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‘L’Amour Toujours’ N°315 – Vintage 2000s Music Videos

‘L’Amour Toujours’ N°315 – Vintage 2000s Music Videos

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Andreas Johnson’s “Glorious” embodies late-90s polished pop-rock, delivering catchy, radio-ready melodies but leaning more on marketability than artistry. Shivaree’s “Goodnight Moon” stands out with its haunting Southern Gothic vibe, blending Ambrosia Parsley’s vulnerable vocals with noir-like instrumentation. Meanwhile, Richard Hawley’s “Baby, You’re My Light” embraces understated tenderness, offering warmth but skirting predictability.

Counting Crows’ “Big Yellow Taxi” revamps Joni Mitchell’s original with Vanessa Carlton’s vocal addition, balancing nostalgia with commercial sheen. Simple Plan’s “When I’m Gone” softens their pop-punk roots into radio-friendly polish, while Antony Costa’s cautious “Do You Ever Think Of Me” reflects a transitional solo effort. Plumb’s “Real” focuses on self-acceptance, though its safe production misses potential depth.

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This week In One-Off Collaborations 07/52

This week In One-Off Collaborations 07/52

“California Love” stands as a West Coast anthem blending 2Pac’s urgency and Dr. Dre’s polished production, with Roger Troutman’s talk box adding infectious funk. Its cinematic flair, quick creation, and Grammy nod cement its appeal, though some critique its reliance on atmosphere over depth. Similarly, Chuck Berry’s “Johnny B. Goode,” a cornerstone of rock, merges autobiographical nuance with dynamic riffs, its cultural impact spanning decades from “Back to the Future” to the Voyager Golden Record.

Robbie Williams and Kylie Minogue’s playful duet “Kids” exudes polished theatricality, with cheeky nods to nostalgia driving its UK chart success. Al Jarreau and Kurt Elling’s spirited take on “Take Five” explores jazz interplay, balancing Jarreau’s unpredictable scatting and Elling’s structured phrasing. Meanwhile, “On My Own” unites Patti LaBelle and Michael McDonald’s distinct vocals through slick ’80s production, delivering emotional weight despite their physical distance during recording.

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‘Vous Avez Dit Bizarre’ N°107 – Vintage 2000s Music Videos

‘Vous Avez Dit Bizarre’ N°107 – Vintage 2000s Music Videos

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Franz Ferdinand’s cheeky “Do You Want To” struts through indie rock with spiky guitars and sardonic lyrics, capturing mid-2000s swagger, while Rihanna’s chilling “Disturbia” pairs a claustrophobic beat with detached vocals, crafting a shadowy dance-pop hit. MGMT’s “Time to Pretend” revels in hedonistic irony atop euphoric synths, balancing glittering highs with reflective lows.

Blink-182’s “Feeling This” merges lust and rhythm with Travis Barker’s intricate drumming, while Linkin Park’s “One Step Closer” channels raw nu-metal angst through fiery riffs and direct lyrics. Electric Six’s wild “Danger! High Voltage” flaunts campy theatrics with surreal vocals, and Editors’ cold, driving “Munich” thrives on urgency and rhythmic precision. Each track, in its own way, captures its era’s energy.

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‘We Are Live’ N°16 – Vintage 80s Music Videos

‘We Are Live’ N°16 – Vintage 80s Music Videos

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The page highlights diverse ‘80s tracks, like Dexys Midnight Runners’ brassy tribute “Geno,” blending fan-to-idol narrative with fiery saxophones, and The Icicle Works’ “Evangeline,” a moody neo-psychedelic piece reflective of its late-’80s era. Sammy Hagar’s raw “I’ve Done Everything For You” contrasts with Rainbow’s polished “I Surrender,” led by Joe Lynn Turner’s radio-friendly vocals, while Scorpions’ “Passion Rules the Game” balances rock grit with melodic finesse.

Other notable mentions include the jangle-filled optimism of The Bluebells’ “Cath,” The Silencers’ Celtic-tinged “I See Red,” and The Dickies’ playful punk postcard “Fan Mail.” Ratt’s glam-metal anthem “You’re In Love” rides on confidence but sticks close to formula, and Cockney Rejects’ gritty “Bad Man” narrates East End strife. Spider’s “Gimme Gimme It All” channels defiant hard rock energy but feels tethered to its influences, offering snapshots of the decade’s evolving sounds.

