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>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Simon & Garfunkel, Joe Cocker, Dr. John, En Vogue, Doves, Duke Ellington, Louis Armstrong, Chris Potter, Bobby Hutcherson, Chick Corea We Celebrate Young M.A,…
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Maxwell, Donny Hathaway, Joan Baez, Elvis Presley, Nick Cave, Lenny Kravitz, Julie Andrews We Celebrate Emmylou Harris, Leon Russell, Buddy Rich, Larry Coryell, Gato…
Mount Eerie's 'A Crow Looked at Me' is their eighth studio album produced by sole band member Phil Elverum and released on March 24, 2017Track Listing : 1.Real Death (Phil…
Martin Garrix and Arijit Singh reunite on “Weightless,” blending deep house and Hindi vocals in a meditation on fragile intimacy. Dani Mocanu’s “China” turns satire into swagger, while Vikkstar’s “Chemical” shifts him from gaming to future house alongside Adalaide Adams. MORE
Updated : Apr 13,2025
How well do you know the music of Bush, Depeche Mode, The Smashing Pumpkins, Manic Street Preachers, theaudience, The Cult, The Auteurs, Army Of Lovers, Sting, Belouis Some , Garbage, Touch and Go
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Slade’s “Run Runaway” combined glam rock energy with Scottish folk vibes, reaching No. 7 in the UK and breaking into the US top 20. Its electric fiddle and infectious rhythm gave it an arena-rock edge. The Police’s “So Lonely,” with its punk-reggae fusion, went from initial chart failure to a UK top 10 hit upon re-release in 1980, featuring Sting’s angsty yet self-aware vocals that became a fan favorite.
Chas & Dave’s “London Girls” celebrated Cockney charm but struggled to stand out, peaking at No. 63 on the charts. Meanwhile, David Bowie and Pat Metheny’s “This Is Not America” blended jazz textures with introspective lyrics, hitting No. 32 in the US. Madness’s “Michael Caine” pushed narrative boundaries with its noir vibe and reached No. 11 in the UK, while The Style Council’s slick, brassy “My Ever Changing Moods” became Paul Weller’s highest US charting single.
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Garbage’s “Cherry Lips (Go Baby Go)” mixes quirky glam-pop with retro-futuristic vibes, featuring Steve Marker’s tuba through a wah-wah pedal and Daniel Shulman’s groovy bassline. Its playful energy earned solid global chart positions, peaking at No. 7 in Australia and No. 8 in Italy, thanks partly to a clever ad campaign. The eccentric Dawn Shadforth-directed video amplifies its quirky charm, nodding to pop-art and manga influences.
Meanwhile, Dirty Vegas’ “Days Go By” pairs wistful acoustic roots with polished house beats, gaining major traction through a Mitsubishi commercial and earning a Grammy in 2003. On the other end, Safri Duo’s percussion-heavy anthem “Played-A-Live (The Bongo Song)” electrified dance floors worldwide, selling 1.5 million copies. Standouts like Hi Tack’s “Say Say Say [Waiting 4 U]” reimagine classic hooks with modern house production flair, while Ice MC’s 1994 Eurodance hit “Think About the Way” wraps rapid raps and Alexia’s soaring vocals in iconic ’90s club energy.? Take our 12-track quiz.
How well do you know the music of White Town’s “Your Woman” flips gender norms with ironic lyrics over a ’90s-meets-1930s groove, while Tori Amos’s “Professional Widow” snarls with harpsichord-driven confrontations and became a club anthem through Armand van Helden’s remix. Jimmy Somerville’s “Heartbeat” mixes falsetto with synth-pop dance energy, and Catatonia’s cheeky “Mulder and Scully” weaves Britpop with pop culture flair. Garbage’s “Milk” melds trip-hop and alt-rock melancholy, and Björk’s dramatic “It’s Oh So Quiet” bursts with brass and theatricality. Meanwhile, Dub War’s “Enemy Maker” fuses metal, punk, and reggae, and Carter USM’s “The Young Offender’s Mum” tackles societal woes with biting wit.? Take our 12-track quiz.