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‘L’Amour Toujours’ N°108 – Vintage 2000s Music Videos

‘L’Amour Toujours’ N°108 – Vintage 2000s Music Videos

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Daniel Bedingfield’s “Gotta Get Thru This” brilliantly channels raw emotion with a DIY edge, blending heartfelt falsetto and UK garage beats recorded on home software. Sugababes’ “Push the Button” thrives on polished electropop precision, supported by Dallas Austin’s production, turning sexual tension into a chart-topping hit. Then there’s Mariah Carey’s reflective “Don’t Forget About Us,” pairing lush arrangements with bittersweet nostalgia, showcasing her knack for universal ballads. Meanwhile, Justin Timberlake’s “What Goes Around…/…Comes Around” combines sleek production with Middle Eastern influences, offering a seven-minute exploration of karma in relationships.

Kylie Minogue’s “Please Stay” mixes Latin-pop with a disco vibe, maintaining her flair for stylish but safe hits. LMC’s “Take Me to the Clouds Above” cleverly pairs Whitney Houston’s vocal with U2’s bassline for a rhythmic, nostalgic UK smash. S Club 7’s “Have You Ever” leans into glossy sentimentality, becoming a chart favorite tied to a charity push. Lastly, “Hey There Delilah” by Plain White T’s strips back to acoustic simplicity, intertwining longing with repetitive melodies to create a universally relatable yet calculated ballad.

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This week In Singing Ladies 07/52

This week In Singing Ladies 07/52

Sarah Vaughan’s “Send In The Clowns,” from her 1981 album, highlights her vocal depth, turning Sondheim’s poignant lyrics into an intimate experience. Katie Melua’s “Spider’s Web” blends subtle guitar work and orchestral flourishes to examine moral ambiguity, while Brandi Carlile’s “Before It Breaks” presents a raw, restrained emotional journey with contributions from Rick Rubin and the Hanseroth brothers.

Jennifer Rush’s “The Power of Love” stands as a power ballad classic, marked by its global chart-topping success, whereas Heart’s “Magic Man” fuses personal storytelling with 1970s rock drama. The Tedeschi Trucks Band’s “Signs, High Times” opens their 2019 album on a groove-filled, bluesy note, showcasing Derek Trucks’ slide guitar and Susan Tedeschi’s commanding vocals. Each track brings its unique stamp to their respective albums.

Continue Reading This week In Singing Ladies 07/52
‘L’Amour Toujours’ N°692 – 2010s Music Videos

‘L’Amour Toujours’ N°692 – 2010s Music Videos

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Paramore’s “The Only Exception” showcases a softer, stripped-down ballad in 6/8 time, veering from their usual energy. Hayley Williams’ heartfelt delivery anchors the track, which gained commercial traction, hitting No. 17 in Australia and earning a Grammy nod. Its quiet introspection marked a shift, resonating on the UK Rock Chart but drawing mixed feelings about its restrained predictability. Similarly, Marina’s “How to Be a Heartbreaker” paired cheeky breakup rules with a polished pop backdrop. Produced by Benny Blanco and Dr. Luke, the track aimed for mainstream success, achieving platinum status but peaking modestly on UK and US charts, balancing humor with a team-driven sound.

Jack Savoretti’s “Candlelight” leans into cinematic elegance with lush, atmospheric instrumentation, hinting at James Bond vibes but sanding down emotional edges for mass appeal. Meanwhile, Ne-Yo’s Disney piece, “Never Knew I Needed,” oozes romance with polished R&B stylings but feels like a chapter in a broader narrative rather than a standout. Sugarland’s “Stuck Like Glue” blends country and reggae, delivering an earworm that polarized fans with its quirky energy, while Alyssa Reid’s “Alone Again” borrowed Heart’s ’80s hit, blending nostalgia with crisp pop charm to climb European charts. These tracks highlight diverse approaches to balancing emotional weight and commercial appeal.? Take our 12-track quiz.

Continue Reading ‘L’Amour Toujours’ N°692 – 2010s Music Videos
This week In ’80s Throwback’ Videos 07/52

This week In ’80s Throwback’ Videos 07/52

Bob Dylan’s “Knockin’ on Heaven’s Door” stands out with its minimalist lyrics on mortality, becoming a timeless, adaptable classic reinterpreted by over 150 artists, including Guns N’ Roses and Eric Clapton. Similarly, U2’s “11 O’Clock Tick Tock” reflects the band’s early ambition, blending raw energy and atmospheric production, further solidified by its powerful live performances.

