U2

Read more about the article This week In ’90s Throwback’ 06/52

This week In ’90s Throwback’ 06/52

Amy Winehouse’s "Love Is a Losing Game" is a minimalist heartbreak ballad from *Back to Black*, where her smoky vocals shine against sparse production, earning it an Ivor Novello Award. Samantha Fish brings fiery blues-rock intensity to "I Put a Spell On You," revisiting the classic with sharp guitar work and raw emotion. Meanwhile, Valerie June’s "Somebody to Love" pairs her distinctive banjolele with tender vocals, blending her Tennessee roots with gospel and blues influences.

Rhiannon Giddens reimagines Patsy Cline’s "She’s Got You" with understated precision, while Suzanne Vega’s "Solitude Standing" captures introspective quietness with layered textures. P!nk’s "Try" balances resilience and theatrics, epitomized by a strikingly physical music video. Sheryl Crow’s "Strong Enough" offers a raw, confessional tone, its stripped-back production bolstering its emotional weight, staying as impactful decades after its release.

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Read more about the article U2 visit Buenos Aires (1998)

U2 visit Buenos Aires (1998)

U2 * POP MART Live at River Plate | Buenos Aires, Argentina (Feb 6, 1998)
U2 * POP MART Live at River Plate | Buenos Aires, Argentina (Feb 6, 1998)
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Read more about the article ‘Look Ma, No Mike!’ N°8 – Vintage 2000s Music Videos

‘Look Ma, No Mike!’ N°8 – Vintage 2000s Music Videos

How well do you know the music of Coldplay’s "Fix You" tugs at raw grief with its soaring crescendos and Chris Martin’s heartfelt promise to heal, while Adele’s "Hometown Glory" strikes a tender chord with its minimalist piano and nuanced nostalgia for home. U2’s "Beautiful Day" blends optimism and loss, carried by The Edge’s iconic guitar, while Red Hot Chili Peppers’ acoustic gem "Road Trippin’" captures quiet camaraderie. Elliot Minor's "Still Figuring Out" channels restless self-discovery through orchestral-tinged rock hooks, and Infadels’ "Can’t Get Enough" electrifies with its indie-electro intensity. Delta Goodrem’s nostalgic "Innocent Eyes" reflects on youth through polished balladry, and Richard Ashcroft’s "Science of Silence" layers existential musings over lush orchestral soundscapes. Each track carves its emotional niche, whether muted and intimate or brimming with energy.? Take our 12-track quiz.

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Read more about the article On Irish TV today, U2 at ‘TV Gaga’ (1986)

On Irish TV today, U2 at ‘TV Gaga’ (1986)

U2 TV GAGA 1986
U2 TV GAGA 1986
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Read more about the article ‘Vous Avez Dit Bizarre’ N°314 – Vintage 80s Music Videos

‘Vous Avez Dit Bizarre’ N°314 – Vintage 80s Music Videos

How well do you know the music of Mental As Anything’s playful “He’s Just No Good for You” brings witty humor wrapped in polished pop-rock, while Madness’s ska-tinged “My Girl” pairs quirky storytelling with sharp rhythms. U2’s “New Year’s Day” balances icy piano riffs with political undercurrents, and Europe’s iconic “The Final Countdown” blasts interstellar escapism through dramatic synths. The Bangles’ “Walking Down Your Street” offers Californian sparkle with jangly guitars, and Deep Purple’s “Perfect Strangers” is a restrained yet powerful reunion track. Cameo’s groovy “Skin I’m In” explores identity through late-'70s funk, and Tanita Tikaram’s “Cathedral Song” keeps it hauntingly simple with introspective folk-pop charm. Each track reflects distinct moments in their artists' evolving styles.? Take our 12-track quiz.