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Hip-Hop & Soul N°247 – Vintage 2000s Music Videos

Hip-Hop & Soul N°247 – Vintage 2000s Music Videos

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Chingy’s “Holidae In,” featuring Ludacris and Snoop Dogg, captured early 2000s party vibes with its infectious hotel escapades, peaking at No. 3 on the Billboard Hot 100. Similarly, Clipse’s “When the Last Time” paired their sharp delivery with The Neptunes’ signature bounce, charting at No. 19 and solidifying its club anthem status. D12’s “Shit on You” showcased their brash humor while staying true to their Detroit roots.

Three 6 Mafia’s “Stay Fly,” blending Willie Hutch’s soulful sample with swagger, soared to No. 13 and became a Southern hip-hop staple. Pharoahe Monch’s commanding “Simon Says,” driven by a cinematic Godzilla sample, turned heads with its intensity and boldness. Meanwhile, Raghav’s “Angel Eyes” brought reggae-pop fusion to the forefront, hitting No. 7 on UK charts, though it leaned more on tribute than unique identity.? Take our 12-track quiz.

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Singing (Ladies only) Ed Sheeran

Singing (Ladies only) Ed Sheeran

Rita Ora’s “Your Song,” co-written with Ed Sheeran, blends her charismatic vocals with a breezy pop style and Caribbean flair, showcasing simplicity with Ed’s knack for catchy tunes. Meanwhile, Grace VanderWaal’s take on Sheeran’s “The A Team” offers raw charm with her unique timbre, capturing a blend of sincerity and evolving artistry. Both stand out in their own right, balancing adaptation with authenticity.

Demi Lovato’s live cover of “Give Me Love” strips the production back to spotlight her emotive range, giving Sheeran’s lyrics a fresh vulnerability. On a different note, songs like “Photograph” and “Supermarket Flowers” reflect Sheeran’s strength in evoking universal emotion, with the latter standing out as a heartfelt tribute. Together, these tracks showcase personal resonance and versatile performances.

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Hip-Hop & Soul N°108 – Vintage 2000s Music Videos

Hip-Hop & Soul N°108 – Vintage 2000s Music Videos

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Tracks like Flo Rida’s “Low” with its crunk-era vibe and T-Pain’s iconic hook captured mid-2000s nightlife, while Usher’s “Yeah!” featuring Lil Jon and Ludacris blended R&B charm with crunk energy to dominate charts globally. Beyoncé’s “If I Were a Boy” stripped back flash for emotional depth, creating a poignant yet polished ballad, and 50 Cent’s “P.I.M.P.” paired steel drum loops with swagger, balancing mainstream appeal and gritty themes.

Meanwhile, Afroman’s “Because I Got High” turned stoner humor into a worldwide hit, contrasting with 2Pac’s reflective “Thugz Mansion,” which sought peace amidst turmoil. Ne-Yo’s “Mad” delivered polished vulnerability, and Wyclef Jean and Mary J. Blige’s emotive “911” leaned into melodramatic storytelling. Wu-Tang Clan’s “Gravel Pit” thrived on chaos, while Sisqó’s “Got to Get It” served as a stepping stone to his solo heights.

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New Music Videos (Ladies Only) – N°480

New Music Videos (Ladies Only) – N°480

new on RVM

Ikkimel’s “Böser Junge” blends canine metaphors with club influences. Stela Cole’s “Stereoqueen” reworks Destiny’s Child for playful defiance. Chirine Lajmi’s “Ta3abni Fra9ou” mixes Arabic pop with heartache. Delia’s “Dor” combines electronic textures with introspection.

Lisa Hyper’s “Bitter Sweet” captures dancehall turbulence. Rose Villain’s “Fuorilegge” blends genres for Sanremo 2025. Halsey releases punk-infused “Safeword.” HEYOON’s “ASAP” teams with Chris Patrick for viral pop. Loana’s “À Petit Feu” highlights Réunion’s rising talent.

Updated : Feb 28,2025

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