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‘L’Amour Toujours’ N°84 – Vintage 80s Videos

Jennifer Rush’s “The Power of Love” blends grandeur and intimacy, marked by soaring vocals and a timeless appeal, while Whitney Houston’s “Saving All My Love for You” pairs emotional subtlety with controversy over its themes of infidelity. Lionel Richie’s “Say You, Say Me” shifts between tender balladry and a lively interlude, and Cher’s reimagining of “I Found Someone” reinvigorates her career with pop-rock grit. Joyce Sims’ heartfelt “Come into My Life” stands out for its sincerity, as does Gregory Abbott’s silky “Shake You Down” with its laid-back charm. Oran “Juice” Jones delivers drama in “The Rain,” its biting spoken outro cementing its iconic status, while Kim Wilde’s “Four Letter Word” showcases vulnerability within its minimalist production. Dollar’s cover of Erasure’s “O L’amour” transforms quiet longing into radiant pop, offering a striking contrast to its melancholy roots.

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This week In ’70s Throwback’ 01/52

Harry Nilsson, Joni Mitchell, David Bowie, Led Zeppelin, Skid Row, Elvis Costello, The Attractions, Bruce Springsteen, Peter Frampton, Gentle Giant, Steve Miller Band, Crosby, Stills, Nash, Van Morrison

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Hip-Hop & Soul N°94 – Vintage 2000s Videos

Soulja Boy’s infectious “Crank That” redefined mid-2000s internet music virality with catchy hooks and a viral dance, while Alicia Keys’ soul-stirring “Fallin’” blended gospel and neo-soul into raw emotional storytelling. Rihanna’s “Umbrella” dominated charts with its unforgettable refrain, and Kanye’s “Stronger” fused Daft Punk with bold ambition. Beyoncé’s “Listen” stood out as a dramatic anthem, and Naughty by Nature’s playful “O.P.P.” turned clever wordplay into a cultural phenomenon.

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‘Music For The Dancers’ N°513 – Vintage 2000s Music Videos

Madonna’s “American Life” critiques consumerism with folktronica flair, blending acoustic guitars and electronic beats, while Basshunter’s “Angel in the Night” spices Eurodance with rock hints. Alice Deejay’s “Better Off Alone” juxtaposes melancholy with hypnotic trance, and Cher’s “The Music’s No Good Without You” layers heartbreak over glossy Europop. Emma Bunton’s bubbly “Downtown” revives 1960s charm for charity, and Warp Brothers’ “Blast the Speakers” channels raw rave-era energy into hard trance chaos. Each track captures unique moments of ambition or nostalgia in their respective genres.

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‘L’Amour Toujours’ New Music Videos – N°710

Corona’s “Classy” highlights his lyrical prowess in Balkan hip-hop, continuing his streak of urban anthems like “Gad” and “Sicilija.” Anas Juulo’s “Cocaina,” featuring Natasha Marie, explores love’s obsessive allure with a sultry, minimalist sound.

Chako’s “Lonely” captures themes of isolation with his signature melodic style, while Chiboo’s “Okipe” solidifies his evolving presence in Rwandan music with rhythmic storytelling.

Updated : Jan 20,2025

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‘Music For The Dancers’ N°94 – Vintage 90s Videos

Janet Jackson’s “Together Again” blends grief and celebration with its disco-infused beats, while Madonna’s “Deeper and Deeper” mixes disco nostalgia and house vibes with emotional depth. The Prodigy’s “Everybody in the Place” channels frenetic UK rave culture, while 2 Unlimited’s “No Limit” became a Eurodance anthem. Corona’s “The Rhythm of the Night” dominates with its infectious pulse, and Taylor Dayne’s “Tell It to My Heart” brings high-energy ’80s pop with powerhouse vocals. Whitney Houston’s “Step by Step” showcases resilience through gospel-tinged pop, and Five’s “Everybody Get Up” reworks Joan Jett’s classic into a bold, late-’90s hit.

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This week In Soul 01/52

Gladys Knight & The Pips, Aretha Franklin & Lou Rawls, Bobby “Blue” Bland, Booker T. & The MG’S, Edwin Starr, James Brown, The Drifters, Sister Sledge, The Supremes, Tina Turner, Smokey Robinson & The Miracles, George Benson

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‘Vous Avez Dit Bizarre’ N°527 – Vintage 80s Videos

The Specials’ “War Crimes” critiques global conflict with reggae-infused rhythm, while Red Box’s “For America” disguises sharp geopolitical commentary in pop accessibility. Altered Images’ “Happy Birthday” blends mischievous new wave charm with quirky sophistication. U2’s “In God’s Country” paints American contradictions in a shimmering desertscape, and Megadeth’s “Wake Up Dead” delivers raw, thrash-fueled intensity. The Stone Roses’ “Sally Cinnamon” hints at their indie roots, weaving jangly guitars with subtle storytelling, while Dee C. Lee’s “See The Day” offers elegant, melancholic mid-’80s appeal. Erasure’s “The Circus” wraps working-class struggles in synthpop layers, and Wah!’s “The Story of the Blues” fuses post-punk grit with brass-driven warmth.

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