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Read more about the article ‘Vous Avez Dit Bizarre’ N°529 – Vintage 2000s Music Videos

‘Vous Avez Dit Bizarre’ N°529 – Vintage 2000s Music Videos

Will Young amps up the energy with "Switch It On," a bold move into punchy pop-rock, debuting at No. 5 in the UK, while Kaiser Chiefs’ "Oh My God" delivers raw indie rock chaos and humor, cementing its place as a mid-2000s anthem. Snow Patrol’s heartfelt "Crack the Shutters" leans into intimacy, contrasting the explosive garage-rock swagger of Mooney Suzuki’s "Alive & Amplified." Meanwhile, "Monster" by The Automatic stomps through indie rock’s angsty side, and Take That’s "Greatest Day" soars with arena-sized optimism, proving anthemic appeal wins every time.

Continue Reading‘Vous Avez Dit Bizarre’ N°529 – Vintage 2000s Music Videos
Read more about the article ‘Look Ma, No Mike!’ N°4 – Vintage 80s Music Videos

‘Look Ma, No Mike!’ N°4 – Vintage 80s Music Videos

U2’s brassy "Angel of Harlem" honors Billie Holiday with gritty NYC vibes, while Siouxsie and the Banshees’ haunting "Israel" blends mysticism and sparse instrumentation. Sinéad O’Connor’s defiant "Mandinka" merges post-punk with African influences, and The Proclaimers’ heartfelt "Sunshine on Leith" channels homegrown devotion. Japan’s minimalist "Nightporter" and Barbra Streisand’s grand "Somewhere" each balance emotion with signature artistry.

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Read more about the article ‘We Are Live’ N°3 – Vintage 90s Music Videos

‘We Are Live’ N°3 – Vintage 90s Music Videos

Green Day’s “Stuck With Me” packs punk grit with introspection, while Oasis’ “Roll With It” channels their Britpop resilience. Blur’s “End of a Century” humorously probes suburban monotony, and Guns N’ Roses’ “Yesterdays” reflects on fleeting moments with emotional restraint. Joe Cocker’s “Let the Healing Begin” blends recovery and optimism, while U2’s “Who’s Gonna Ride Your Wild Horses” adds raw angst to their *Achtung Baby* lineup. Billy Idol’s “Prodigal Blues” offers vulnerability beneath its rugged veneer, and The Beautiful South’s "I'll Sail This Ship Alone" strips back for lyrical heartbreak atop minimalist piano.

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Read more about the article ‘We Are Live’ N°2 – Vintage 80s Music Videos

‘We Are Live’ N°2 – Vintage 80s Music Videos

Julian Lennon’s "Too Late for Goodbyes" pairs heartbreak with upbeat 80s polish, bolstered by Toots Thielemans’ harmonica, while ELO’s "Last Train to London" bridges disco and pop with glossy strings and a bittersweet groove. Feargal Sharkey’s poignant "A Good Heart" thrives on emotional fragility, Deacon Blue’s vibrant "Real Gone Kid" celebrates unfiltered admiration, and U2’s "Where the Streets Have No Name" blends spiritual yearning with masterful layering. Fleetwood Mac’s haunting "Sara" showcases Stevie Nicks’ lyrical mystique, while Queen’s "One Vision" balances optimism and playful quirks. The Cult’s "Rain" captures gothic atmospheres, and Bruce Springsteen's live "War" channels fiery resistance through anthemic energy. Gary Numan's "Complex" mixes cold synths with raw vulnerability, creating a masterpiece of alienation.

