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‘Vous Avez Dit Bizarre’ N°331 – Vintage 2000s Music Videos

‘Vous Avez Dit Bizarre’ N°331 – Vintage 2000s Music Videos

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Morrissey’s “I’m Throwing My Arms Around Paris” channels unrequited love through an embrace of a cold, unresponsive city, blending poetic alienation with melodic simplicity. On the flip side, Papa Roach’s “Last Resort” navigates raw emotions of suicide and despair, highlighted by aggressive guitars and a relentless hook, securing its place as a cultural touchstone of early 2000s metal. Meanwhile, Cold War Kids’ “Hang Me Up to Dry” leans into an eerie melodic pull, with Nathan Willett’s vocals oscillating between desperation and resignation.

Sum 41’s “The Hell Song” distills anguish into a blazing pop-punk anthem, combining biting riffs with introspective lyrics, while Korn’s “Falling Away from Me” uses eerie melodies and crushing bass lines to address domestic abuse. The Beta Band’s “Squares” crafts a layered exploration of unease through experimental use of samples and warped beats, contrasting sharply with My Chemical Romance’s punk-charged rework of Bob Dylan’s “Desolation Row,” a rapid, distorted sprint rooted in raw energy. Finally, Mogwai’s “Friend of the Night” finds introspective balance with its piano-led arrangement, embracing a softer side of post-rock dynamics.? Take our 12-track quiz.

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This week In Soul Artists 07/52

This week In Soul Artists 07/52

Al Jarreau’s “Trouble in Paradise” from his 1983 album balances smooth production and heartfelt lyrics, though it leans into safe territory compared to dynamic tracks like “Mornin’.” The Crusaders’ “Street Life,” anchored by Randy Crawford’s striking vocals, blends jazz-funk with urban storytelling, celebrated for its timeless appeal yet sometimes criticized for being overly polished. Meanwhile, Irma Thomas’s “It’s Raining” showcases understated heartbreak with a laid-back R&B feel, emphasizing nuanced vulnerability over big crescendos.

Teddy Pendergrass’ emotionally charged “Joy” triumphs as a late-’80s R&B standout post-recovery, while Thelma Houston’s disco classic “Don’t Leave Me This Way” carries raw urgency and cultural resonance. The Gap Band’s “Outstanding” enchants with its smooth romantic groove, though it risks repetitiveness. Tracks like Maceo Parker’s live “Pass the Peas” highlight razor-sharp funk delivery, reflecting collaborative genius even when staying within known boundaries. Together, these songs reveal rich layers of artistry across eras and genres.

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‘Music For The Dancers’ N°118 – Vintage 90s Music Videos

‘Music For The Dancers’ N°118 – Vintage 90s Music Videos

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Norman Cook’s “Dub Be Good to Me” stands out with its mix of SOS Band’s original framework, Johnny Dynell’s bassline, and The Clash’s rebellious touch, creating a moody, genre-blending classic. Its global success, including four weeks at #1 in the UK, cemented its cross-cultural appeal, though its layered production sparked mixed reviews. Meanwhile, Wes’s “Alane” fused African chants with dance-floor rhythms, leaving a cultural mark through its authenticity and long chart runs across Europe.

Other highlights include Vanilla Ice’s “Play That Funky Music,” a calculated hip-hop take on Wild Cherry’s hit, and Cappella’s “Move On Baby,” a Eurodance staple with Eileina Dennis’s distinctive yet uncredited vocals. Amen UK’s “Passion [Running Through My Veins]” brought hard dance energy to the forefront, while Perfecto Allstarz revamped Pigbag’s iconic riff in “Reach Up.” Sharon Redd’s disco classic “Can You Handle It” resurfaced through a ’90s remix, showcasing tracks that balance reinvention with nostalgia.? Take our 12-track quiz.

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Hip-Hop & Soul N°411 – 2010s Music Videos

Hip-Hop & Soul N°411 – 2010s Music Videos

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Tracks like Migos and Drake’s “Walk It Talk It” stick to hypnotic beats and catchy repetition, with a retro-themed music video adding light humor. AJ Tracey’s “Ladbroke Grove” blends UK garage vibes with slick production, marking its chart success as a radio favorite, despite questions about deeper resonance. Rae Sremmurd’s “No Type” thrives on minimal production and brash simplicity, making it a mood-driven chart staple.

