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This week In ‘2000s Throwback’ 04/52

This week In ‘2000s Throwback’ 04/52

Bob Dylan’s timeless “Make You Feel My Love,” reworked by Adele on *19*, balances raw devotion with her signature polish. D’Angelo’s sultry “Untitled (How Does It Feel)” channels Prince’s energy, merging funk and neo-soul, while System of a Down’s ferocious “Chop Suey!” blends aggression and melody with existential weight. Radiohead’s haunting “A Wolf at the Door” thrives on lyrical tension, and Arctic Monkeys’ “Perhaps Vampires Is a Bit Strong But…” captures mid-2000s indie grit. Beach House’s ethereal “Zebra” evokes hazy nostalgia, and Sharon Jones & The Dap-Kings’ “My Man Is a Mean Man” revives retro soul with defiant intensity. Adele’s sweeping “Set Fire to the Rain” on *21* pushes emotional limits, and The Cranberries’ “Animal Instinct” merges maternal warmth with poignant rock.

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‘Music For The Dancers’ N°323 – Vintage 90s Music Videos

‘Music For The Dancers’ N°323 – Vintage 90s Music Videos

How well do you know the music of Ultra Naté’s “Show Me” shines as a ’90s house gem with producers like Soulshock and remixes by Masters at Work adding flair, while Leila K’s brash “Open Sesame” fuses Eurodance with rap under Denniz PoP’s bold touch. The KLF’s “3 A.M. Eternal” drives rave culture with chaotic energy, while Patrice Rushen’s “Forget Me Nots” delivers timeless funk grooves. Culture Beat’s “Inside Out” keeps ’90s Eurodance alive, and Happy Mondays’ “Wrote For Luck” captures Manchester’s acid-house grit reimagined by Paul Oakenfold.? Take our 12-track quiz.

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Hard & Metal New Music Videos – N°267

Hard & Metal New Music Videos – N°267

Meshuggah’s “Ligature Marks” gets a live video, while NOAPOLOGY’s “Bad News” blends heavy riffs with melody. Rivers of Nihil’s “House of Light” debuts Adam Biggs as lead vocalist, mixing prog with sax. Imminence’s “Death Shall Have No Dominion” leans into black and death metal with orchestral strings.

Benediction’s “Engines Of War” stays brutal, Revocation’s “Confines of Infinity” enlists Travis Ryan, and Majestica’s “Battle Cry” brings Viking-themed power metal.

Updated : Feb 10,2025

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‘L’Amour Toujours’ N°303 – Vintage 90s Music Videos

‘L’Amour Toujours’ N°303 – Vintage 90s Music Videos

How well do you know the music of Annie Lennox’s polished duet with Paul Simon on “Something So Right” carries reverence but lacks spark, while Herbie Hancock’s involvement in her later version adds a brooding touch. Lita Ford’s “Shot of Poison” straddles hard rock and pop with fiery riffs and earned her a Grammy nod. The Stone Roses’ bold “Love Spreads” blends blues and religious imagery, peaking at #2 in the UK. Erasure’s “In My Arms” dips into trip-hop-tinged synth-pop, becoming a dancefloor favorite. Meanwhile, Winger’s “Miles Away” channels glam-metal heartbreak, and Meat Loaf’s theatrical “Not a Dry Eye in the House” dives into soft rock melodrama.? Take our 12-track quiz.

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This week In One-Off Collaborations 04/52

This week In One-Off Collaborations 04/52

Ann-Margret’s fiery duet with Tina Turner on “Honky Tonk Women” swaps raw grit for theatrical sparkle, while Jeff Beck and Beth Hart electrify “Goin’ Down” with ferocious riffs and powerhouse vocals. Sting and Cheb Mami’s “Desert Rose” fuses English pop and Algerian Raï into hypnotic elegance, and George Duke with Anita Baker crafts a tender homage in “God Bless the Child.” Yo-Yo Ma and T. M. Krishna blur boundaries with their improvisational blend of Bach and Carnatic music, and INXS teams with Ray Charles on “Please” for a striking mix of rock and rhythm-and-blues. Each track mingles tradition with fresh perspectives, creating moments as compelling as they are unique.

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‘We Are Live’ N°7 – Vintage 80s Music Videos

‘We Are Live’ N°7 – Vintage 80s Music Videos

How well do you know the music of The page spotlights standout tracks like The Specials’ urgent “Too Much Too Young,” critiquing societal norms with sharp ska rhythms, and XTC’s quirky “Senses Working Overtime,” blending medieval melodies with pop. Echo & The Bunnymen’s brooding “The Cutter” adds Eastern-inspired strings, while The Jam’s dynamic “Strange Town” captures urban dislocation. Jefferson Starship’s rock-leaning “Jane” and Julian Cope’s multi-layered “Trampolene” tackle tension and introspection with bold instrumentation. Theatre of Hate’s haunting “Do You Believe in the Westworld?” and The Stranglers’ gritty “(Get A) Grip (On Yourself)” channel post-punk energy, while The Boomtown Rats’ witty “Someone’s Looking at You” critiques surveillance culture with a sharp New Wave edge.? Take our 12-track quiz.

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‘Music For The Dancers’ N°322 – Vintage 80s Music Videos

‘Music For The Dancers’ N°322 – Vintage 80s Music Videos

How well do you know the music of The text takes us through standout tracks of the late ’70s and ’80s, beginning with The Specials’ ska anthem “A Message to You Rudy,” its sharp brass and youthful grit resonating amidst UK turmoil. LL Cool J’s raw “I Can’t Live Without My Radio” honors boombox culture, while Whodini’s electro-funk “Magic’s Wand” spotlights DJ artistry. Meanwhile, Elton John and George Michael add playful glamor with “Wrap Her Up,” and James Ingram’s “Yah Mo B There” blends optimistic faith with smooth vocals. Sharon Redd’s “In The Name of Love” rides post-disco grooves, while George Benson’s “Never Give Up on a Good Thing” offers polished jazz-pop charm.? Take our 12-track quiz.

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This week In Male Balladeers 04/52

This week In Male Balladeers 04/52

D’Angelo’s “Devil’s Pie,” a gritty DJ Premier collaboration, critiques materialism through stripped-back funk, while José James’ “Trouble” channels Bill Withers and Sly Stone with swagger and emotional depth. Aaron Neville softens Leonard Cohen’s “Bird on the Wire” with smooth harmonies, and INXS’s “Beautiful Girl” conveys heartfelt simplicity. Curtis Mayfield’s “People Get Ready” remains a Civil Rights anthem of optimism, and Little Feat’s jazzy “Dixie Chicken” revels in playful storytelling and timeless charm. Dean Martin’s serene take on “It’s Easy to Remember” pairs elegant restraint with nostalgia, while Robert Wyatt’s surreal “Sea Song” from *Rock Bottom* balances tender minimalism with dreamlike ambiguity. Neil Finn’s “Fall at Your Feet” from Crowded House centers on quiet vulnerability and enduring sincerity.

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