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Read more about the article U2 come to Holland (1990)

U2 come to Holland (1990)

U2 - LoveTown Rotterdam (05-01-1990)
U2 - LoveTown Rotterdam (05-01-1990)
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Read more about the article ‘Vous Avez Dit Bizarre’ N°527 – Vintage 80s Videos

‘Vous Avez Dit Bizarre’ N°527 – Vintage 80s Videos

The Specials’ “War Crimes” critiques global conflict with reggae-infused rhythm, while Red Box’s “For America” disguises sharp geopolitical commentary in pop accessibility. Altered Images’ “Happy Birthday” blends mischievous new wave charm with quirky sophistication. U2’s “In God’s Country” paints American contradictions in a shimmering desertscape, and Megadeth’s “Wake Up Dead” delivers raw, thrash-fueled intensity. The Stone Roses’ “Sally Cinnamon” hints at their indie roots, weaving jangly guitars with subtle storytelling, while Dee C. Lee’s “See The Day” offers elegant, melancholic mid-’80s appeal. Erasure’s “The Circus” wraps working-class struggles in synthpop layers, and Wah!’s “The Story of the Blues” fuses post-punk grit with brass-driven warmth.

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Read more about the article ‘L’Amour Toujours’ N°292 – Vintage 80s Music Videos

‘L’Amour Toujours’ N°292 – Vintage 80s Music Videos

Olivia Newton-John’s heartfelt "I Honestly Love You" pairs understated delivery with emotional depth, while Phil Collins and Marilyn Martin’s "Separate Lives" captures restrained sorrow. Lionel Richie’s "Ballerina Girl" offers tender simplicity, and U2’s "Pride (In the Name of Love)" channels a stirring message of resilience. Billy Joel’s "Uptown Girl" brings playful charm with its retro doo-wop vibes, and Tina Turner’s "Let’s Stay Together" reinvents Al Green’s classic with a bold, synth-heavy twist. Mariah Carey and Whitney Houston’s "When You Believe" counters its grand production with a hopeful theme, standing as a power-ballad moment.

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Read more about the article ‘Vous Avez Dit Bizarre’ N°303 – Vintage 90s Music Videos

‘Vous Avez Dit Bizarre’ N°303 – Vintage 90s Music Videos

UB40’s "Bring Me Your Cup" brings relaxed reggae vibes to *Promises and Lies*, while The Mission’s "Tower of Strength" stands tall with its Gothic rock intensity, amplified by collaborations like *TOS2020*. Sheryl Crow’s "Everyday Is a Winding Road" grooves with layered textures and a candid nod to life’s chaos, as U2’s funk-infused "Mysterious Ways" experiments with duality and feminine themes. The Beastie Boys’ "Sure Shot" bridges jazz and hip-hop with a sharp social edge, while Sinead O’Connor’s minimalist "Thank You for Hearing Me" channels raw emotion. The Smashing Pumpkins’ "Rocket" merges grunge and ambition, and Blur’s "The Universal" juxtaposes grandeur with biting irony. Natalie Imbruglia’s brooding "Smoke" paints heartbreak through layered guitars, and Kula Shaker’s "Govinda" merges Sanskrit prayers with psychedelic sounds. Genesis’s "No Son of Mine" tackles family pain with deep storytelling, and Dylan’s "Like A Rolling Stone" finds a swaggering cover in The Rolling Stones’ lively performances.

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Read more about the article ‘We Are Live’ N°1 – Vintage 2000s Music Videos

‘We Are Live’ N°1 – Vintage 2000s Music Videos

Kid Rock’s "All Summer Long" blends '70s rock nostalgia with autobiographical lyrics, layering Warren Zevon and Lynyrd Skynyrd samples for global success. Arctic Monkeys’ "Teddy Picker" critiques fame with sharp riffs and biting wit, while McFly’s "That Girl" masks heartbreak in cheery pop-rock. Foo Fighters’ "All My Life" roars with raw intensity, and U2’s "Walk On" channels resilience amid political defiance. Babyshambles’ chaotic "Killamangiro" flirts with collapse but holds a jagged charm, and Razorlight’s "America" balances admiration and critique with poignant reflections. Jeff Buckley’s "Hallelujah" captures delicate intimacy, infusing Leonard Cohen’s words with haunting vulnerability. Stereophonics' "Handbags and Gladrags" critiques materialism with timeless orchestral weight, while "Ashes" by Embrace ignites hope through soaring rock anthems.

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