Peter Gabriel’s “Sledgehammer” dazzles with its funk-driven brass and groundbreaking visuals, while Laurie Anderson’s “Sharkey’s Day” layers experimental instrumentation with surrealist spoken-word delivery. Michael McDonald’s “I Keep Forgettin’” expertly melds R&B groove with smooth studio precision, and Joe Jackson’s “Steppin’ Out” captures the electric allure of NYC nightlife with finely crafted sophistication.

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‘We Are Live’ N°15 – Vintage 2000s Music Videos

‘We Are Live’ N°15 – Vintage 2000s Music Videos

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The Kills’ “The Good Ones” thrives on raw minimalism, with Alison Mosshart’s snarl paired against Jamie Hince’s taut guitar, creating electrifying tension. Its success on the UK Singles Chart (#23) and sharp Rojo-directed video amplify its gritty outsider aesthetic. Elsewhere, The Strokes’ “Reptilia” blends Julian Casablancas’ detached vocals with tightly wound guitar interplay and gained long-term appeal through its presence in games like *Guitar Hero III*.

U2’s “All Because of You” aims for anthemic energy but lacks depth, performing better live during their Vertigo Tour. Meanwhile, The Duke Spirit’s “Lion Rip” offers moody rawness tied to their early ambitions, showcasing Liela Moss’s mesmerizing vocals. Nada Surf’s “Hi-Speed Soul” delivers vibrant alt-rock dynamics, balancing melody and propulsion, while The Datsuns’ “Harmonic Generator” captures rowdy garage rock urgency with brash intensity.

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‘Music For The Dancers’ N°333 – Vintage 2000s Music Videos

‘Music For The Dancers’ N°333 – Vintage 2000s Music Videos

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Garbage’s “Cherry Lips (Go Baby Go)” mixes quirky glam-pop with retro-futuristic vibes, featuring Steve Marker’s tuba through a wah-wah pedal and Daniel Shulman’s groovy bassline. Its playful energy earned solid global chart positions, peaking at No. 7 in Australia and No. 8 in Italy, thanks partly to a clever ad campaign. The eccentric Dawn Shadforth-directed video amplifies its quirky charm, nodding to pop-art and manga influences.

Meanwhile, Dirty Vegas’ “Days Go By” pairs wistful acoustic roots with polished house beats, gaining major traction through a Mitsubishi commercial and earning a Grammy in 2003. On the other end, Safri Duo’s percussion-heavy anthem “Played-A-Live (The Bongo Song)” electrified dance floors worldwide, selling 1.5 million copies. Standouts like Hi Tack’s “Say Say Say [Waiting 4 U]” reimagine classic hooks with modern house production flair, while Ice MC’s 1994 Eurodance hit “Think About the Way” wraps rapid raps and Alexia’s soaring vocals in iconic ’90s club energy.? Take our 12-track quiz.

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New Music Videos (African) – N°479

New Music Videos (African) – N°479

“Owuo Safoa” sees Jay Bahd blending Asakaa drill with darker themes, produced by Jay Bunae, marking his latest in Ghana’s drill movement.

“Dancehall Time” pairs Zimbabwe’s Master H with Capleton, merging Zimdancehall and Jamaican energy under General ALLADIN’s production.

“Mwana Pretty” continues Veda Njucci’s output in Malawi’s scene, produced with Macia.

“Nze Mpako” unites Shakira Shakiraa and Winnie Nwagi in a fusion of Afrobeats and dancehall, exuding confidence.

Updated : Feb 23,2025

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Hip-Hop & Soul N°455 – 2010s Music Videos

Hip-Hop & Soul N°455 – 2010s Music Videos

Stormzy’s “Cold,” from *Gang Signs & Prayer*, delivers sharp grime energy in just 2:36, with Swifta Beater’s taut production elevating its impactful brevity. Certified Gold and peaking at #21 on the UK Singles Chart, the track weaves empowerment into punchy bars, marrying confidence with playfulness. In contrast, Drake’s “Energy” from *If You’re Reading This It’s Too Late* showcases defiance and paranoia layered over eclectic samples, climbing to #26 on Billboard Hot 100 and earning multi-platinum certifications worldwide, supported by a satirical music video that amplified its bold lyrics.

Khalid’s “Talk,” powered by Disclosure’s polished yet restrained production, explores the hesitations of a fragile relationship, resonating globally with top-three Billboard Hot 100 success and Grammy recognition. Meanwhile, Big Sean’s “Bounce Back” channels resilience with slick trap production, peaking at #6 and earning platinum plaques for its catchy yet introspective vibe. Tyga’s “Rack City,” minimalistic and repetitive, became an early-2010s club staple, quadruple-platinum-certified despite its simplicity. Across these standout tracks, each artist leaves their mark, blending genre-defining elements with unique stylistic choices.

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