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How well do you know the music of Chaka Khan, Deni Hines, SWV, Funkdoobiest, Adina Howard, Horace Brown, Jay-Z, Alfonzo Hunter, Gabrielle, Ja Rule, Az Yet, R. Kelly
? Take our 12-track quiz.
How well do you know the music of Longsy D, LL Cool J, Grandmaster Flash , Level 42, Johnny Clegg & Savuka, Vanessa Paradis, Hot Chocolate, The Selecter, Commodores, JoBoxers, S-Express, Dire Straits
? Take our 12-track quiz.
YoungBoy’s “5 Night” blends intensity with brooding beats. Future’s “Lil Demon” mixes menace and ambition. Fridayy and Meek Mill unite on “Proud Of Me,” blending R&B and hip-hop. G Herbo’s “Traffic” tells Chicago street stories. Babyfxce E and Monaleo sharpen Flint rap on “PTP [Remix].”
Lil King and Raq Baby navigate South Side narratives on “Fallin.” BossMan Dlow flows effortlessly on “Sum Out of Nun.” Wiz Khalifa teams with Plaqueboy Max for “Again,” marked by a striking beat switch.
Updated : Mar 2,2025
mgk’s “Your Name Forever” pays tribute to snowboarder Luke “The Dingo” Trembath, weaving grief and camaraderie into a heartfelt track. Yungblud’s “Hello Heaven, Hello” stretches nine minutes, introducing orchestral elements as the lead single from his fourth album.
Bon Iver’s “If Only I Could Wait” merges Justin Vernon’s falsetto with Danielle Haim’s harmonies. James Arthur’s “Karaoke” explores turbulent love, while My Morning Jacket’s “Half A Lifetime” reflects on self-discovery.
Updated : Mar 19,2025
How well do you know the music of Zhané, Sinclair, Young MC, Silk, Keith Sweat, Gang Starr, Black Box, Ultra Naté, Joey B. Ellis & Tynetta Hare, Janet Jackson, Bone Thugs, Stevie B
? Take our 12-track quiz.
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Andreas Johnson’s “Glorious” embodies late-90s polished pop-rock, delivering catchy, radio-ready melodies but leaning more on marketability than artistry. Shivaree’s “Goodnight Moon” stands out with its haunting Southern Gothic vibe, blending Ambrosia Parsley’s vulnerable vocals with noir-like instrumentation. Meanwhile, Richard Hawley’s “Baby, You’re My Light” embraces understated tenderness, offering warmth but skirting predictability.
Counting Crows’ “Big Yellow Taxi” revamps Joni Mitchell’s original with Vanessa Carlton’s vocal addition, balancing nostalgia with commercial sheen. Simple Plan’s “When I’m Gone” softens their pop-punk roots into radio-friendly polish, while Antony Costa’s cautious “Do You Ever Think Of Me” reflects a transitional solo effort. Plumb’s “Real” focuses on self-acceptance, though its safe production misses potential depth.
? Take our 12-track quiz.
“California Love” stands as a West Coast anthem blending 2Pac’s urgency and Dr. Dre’s polished production, with Roger Troutman’s talk box adding infectious funk. Its cinematic flair, quick creation, and Grammy nod cement its appeal, though some critique its reliance on atmosphere over depth. Similarly, Chuck Berry’s “Johnny B. Goode,” a cornerstone of rock, merges autobiographical nuance with dynamic riffs, its cultural impact spanning decades from “Back to the Future” to the Voyager Golden Record.
Robbie Williams and Kylie Minogue’s playful duet “Kids” exudes polished theatricality, with cheeky nods to nostalgia driving its UK chart success. Al Jarreau and Kurt Elling’s spirited take on “Take Five” explores jazz interplay, balancing Jarreau’s unpredictable scatting and Elling’s structured phrasing. Meanwhile, “On My Own” unites Patti LaBelle and Michael McDonald’s distinct vocals through slick ’80s production, delivering emotional weight despite their physical distance during recording.
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The page highlights diverse ‘80s tracks, like Dexys Midnight Runners’ brassy tribute “Geno,” blending fan-to-idol narrative with fiery saxophones, and The Icicle Works’ “Evangeline,” a moody neo-psychedelic piece reflective of its late-’80s era. Sammy Hagar’s raw “I’ve Done Everything For You” contrasts with Rainbow’s polished “I Surrender,” led by Joe Lynn Turner’s radio-friendly vocals, while Scorpions’ “Passion Rules the Game” balances rock grit with melodic finesse.
Other notable mentions include the jangle-filled optimism of The Bluebells’ “Cath,” The Silencers’ Celtic-tinged “I See Red,” and The Dickies’ playful punk postcard “Fan Mail.” Ratt’s glam-metal anthem “You’re In Love” rides on confidence but sticks close to formula, and Cockney Rejects’ gritty “Bad Man” narrates East End strife. Spider’s “Gimme Gimme It All” channels defiant hard rock energy but feels tethered to its influences, offering snapshots of the decade’s evolving sounds.
? Take our 12-track quiz.