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This week In ’90s Throwback’ 06/52

This week In ’90s Throwback’ 06/52

How well do you know the music of

Amy Winehouse’s “Love Is a Losing Game” is a minimalist heartbreak ballad from *Back to Black*, where her smoky vocals shine against sparse production, earning it an Ivor Novello Award. Samantha Fish brings fiery blues-rock intensity to “I Put a Spell On You,” revisiting the classic with sharp guitar work and raw emotion. Meanwhile, Valerie June’s “Somebody to Love” pairs her distinctive banjolele with tender vocals, blending her Tennessee roots with gospel and blues influences.

Rhiannon Giddens reimagines Patsy Cline’s “She’s Got You” with understated precision, while Suzanne Vega’s “Solitude Standing” captures introspective quietness with layered textures. P!nk’s “Try” balances resilience and theatrics, epitomized by a strikingly physical music video. Sheryl Crow’s “Strong Enough” offers a raw, confessional tone, its stripped-back production bolstering its emotional weight, staying as impactful decades after its release.

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This week In Jazz Legends 06/52

This week In Jazz Legends 06/52

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Ben Harper’s “Whipping Boy” blends blues and folk elements in his 1994 debut, “Welcome to the Cruel World,” maintaining a restrained charm that invites reflection. Whitney Houston’s “It’s Not Right but It’s Okay” channels late-’90s precision and resilience, backed by Rodney Jerkins’ slick production, with Grammy-winning vocal defiance and a club-ready Thunderpuss remix that kept listeners engaged.

D’Angelo’s “Brown Sugar” fuses funk and jazz with lyrical nods to his neo-soul style, while Soundgarden’s “Spoonman” integrates unconventional rhythm and actual spoon solos for a gritty twist on grunge. Erykah Badu’s “Other Side of the Game” offers subdued storytelling, with her conversational delivery defining its quiet intensity. Each track marks a unique moment tied to its creators’ distinctive vision.

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This week In ‘Hard & Metal Throwback’ 06/52

This week In ‘Hard & Metal Throwback’ 06/52

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Gary Moore’s “GM Shreds” flaunts blazing alternate picking, legato runs, and emotive string bends, showcasing his mastery over blues, rock, and metal. While the solos channel classics like “The Loner” and “Still Got the Blues,” the lack of strong melody makes it more a technical masterclass than a replayable track. Jeff Beck’s “Dirty Mind,” blending sharp guitar riffs with Imogen Heap’s ethereal vocals, thrives on contrasts, earning a Grammy but feeling polished to the point of restraint.

Tommy Emmanuel’s “Travelling Clothes” offers warm, pastoral guitar tones inspired by Alison Krauss’s style, though its comfort risks predictability. Meanwhile, Pat Metheny’s “Go Get It” bursts with high-energy interplay with Antonio Sánchez, though its relentless pace can feel overwhelming. Eddie Van Halen’s bold solos like “Eruption” and “Cathedral” mix technical ingenuity with live spontaneity, while Shawn Lane’s “Get You Back” and Joe Bonamassa’s “Beck’s Bolero” reveal meticulous tributes paired with individual flair.

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Continue Reading This week In ‘Hard & Metal Throwback’ 06/52
Me:nu Du Jour February 6 (EN.FR.ES)

Me:nu Du Jour February 6 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Tony Bennett, Jeff Beck, 50 Cent, Byrds, Paul McCartney, The Flying Burrito Brothers, Duke Ellington, Art Farmer, Benny Golson, Horace Silver, Art Blakey, Johnny…

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‘L’Amour Toujours’ N°103 – Vintage 2000s Music Videos

‘L’Amour Toujours’ N°103 – Vintage 2000s Music Videos

How well do you know the music of Cleptomaniacs’ “All I Do” grooves with Motown roots reimagined as UK singer Bryan Chambers steps in with house beats, while Amira’s “My Desire” locks in as a UK garage essential with emotive vocals and razor-sharp rhythms. Justin Timberlake’s “Like I Love You” mixes The Neptunes’ tight production with falsettos and Clipse’s verses, and Alicia Keys’ “No One” delivers raw emotional intensity with hypnotic simplicity. Meanwhile, Jordin Sparks and Chris Brown’s “No Air” amplifies pop drama with glossy production, and Ashanti’s “Only U” blends sultry tension with edgy guitar riffs, balancing vulnerability and ambition.? Take our 12-track quiz.

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‘Vous Avez Dit Bizarre’ N°325 – Vintage 90s Music Videos

‘Vous Avez Dit Bizarre’ N°325 – Vintage 90s Music Videos

How well do you know the music of The Offspring’s “Pretty Fly (For a White Guy)” mixes punk energy with sharp satire on cultural appropriation, while Joan Osborne’s “One of Us” questions spirituality through folk-rock introspection. Sneaker Pimps’ “Spin Spin Sugar,” with its sultry trip-hop edge and a game-changing remix, stands out alongside R.E.M.’s glam-tinged “Crush with Eyeliner” and Annie Lennox’s empowering “Little Bird.”? Take our 12-track quiz.

Continue Reading ‘Vous Avez Dit Bizarre’ N°325 – Vintage 90s Music Videos