Drake’s “The Motto” introduces YOLO to pop culture on a minimalist beat, while Pitbull and Ne-Yo’s “Time of Our Lives” fuses pop appeal with motivational themes. Kid Ink and Chris Brown’s “Show Me” modernizes nostalgic hooks into a radio-ready club hit. Flo Rida’s “My House” keeps the energy light and accessible, anchoring his pop-hip-hop style. D-Block Europe’s “Kitchen Kings” leans into melodic trap, cementing their UK rap influence without breaking new ground.

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This week In Male Balladeers 07/52

This week In Male Balladeers 07/52

Robbie Williams’ “Angels,” co-written with Guy Chambers, blends sweeping production with karaoke-ready appeal, securing its place in late-’90s pop history despite chart peaks of No. 4 in the UK and No. 41 in the US. Its enduring cultural resonance includes a 2022 AI reboot featuring Beethoven’s “Moonlight Sonata.” Similarly introspective, Myles Kennedy’s “Haunted by Design” shifts from Alter Bridge’s rock bombast to stripped-down blues, exploring grief through restrained acoustic textures.

Other highlights bring diverse tones: The Weeknd’s “Sidewalks,” from “Starboy,” pairs introspective lyrics with Kendrick Lamar’s sharp verses, while Jamie Cullum’s “Gran Torino,” tied to Clint Eastwood’s film, opts for smoky jazz intimacy. Ed Sheeran’s “I’m a Mess,” blending raw lyrics with pop accessibility, reflects a bittersweet confessional quality. Meanwhile, Screamin’ Jay Hawkins’ theatrical “Constipation Blues” thrives on eccentricity, showcasing absurdity with unmatched flair during a chaotic 1983 Serge Gainsbourg duet.

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‘Look Ma, No Mike!’ N°12 – Vintage 90s Music Videos

‘Look Ma, No Mike!’ N°12 – Vintage 90s Music Videos

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Lilys’ “A Nanny in Manhattan” packs retro ‘60s psychedelic vibes into a sharp, vibrant burst, blending intricate instrumentation with playful charm. Supergrass brings frenetic energy to Britpop with “Mansize Rooster,” a swagger-filled track showing off loping basslines and Gaz Coombes’ elastic vocals. Meanwhile, Ride’s “Leave Them All Behind” cranks up hypnotic guitars and daring length, creating a noisy yet compelling shoegaze anthem.

Other highlights include The Cardigans’ reflective “Rise & Shine,” a subtle precursor to their pop success, and Stereophonics’ heartfelt “Local Boy in the Photograph,” weaving personal tragedy with Brit-rock melancholy. Wendy James’ Costello-penned “The Nameless One” leans on introspection, while Max Q’s “Sometimes” shows off Michael Hutchence’s evocative voice amid raw experimentation. The Wedding Present’s jangly “Brassneck” intros Bizarro with sharp emotion and Yorkshire wit.

? Take our 12-track quiz.

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‘Music For The Dancers’ N°523 – Vintage 90s Music Videos

‘Music For The Dancers’ N°523 – Vintage 90s Music Videos

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Tracks like “Think About” by D.J. H. and Stefy tap into ’90s sampling with Aretha Franklin cuts creating a nostalgic-mechanical vibe, while Scooter’s “Back in the U.K.” pairs wild energy with quirky Miss Marple samples, delivering a playful burst to mid-’90s charts. Quench’s “Dreams” leans on trance’s hypnotic flow, blending atmospheric pads and sawtooth riffs that captured attention in early ’90s dance scenes.

Meanwhile, Charles & Eddie’s “N.Y.C.” offers a subdued ode to their city with smooth harmonies but leaves little impact in contrast to their hit “Would I Lie To You?” Meat Beat Manifesto’s “Mindstream” layers industrial breakbeats and techno energy, favoring texture over accessibility, and 808 State’s “In Yer Face” throws dense production into a raw high-energy anthem teetering between thrilling and bold chaos.

? Take our 12-track quiz.

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Hip-Hop & Soul New Music Videos – N°496

Hip-Hop & Soul New Music Videos – N°496

Nemzzz drops “Cold,” blending hip-hop and R&B, while Millyz’s “Send Me Up” leans into introspection. Stalk Ashley and Valiant bring dancehall energy in “Big Vibes.” BabyTron honors Mark Cuban with his latest. THEODORT and GLK expand French rap, and Xzibit’s “Shut Yo Mouth” previews “KINGMAKER.”

Jim Jones fires back at Cam’ron with “Jomo,” while Abdou Gambetta and Didine Canon 16 fuse rap and Rai in “Menotté.” Prince Swanny, La Plaie, and Realbleeda push their styles forward.

Updated : Feb 18,2025

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