Happy Birthday Shirley Bassey. ‘Dame Shirley, You Are Forever’
This day (January 8, 1937), in Tiger Bay, Cardiff, Wales (UK), is born Shirley Veronica Bassey simply known as Shirley Bassey.Tracklist : 1 . This is my life 2 .…
Curated playlists, portraits, albums & weekly selection
Browse artists by genre or popularity. Search by name
Explore pop, jazz, rock, rap, world & 25+ more styles
Music news daily about your favorite artists
Books, merch, instruments & collector’s picks
This day (January 8, 1937), in Tiger Bay, Cardiff, Wales (UK), is born Shirley Veronica Bassey simply known as Shirley Bassey.Tracklist : 1 . This is my life 2 .…
Daft Punk & Pharrell Williams, D’Angelo & David Sanborn, Trombone Shorty & Cyril Neville, Dave Matthews & Trey Anastasio, Peter Gabriel, Natalie Merchant & Michael Stipe, Jean-Luc Ponty, John Mclaughlin & Zakir Hussain, Aretha Franklin & Lou Rawls, Eric Clapton, Johnny Cash & Carl Perkins, Billy Joel & Jimmy Fallon, Joe Bonamassa & Andy Fraser, Gary Moore & Phil Lynott, Neil Young & Stephen Stills
Green Day’s “Stuck With Me” packs punk grit with introspection, while Oasis’ “Roll With It” channels their Britpop resilience. Blur’s “End of a Century” humorously probes suburban monotony, and Guns N’ Roses’ “Yesterdays” reflects on fleeting moments with emotional restraint. Joe Cocker’s “Let the Healing Begin” blends recovery and optimism, while U2’s “Who’s Gonna Ride Your Wild Horses” adds raw angst to their *Achtung Baby* lineup. Billy Idol’s “Prodigal Blues” offers vulnerability beneath its rugged veneer, and The Beautiful South’s “I’ll Sail This Ship Alone” strips back for lyrical heartbreak atop minimalist piano.
Aerosmith, Dio, Led Zeppelin, The Hives, Marilyn Manson, Zakk Wylde, Rancid, Dio, Destroy All Monsters, Donna Grantis, Asheton, Asheton, Mascis, Watt, The Cult
Fuse ODG’s “Boa Me,” featuring Ed Sheeran and Mugeez, stands out with its Afrobeat and highlife fusion, sung partly in Twi and rooted in unity, while J Hus’s “Did You See” blends Afro-swing and dancehall grooves, becoming a cultural marker in UK music. MoStack’s gritty “Teach You Gangsta” captures raw urban narratives, and Russ Millions’ “Gun Lean” delivers drill energy paired with viral dance moves. Flipp Dinero’s “Leave Me Alone” breaks free with melodic trap and a defiant tone, while A$AP Ferg’s “Plain Jane” channels minimalist grit and nods to Three 6 Mafia’s legacy. Yxng Bane and Fredo’s “Problem” merges UK drill with smooth Afro-swing, balancing cocky tones with danger, and Flo Rida’s “Good Feeling” offers a euphoric electro-pop anthem driven by relentless hooks and upbeat energy. From UK-US collaborations like “The Plug – Tell The Truth” to J. Cole’s reflective “Immortal,” which captures systemic struggles with stark realism, each track carves its place with distinct production and themes.
Fine Young Cannibals’ quirky “She Drives Me Crazy” blends falsetto swagger with crisp percussion, while Genesis’ “Land of Confusion” pairs synth-driven rock with biting political satire and unforgettable puppet visuals. Dead or Alive’s goth-tinged “Something in My House” and Visage’s icy synth-pop “Fade to Grey” highlight ’80s ambition, and Jona Lewie’s anti-war “Stop the Cavalry” sneaks into Christmas playlists.
Westlife’s heartfelt duet with Diana Ross in “When You Tell Me That You Love Me” combines orchestral grandeur with nostalgic emotion, while Girls Aloud deliver a polished, radio-friendly version of “I’ll Stand By You,” sidestepping the rawness of The Pretenders’ original. Duffy’s “Rockferry” blends soul influences with introspection, and Blink-182’s “Always” trades their usual humor for a vulnerable tone. Shakira’s “Illegal” pairs acoustic heartbreak with Santana’s precise guitar work, and Darren Hayes’ “I Miss You” offers a tender balance of intimate balladry and early-2000s pop textures. From Atomic Kitten’s reflective “The Last Goodbye” to Sophie Ellis-Bextor’s lively “I Won’t Change You,” these tracks highlight a range of emotional layers and creative production.
Bonnie Raitt’s “I Can’t Make You Love Me” stuns with its raw vulnerability and Bruce Hornsby’s haunting piano, while Lighthouse Family’s “High” blends optimism with emotional depth, striking a bittersweet chord. Simply Red’s sleek take on Bob Marley’s “Angel” and Erasure’s cinematic “You Surround Me” add polished touches to their catalogs, though 10cc’s “I’m Not in Love” remains unmatched in its layered contradictions. Madonna’s “Take a Bow” brings heartache and grandeur, balancing lush strings with Babyface’s R&B touch. Meanwhile, Scorpions’ reflective “Send Me an Angel” and The Righteous Brothers’ immortal “Unchained Melody” prove timeless in their exploration of longing and love.