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‘L’Amour Toujours’ N°481 – Vintage 90s Music Videos

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From the heartfelt fusion of rock, folk, and soul in Hothouse Flowers’ “An Emotional Time” to Tom Petty’s tight and energetic “You Wreck Me,” the text highlights tracks that balance craft and emotion. Adam Ant’s “Wonderful” adopts a reflective tone, moving away from his earlier flamboyance, while Amy Grant’s “Good For Me” radiates polished, radio-friendly early-’90s pop charm. The Mavericks bring understated elegance to “Here Comes the Rain,” blending country with Tex-Mex flair. Meanwhile, Teenage Fanclub offers breezy sincerity in their jangly “What You Do to Me,” and Claudia Brücken’s atmospheric “Kiss Like Ether” thrives on introspection and subtle abstraction.

OTT’s smooth cover of “Let Me In” retools nostalgia for ’90s boy band appeal, and Jaki Graham’s “You Can Count On Me (For Love)” delivers warmth albeit within formulaic boundaries. Melanie Williams and Joe Roberts’ cautious rendition of “You Are Everything” opts for precision over depth, while Meat Loaf’s theatrical “Rock and Roll Dreams Come Through” contrasts with the understated clarity of Steinman’s original. Harry Connick Jr.’s jazzy “We Are in Love” exudes charm, though it forgoes spontaneity, and The Mavericks’ Grammy-winning performance reiterates their melodic consistency. These tracks, though varied in tone and success, carry distinct elements that resonate within their respective contexts.

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This week In ’70s Throwback’ 07/52

Elvis Presley’s “Polk Salad Annie” thrives on theatrical stage energy with karate moves and Southern gothic tones, while Heart’s “Magic Man” blends personal storytelling and polished rock sensibilities driven by Ann Wilson’s commanding vocals. Kate Bush’s “Moving” opens her debut with a haunting whale song and delicate piano, celebrating graceful physicality inspired by her mime teacher, Lindsay Kemp.

Deep Purple’s “Burn” combines medieval lyrics with fiery guitar work, showcasing their Mark III lineup, and Black Sabbath’s “N.I.B.” flips the usual doom narrative with its playful take on Lucifer falling in love. The Pretenders’ “Stop Your Sobbing” transforms a Kinks classic into a sharp, modern-retro track with Chrissie Hynde’s blend of vulnerability and bite. ELO’s “Evil Woman” mixes orchestral lushness with sly lyrics, gliding effortlessly into mid-’70s charm.

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‘Music For The Dancers’ N°524 – Vintage 2000s Music Videos

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From the Ying Yang Twins’ chaotic “Shake” featuring Pitbull to Chicane’s atmospheric “Saltwater,” the selections cover a range of mid-2000s club essentials. “Shake” brings crunk energy but leans heavily on its George Kranz sampling, while Pitbull’s input adds flair without redefining the track. Meanwhile, Chicane’s “Saltwater,” blending Máire Brennan’s vocals with trance beats, captures a striking blend of Celtic influences and dancefloor appeal, making it a highlight of the era.

Other notable entries include Dannii Minogue’s “You Won’t Forget About Me,” pairing Ibiza-inspired instrumentals with dance-pop lyrics reflecting fleeting summer flings, and Nu Circles’ “What You Need (Tonight),” showcasing Emma B’s vocals in a polished but predictable production. Mauro Picotto and Mario Più’s “Arabian Pleasure” experiments with varying remixes, though only the extended formats carry significant weight. The Partyboys reimagine The Foundations’ “Build Me Up Buttercup,” trading charm for sleek synths, while Reel Big Fish’s ska-punk cover of “Monkey Man” walks a line between respect and routine.? Take our 12-track quiz.

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This week In Guitar Virtuosi 07/52

Pat Metheny’s reworking of Carly Simon’s “That’s The Way I Always Heard It Should Be” transforms its emotional weight into intricate instrumental nuances, highlighted by the unique 42-string Pikasso guitar. Shawn Lane’s “Rice with the Angels” takes a more chaotic yet cohesive approach, blending fusion and jazz elements in a raw, immersive live performance alongside Jonas Hellborg and Jeff Sipe, creating a soundscape that’s both intense and intricate.

Rory Gallagher injects lively storytelling into “Secret Agent” from his 1976 album “Calling Card,” pairing cheeky themes with energetic slide guitar, while Eric Clapton and Jeff Beck’s live duet on “Little Brown Bird” showcases subtle blues interplay over showy technique. Steve Hackett’s “Every Day” balances personal gravity with prog-pop charm, highlighted by shifting guitar tones and thoughtful arrangements, making it a standout on his *Spectral Mornings* album.

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‘Music For The Dancers’ N°653 – 2010s Music Videos

Lizzo’s funky “Juice” exudes self-love through retro grooves and a vibrant music video, while Martin Garrix’s “Animals” thrives on a minimal yet powerful EDM drop that cemented his place in electronic music at just 17. Avicii’s “Seek Bromance” blends emotional vocals with club-ready beats, shaping his early progressive house signature. will.i.am’s “Bang Bang” juxtaposes 1920s jazz with modern synths for a bold if uneven experiment.

David Guetta’s “Turn Me On” fuses Nicki Minaj’s dynamic vocals with sleek EDM production, while Cheryl’s “I Don’t Care” delivers carefree pop rebellion and chart dominance. Swedish House Mafia’s “One [Your Name]” showcases polished big-room elegance, and Jonas Blue’s “Polaroid” pairs Liam Payne’s smooth vocals with an easygoing, nostalgic soundscape. Each track offers a mix of innovation and crowd-pleasing charm to varying degrees.

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‘L’Amour Toujours’ New Music Videos – N°712

Mario Judah blends rap and rock on “Love You Anymore.” Laqshay Kapoor transitions to Bollywood with “Mera Intezaar.” Dax confronts heartbreak in “I Hate That I Love You.” SHEN B mixes rap and tradition on “Raat.” Puya and Nicole Cherry reflect on relationships in “E Vina Mea.”

Luh Kel navigates heartache with “Missing Ur Love.” J.I. explores modern love on “Love You.” Abhijeet Bhardwaj’s “Shawty” fuses Hindi rhythms. Carty, Eboloko, and Waza No Limite shape Gabon’s sound in “J’avance Avec Toi.” L.A.X smooths Afrobeats with “Lockdown.”

Updated : Mar 6,2025

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