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Singing With Sheryl Crow

Singing With Sheryl Crow

Sheryl Crow and Grace Potter’s acoustic “New Kid In Town” honors Glenn Frey with raw, stripped-back harmonies, reflecting the Eagles’ original while staying reverent. Kid Rock and Crow’s “Picture” brings aching regret to life, marrying confessional lyrics with their emotional vocal chemistry. The understated duet became a hit, resonating with heartbreak and sincerity.

Crow and Vince Gill’s take on “Two More Bottles of Wine” during Emmylou Harris’s tribute is polished yet safe, while her duet with Ben Harper on “My Sweet Lord” respects George Harrison’s legacy but feels bound by its solemn cause. Crow’s duet with Pat Benatar on “I Shall Believe” combines grit and grace but plays it too tidy, while her “Don’t Let Me Down” alongside Chris Stapleton adds layered textures but stays shadowed by the Beatles’ original.

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Hip-Hop & Soul N°357 – Vintage 90s Music Videos

Hip-Hop & Soul N°357 – Vintage 90s Music Videos

How well do you know the music of Tricky’s “Aftermath” offers a haunting mix of hip-hop, ambient techno, and dub, with Martina Topley-Bird’s eerie vocals adding depth, while Urban Species’ “Spiritual Love” blends hip-hop with jazz for an introspective vibe. Cyndi Lauper’s live “All Through The Night” showcases her tender side, and Dog Eat Dog’s “No Fronts” balances rap-metal chaos with ska-punk brass. Apache Indian’s “Make Way for the Indian” fuses ragga and hip-hop with sharp cultural edges, while Rockers Hi-Fi’s “What a Life!” pairs dub’s meditative groove with urban grit. Meanwhile, EMF’s upbeat “I Believe” captures early ’90s indie dance energy, and Blaggers ITA’s “Abandon Ship” stands as a raw punk anthem with added vocals for extra punch.? Take our 12-track quiz.

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‘We Are Live’ N°14 – Vintage 90s Music Videos

‘We Are Live’ N°14 – Vintage 90s Music Videos

How well do you know the music of Michael Bolton and Bob Dylan’s “Steel Bars” channels raw ’90s melodrama with vivid metaphors of emotional captivity, while Throwing Muses’ “Counting Backwards” offers disjointed rhythms and visceral lyrics that echo tension. The Lemon Trees’ “Let It Loose” delivers breezy, psych-tinged charm, contrasting with the art-rock complexity of The Blue Aeroplanes’ “Jacket Hangs.” Weezer’s “Undone – The Sweater Song” mixes self-aware melancholy with alt-rock simplicity, and Sick of It All’s “Scratch the Surface” burns with hardcore energy and biting defiance. Gravity Kills’ “Enough” blends industrial grit with melodic hooks, and The Supernaturals’ “The Day Before Yesterday’s Man” pairs Britpop wit with reflective musings. Poison’s bluesy “Stand” diverges from their glam roots, while Energy Orchard’s “Belfast” bridges rich folk-rock with urban grit. Heavy Stereo’s “Chinese Burn” oozes attitude with glam-inspired riffs, and Manic Street Preachers’ “Life Becoming a Landslide” unpacks raw vulnerability through anthemic swells and harsh truths.? Take our 12-track quiz.

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Singing With Sheryl Crow OLDIES

Singing With Sheryl Crow OLDIES

Sheryl Crow’s “Everyday Is a Winding Road” captures mid-90s resilience with its road-trip-ready groove and Neil Finn’s subtle backing vocals, making it a standout from her triple-platinum 1996 album. Prince’s 1999 cover gives it a sardonic twist, reframing its sunny tone with sharp guitar work and personal lyric changes. The song’s adaptability highlights its universal appeal, from soundtracks to live performances.

Meanwhile, Crow’s “Strong Enough” shines with raw vulnerability, flipping gender norms in its poignant question, “Are you strong enough to be my man?” Collaborations like “Angel” with Sarah McLachlan or “It Don’t Hurt” featuring Dixie Chicks reflect her knack for blending voices, though live showcases sometimes veer into nostalgia over reinvention. Tracks like “Soak Up the Sun” and her duet with Willie Nelson on “City of New Orleans” embody her crossover charm across decades.

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‘Music For The Dancers’ N°331 – Vintage 90s Music Videos

‘Music For The Dancers’ N°331 – Vintage 90s Music Videos

Bass Bumpers’ “The Music’s Got Me” captures early ’90s Eurodance energy with thumping beats and addictive vocal loops, while MC Sar & The Real McCoy’s “Run Away” pairs melancholy lyrics with soaring synths, becoming a global dance hit. Nakatomi’s “Children of the Night” blends Eurodance with happy hardcore for high-tempo thrills. Meanwhile, 49ers’ “Touch Me” shines with sampled Aretha Franklin vocals and euphoric house vibes, and Chumbawamba’s “Amnesia” cleverly critiques politics with catchy alternative rhythms, balancing irony and sharp commentary.

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New Music Videos (African) – N°479

New Music Videos (African) – N°479

“Owuo Safoa” sees Jay Bahd blending Asakaa drill with darker themes, produced by Jay Bunae, marking his latest in Ghana’s drill movement.

“Dancehall Time” pairs Zimbabwe’s Master H with Capleton, merging Zimdancehall and Jamaican energy under General ALLADIN’s production.

“Mwana Pretty” continues Veda Njucci’s output in Malawi’s scene, produced with Macia.

“Nze Mpako” unites Shakira Shakiraa and Winnie Nwagi in a fusion of Afrobeats and dancehall, exuding confidence.

Updated : Feb 23,2025

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Nippon Trad

Nippon Trad

From the ethereal sounds of the koto to the rhythmic beats of the taiko drums, these sonic landscapes paint a vivid picture of Japan’s musical evolution. Ensemble Nipponia and Tokyo Gakuso embody the fusion of tradition and modernity, while artists like Takahashi Chikuzan and Tadao Sawai showcase regional diversity. As the melodies intertwine, listeners embark on a sensory journey, exploring the timeless beauty of Japan’s musical legacy.

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‘We Are Live’ N°13 – Vintage 80s Music Videos

‘We Are Live’ N°13 – Vintage 80s Music Videos

How well do you know the music of The Jam’s “In the City” charges with punk urgency, critiquing authority in urban life, while The Damned’s gothic “Eloise” thrives on dramatic excess, reaching No. 3 on UK charts. Morrissey spins fame and infamy into the glam-tinged “The Last of the Famous International Playboys,” and INXS balances rock balladry with polish in “This Time.” AC/DC’s bawdy swagger comes alive in “Let’s Get It Up,” while Peter Frampton blends sleek ’80s production and emotive guitar work in “Lying.” The Boomtown Rats experiment with reggae-rock on “A Hold of Me,” offering a moody departure from their earlier hits.? Take our 12-track quiz.

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