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This week In Jazz Legends 04/52

This week In Jazz Legends 04/52

Wes Montgomery’s “West Coast Blues” showcases his inventive thumb-picked technique and octave work, supported by Tommy Flanagan’s piano and Percy Heath’s bass, while Benny Golson’s take on “Take The A Train” blends respect for tradition with a fresh swing. Freddie Hubbard’s “Red Clay” leans into groovy jazz fusion, anchored by Ron Carter’s bass and Herbie Hancock’s electric piano. Rahsaan Roland Kirk’s “Seasons” packs layered improvisations, balancing chaos and thoughtfulness, while Joe Lovano’s “Sounds of Joy” offers playful unpredictability within a minimalist trio. Sonny Rollins’ “Alfie’s Theme” merges cinematic flair with jazz brilliance, and Lenny White’s “Wolfbane” grooves through controlled fusion. Michael Brecker’s “Broadband” bursts with layered orchestral energy, while the SFJAZZ Collective reinvents Chick Corea’s “Spain” with ensemble-driven precision. Finally, Chick Corea and Gary Burton’s “Rhumbata” highlights their seamless duo chemistry with understated charm.

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‘Vous Avez Dit Bizarre’ N°535 – Vintage 2000s Music Videos

‘Vous Avez Dit Bizarre’ N°535 – Vintage 2000s Music Videos

How well do you know the music of The Zutons’ “Pressure Point” merges chaotic energy and sax-infused grooves, its anxious vibe elevated by quirky production. Kings of Leon bring raw defiance with “Four Kicks,” a snarling Southern rock blast. Feeder’s “Just the Way I’m Feeling” offers poignant alt-rock introspection, while Elton John’s “This Train Don’t Stop There Anymore” strips back to piano-driven melancholy. Everlast’s “Black Jesus” and Keane’s “A Bad Dream” lean into reflective storytelling, blending grit and moody atmospheres. Meanwhile, Sons and Daughters’ jagged “Darling” and The Wildhearts’ volatile “Stormy in the North, Karma in the South” channel unpolished intensity into memorable alt-rock punches.? Take our 12-track quiz.

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‘Music For The Dancers’ N°520 – Vintage 90s Music Videos

‘Music For The Dancers’ N°520 – Vintage 90s Music Videos

How well do you know the music of Cartouche’s “Feel The Groove” bumps with ’90s Eurodance energy, while Erik’s rework of “Got To Be Real” swaps disco grit for club gloss. Thompson Twins’ “The Saint” balances late-career experimentation, and Ween’s “Voodoo Lady” stirs funk and psychedelia with live jam flare. Girlfriend’s “Take It from Me” offers polished pop sweetness, and Westbam’s “Hold Me Back” keeps Berlin’s late-’80s techno spirit alive.? Take our 12-track quiz.

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This week In Guitar Virtuosi 04/52

This week In Guitar Virtuosi 04/52

Pat Metheny reshapes Carly Simon’s “That’s the Way I’ve Always Heard It Should Be” into a tender baritone guitar instrumental, while John Fahey’s “Old Southern Medley” weaves Americana with subversive nuance. Paco de Lucía’s “Antonia (Buleria Por Solea)” balances flamenco tradition with modern flair, and Tommy Emmanuel’s “Eva Waits” blends delicate fingerpicking with cinematic tension. Eddie Van Halen’s iconic “Eruption” redefined guitar solos, and Yngwie Malmsteen’s virtuosic “Far Beyond the Sun” revels in neoclassical theatrics. Stevie Ray Vaughan’s “Riviera Paradise” offers a jazz-tinged reprieve, while Joe Bonamassa’s “Never Give All Your Heart” delivers polished blues-rock. Shawn Lane’s “Improvisation 2” channels chaotic brilliance, and Charlie Hunter’s “Untitled Improvisation #2” merges groove and innovation, with James “Blood” Ulmer adding raw fusion to the mix in “Black Rock.”

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‘Vous Avez Dit Bizarre’ N°316 – Vintage 90s Music Videos

‘Vous Avez Dit Bizarre’ N°316 – Vintage 90s Music Videos

How well do you know the music of Tori Amos captivates with “Cornflake Girl,” blending catchy piano melodies and biting themes of betrayal; PJ Harvey’s “The Wind” haunts with stark minimalism and folklore. Suede slows things down on “Saturday Night,” a Britpop gem softened with introspection, while The Prodigy’s “Poison” oozes gritty defiance through breakbeat and punk energy. Enya’s “Anywhere Is” floats dreamily between escapism and pop accessibility, and Sebadoh’s raw “Flame” tugs at emotional tension with its lo-fi grit. Daisy Chainsaw’s chaotic “Love Your Money” mixes punk absurdity with infectious hooks, contrasting Soul Asylum’s reflective “Black Gold,” tackling oil’s darker symbolism amidst ’90s rock’s rise.? Take our 12-track quiz.

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‘L’Amour Toujours’ N°653 – 2010s Music Videos

‘L’Amour Toujours’ N°653 – 2010s Music Videos

How well do you know the music of Lana Del Rey’s “Video Games” blends melancholic nostalgia with dreamy production, setting the stage for her cinematic artistry, while Mabel’s “Don’t Call Me Up” serves post-breakup resilience in polished tropical pop. Ed Sheeran’s tender “Lego House” captures emotional rebuilding through acoustic intimacy, contrasting with One Direction’s vibrant “One Thing,” a burst of boyband charm and big hooks. Charlie Puth’s “How Long” brings sleek funk vibes to themes of betrayal, and Bruno Mars’ dramatic “It Will Rain” thrives on heartbreak with pop-soul theatrics. Raye’s “Decline” modernizes early-2000s nostalgia, and Clean Bandit’s “I Miss You” mixes crisp EDM beats with lyrical poignancy.? Take our 12-track quiz.

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‘Music For The Dancers’ N°102 – Vintage 80s Music Videos

‘Music For The Dancers’ N°102 – Vintage 80s Music Videos

How well do you know the music of Matthew Wilder’s “Break My Stride” defied setbacks with its reggae-synth groove, while Cyndi Lauper’s “Girls Just Want to Have Fun” merged New Wave with feminist energy. Blondie’s “Rapture” introduced hip-hop to pop with surreal charm, and Ten City’s “That’s The Way Love Is” brought heartfelt house beats to the forefront. Meanwhile, Kylie Minogue’s “I Should Be So Lucky” sparkled with bubblegum sincerity, and The Pointer Sisters’ “Neutron Dance” paired Cold War tension with infectious pop-funk flair.? Take our 12-track quiz.

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Hip-Hop & Soul New Music Videos – N°493

Hip-Hop & Soul New Music Videos – N°493

41’s “Presidential (Save Me)” blends Brooklyn drill energy with sharp lyricism from Jenn Carter, Kyle Richh, and TaTa. Tyga’s “Body Talk” features Wiz Khalifa, Rubi Rose, and YG, delivering his signature explicit swagger. Sturdyyoungin’s “TRIPPIN” offers a vibrant beat with sleek production, while Inas Arnautović’s “500/500” brings hard-hitting Balkans hip-hop with trap influences.

Lartiste’s “Vaï & Viens” showcases a seamless rap-melody fusion, and Youssoupha’s “Dieu Est Grande” delivers introspection with cultural depth. Le Crime returns with the hypnotic “Prada,” while Shordie Shordie’s “On My Own” highlights his distinct vocal style. Offset’s “Antisocial” echoes his Migos roots, and Kevin Gates’ “Block Away” layers dark production with raw lyricism.

Updated : Jan 23,2025

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