Curated playlists, portraits, albums & weekly selection
Browse artists by genre or popularity. Search by name
Explore pop, jazz, rock, rap, world & 25+ more styles
Music news daily about your favorite artists
Books, merch, instruments & collector’s picks
This day (January 25, 1929), in Philadelphia, Pennsylvania, is born Benny Golson,an American bebop & hard bop jazz tenor saxophonist.Tracklist : 1 . Take The A Train (2009) 2 .…
Jennifer Lopez keeps it real with “Jenny from the Block,” blending Bronx pride with diamond-draped swagger, while Shakira’s “Hips Don’t Lie” bursts with global rhythms and undeniable movement. Madonna’s “Music” fuses disco with futurism, and Eric Prydz’s “Call on Me” modernizes nostalgia with an aerobics twist. Armand Van Helden’s “My My My” and Hatiras’ “Spaced Invader” bring infectious energy to the club scene, balancing catchy beats with playful visuals.
How well do you know the music of Kanye West’s “Gold Digger” stands tall with its Ray Charles-inspired hook and playful critique of materialism, while J Hus’s “Bouff Daddy” fuses Afroswing with grime for effortless charm. Drake’s “God’s Plan” pairs trap beats with feel-good philanthropy, and Bryson Tiller’s intimate “Don’t” redefined R&B with its lo-fi edge. AJ Tracey’s experimental “Psych Out!” mixes UK rap with genre-blending production, and Mustard’s “Pure Water” with Migos channels brash energy for party-ready appeal. Tracks like Fredo and Not3s’ “YRF” boast gritty yet smooth collaboration, while Dappy’s introspective “No Regrets” elevates UK hip hop with anthemic layers.? Take our 12-track quiz.
How well do you know the music of Sarah Brightman’s ethereal “Wishing You Were Somehow Here Again” balances operatic skill with pop appeal, a tender lament from *Phantom of the Opera*. Elaine Paige and Barbara Dickson’s harmonious “I Know Him So Well” from *Chess* adds emotional depth to a love triangle, while Debbie Gibson’s “Lost in Your Eyes” captures heartfelt simplicity amid ’80s chart clutter. Diana Ross gives a nostalgic twist to “Why Do Fools Fall in Love,” merging doo-wop charm with polished production. Meanwhile, Angry Anderson’s “Suddenly” trades rock grit for a ballad etched into pop culture, and Eurythmics’ “The Miracle of Love” showcases Annie Lennox’s vocal strength with piano-driven vulnerability. Rosie Vela’s smooth “Magic Smile,” with Steely Dan’s finesse, contrasts with John Parr’s rebellious “Naughty Naughty,” pulsing with ’80s energy. Shakin’ Stevens’ “Oh Julie” brings retro rock joy, while Mike Oldfield’s “Crime of Passion” plays with synth-laden drama.? Take our 12-track quiz.
Wes Montgomery’s “West Coast Blues” showcases his inventive thumb-picked technique and octave work, supported by Tommy Flanagan’s piano and Percy Heath’s bass, while Benny Golson’s take on “Take The A Train” blends respect for tradition with a fresh swing. Freddie Hubbard’s “Red Clay” leans into groovy jazz fusion, anchored by Ron Carter’s bass and Herbie Hancock’s electric piano. Rahsaan Roland Kirk’s “Seasons” packs layered improvisations, balancing chaos and thoughtfulness, while Joe Lovano’s “Sounds of Joy” offers playful unpredictability within a minimalist trio. Sonny Rollins’ “Alfie’s Theme” merges cinematic flair with jazz brilliance, and Lenny White’s “Wolfbane” grooves through controlled fusion. Michael Brecker’s “Broadband” bursts with layered orchestral energy, while the SFJAZZ Collective reinvents Chick Corea’s “Spain” with ensemble-driven precision. Finally, Chick Corea and Gary Burton’s “Rhumbata” highlights their seamless duo chemistry with understated charm.
How well do you know the music of The Zutons’ “Pressure Point” merges chaotic energy and sax-infused grooves, its anxious vibe elevated by quirky production. Kings of Leon bring raw defiance with “Four Kicks,” a snarling Southern rock blast. Feeder’s “Just the Way I’m Feeling” offers poignant alt-rock introspection, while Elton John’s “This Train Don’t Stop There Anymore” strips back to piano-driven melancholy. Everlast’s “Black Jesus” and Keane’s “A Bad Dream” lean into reflective storytelling, blending grit and moody atmospheres. Meanwhile, Sons and Daughters’ jagged “Darling” and The Wildhearts’ volatile “Stormy in the North, Karma in the South” channel unpolished intensity into memorable alt-rock punches.? Take our 12-track quiz.
How well do you know the music of Cartouche’s “Feel The Groove” bumps with ’90s Eurodance energy, while Erik’s rework of “Got To Be Real” swaps disco grit for club gloss. Thompson Twins’ “The Saint” balances late-career experimentation, and Ween’s “Voodoo Lady” stirs funk and psychedelia with live jam flare. Girlfriend’s “Take It from Me” offers polished pop sweetness, and Westbam’s “Hold Me Back” keeps Berlin’s late-’80s techno spirit alive.? Take our 12-track quiz.
Pat Metheny reshapes Carly Simon’s “That’s the Way I’ve Always Heard It Should Be” into a tender baritone guitar instrumental, while John Fahey’s “Old Southern Medley” weaves Americana with subversive nuance. Paco de Lucía’s “Antonia (Buleria Por Solea)” balances flamenco tradition with modern flair, and Tommy Emmanuel’s “Eva Waits” blends delicate fingerpicking with cinematic tension. Eddie Van Halen’s iconic “Eruption” redefined guitar solos, and Yngwie Malmsteen’s virtuosic “Far Beyond the Sun” revels in neoclassical theatrics. Stevie Ray Vaughan’s “Riviera Paradise” offers a jazz-tinged reprieve, while Joe Bonamassa’s “Never Give All Your Heart” delivers polished blues-rock. Shawn Lane’s “Improvisation 2” channels chaotic brilliance, and Charlie Hunter’s “Untitled Improvisation #2” merges groove and innovation, with James “Blood” Ulmer adding raw fusion to the mix in “Black Rock.”