidence, in Texas Case

Travis Scott comes to the aid of a Black man in Texas, standing firmly against the use of rap lyrics as evidence in a sentencing hearing.

The man faces a death sentence for a double murder, and Scott argues the citation of creative expression is unconstitutional.


Source: TMZ.com – Published on March 11, 2026

Travis Scott borrows Cudi’s name and teenage angst to launch his rap dreams

Travis Scott credits Kid Cudi with convincing him that rap was a viable path, recalling “Soundtrack 2 My Life” as mirroring his own adolescence. Hearing it in high school, he claims he instantly felt a fraternal link to Cudi’s narrative of isolation and ambition.

Scott recalls one of his earliest concerts, where Cudi’s LED-lit entrance felt like a revelation. The connection runs deeper than fandom; “Scott” in Travis Scott is borrowed from Scott Mescudi’s birth name.

They later collaborated on 2016’s “Thru the Late Night,” and on tracks like “THE SCOTTS” and “LOOOVE.”


Source: Billboard – Published on January 29, 2026

Travis Scott’s globe-jumping rap tour rings up $265M and a confetti close

Travis Scott wraps his Circus Maximus Tour with $265.1 million grossed and 2.1 million tickets sold, taking a confetti-drenched bow as the highest-earning solo rap trek in history. Over 80 shows across six continents carry audiences through Utopia’s 19-track sprawl, each track landing on the Billboard Hot 100.

From California’s SoFi Stadium to a finale in Mumbai, Scott deploys a rotating cast including Ye, Don Toliver, and Yung Lean, turning each stop into an adrenaline-fueled dispatch from the Cactus Jack universe.


Source: Billboard – Published on November 25, 2025

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New Music Videos (Ladies Only) – N°504

Sarika Gill’s “Hor Gal” anchors Punjabi vocal assertiveness in beat-driven production, while Wolf Alice’s “Bloom Baby Bloom” trades distortion for piano-led introspection. Reneé Rapp’s “Leave Me Alone” signals autonomy post-television....
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