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‘We Are Live’ N°17 – Vintage 90s Music Videos

‘We Are Live’ N°17 – Vintage 90s Music Videos

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From the anthemic “Alive” by Pearl Jam, blending raw introspection and arena energy, to the Scorpions’ “Wind of Change,” a melodic reflection of geopolitical optimism, the tracks showcase diverse artistry. Mike + The Mechanics deliver polished 80s pop-rock with “All I Need Is a Miracle,” while Metallica’s “Sad But True” slows things down with crushing riffs and brooding intensity. Living Colour’s “Leave It Alone” brims with defiance, and Siouxsie and the Banshees’ “Stargazer” glides on ethereal melodies.

Manic Street Preachers’ “You Love Us” thrives in glam-infused theatricality, and The Godfathers’ “Unreal World” captures gritty urgency in its critique of societal unrest. Ocean Colour Scene’s “The Riverboat Song” borrows Led Zeppelin swagger, and The La’s’ “Feelin’” reflects melodic charm amidst production struggles. Genesis’ “Tell Me Why” leans into emotive pop balladry, while Mark Owen’s “Clementine” blends Britpop tones with reflective lyrics. These tracks, spanning different styles and moods, capture snapshots of their respective times and sounds.

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This week In One-Off Collaborations 07/52

This week In One-Off Collaborations 07/52

“California Love” stands as a West Coast anthem blending 2Pac’s urgency and Dr. Dre’s polished production, with Roger Troutman’s talk box adding infectious funk. Its cinematic flair, quick creation, and Grammy nod cement its appeal, though some critique its reliance on atmosphere over depth. Similarly, Chuck Berry’s “Johnny B. Goode,” a cornerstone of rock, merges autobiographical nuance with dynamic riffs, its cultural impact spanning decades from “Back to the Future” to the Voyager Golden Record.

Robbie Williams and Kylie Minogue’s playful duet “Kids” exudes polished theatricality, with cheeky nods to nostalgia driving its UK chart success. Al Jarreau and Kurt Elling’s spirited take on “Take Five” explores jazz interplay, balancing Jarreau’s unpredictable scatting and Elling’s structured phrasing. Meanwhile, “On My Own” unites Patti LaBelle and Michael McDonald’s distinct vocals through slick ’80s production, delivering emotional weight despite their physical distance during recording.

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‘Vous Avez Dit Bizarre’ N°107 – Vintage 2000s Music Videos

‘Vous Avez Dit Bizarre’ N°107 – Vintage 2000s Music Videos

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Franz Ferdinand’s cheeky “Do You Want To” struts through indie rock with spiky guitars and sardonic lyrics, capturing mid-2000s swagger, while Rihanna’s chilling “Disturbia” pairs a claustrophobic beat with detached vocals, crafting a shadowy dance-pop hit. MGMT’s “Time to Pretend” revels in hedonistic irony atop euphoric synths, balancing glittering highs with reflective lows.

Blink-182’s “Feeling This” merges lust and rhythm with Travis Barker’s intricate drumming, while Linkin Park’s “One Step Closer” channels raw nu-metal angst through fiery riffs and direct lyrics. Electric Six’s wild “Danger! High Voltage” flaunts campy theatrics with surreal vocals, and Editors’ cold, driving “Munich” thrives on urgency and rhythmic precision. Each track, in its own way, captures its era’s energy.

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‘Vous Avez Dit Bizarre’ N°546 – Vintage 90s Music Videos

‘Vous Avez Dit Bizarre’ N°546 – Vintage 90s Music Videos

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Elastica’s “Line Up” captures mid-’90s Britpop energy with punk influences, shining despite its brief chart tenure, while “Aeroplane” by Red Hot Chili Peppers balances funk theatrics and playful whimsy, marked by Flea’s bass and a quirky kids’ choir. Meanwhile, Air’s “Sexy Boy” stands out for its catchy production, grounded by a clever bassline, though its tongue-in-cheek charm overshadows depth.

My Bloody Valentine’s “To Here Knows When” flips convention, crafting a textured shoegaze haze, while Nitzer Ebb’s “Lightning Man” delivers hypnotic EBM intensity. Anthrax switches gears with “Nothing,” favoring groove-driven metal, and Chris Rea’s “Auberge” leans into nostalgic, bluesy rock. From My Bloody Valentine’s layered abstraction to GusGus’s sleek “Polyesterday,” each holds a unique chapter in ’90s sound evolution.

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‘L’Amour Toujours’ N°110 – Vintage 80s Music Videos

‘L’Amour Toujours’ N°110 – Vintage 80s Music Videos

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Taylor Dayne’s “Don’t Rush Me” pairs assertive patience with glossy production, landing it a No. 2 Billboard spot, just behind Phil Collins’s “Two Hearts,” while Pat Benatar’s “Love Is a Battlefield” redefined her sound with drum machines, topping U.S. and Australian charts. Meanwhile, The Bangles’ “Eternal Flame” captivated listeners with its sparse arrangement and vocal focus, claiming No. 1 spots worldwide.

Meat Loaf and Cher’s dynamic “Dead Ringer for Love” brought raw energy and theatrical flair, landing at No. 5 in the UK. Roy Orbison’s late-career gem “You Got It” blended timeless vocals with modern songwriting, peaking at No. 9 Billboard. Madness’s “It Must Be Love” balanced whimsy and sincerity for enduring charm, while T’Pau’s emotive “Valentine” showcased vocal intensity, reaching the UK top 10.

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This week In Guitar Virtuosi 07/52

This week In Guitar Virtuosi 07/52

Pat Metheny’s reworking of Carly Simon’s “That’s The Way I Always Heard It Should Be” transforms its emotional weight into intricate instrumental nuances, highlighted by the unique 42-string Pikasso guitar. Shawn Lane’s “Rice with the Angels” takes a more chaotic yet cohesive approach, blending fusion and jazz elements in a raw, immersive live performance alongside Jonas Hellborg and Jeff Sipe, creating a soundscape that’s both intense and intricate.

Rory Gallagher injects lively storytelling into “Secret Agent” from his 1976 album “Calling Card,” pairing cheeky themes with energetic slide guitar, while Eric Clapton and Jeff Beck’s live duet on “Little Brown Bird” showcases subtle blues interplay over showy technique. Steve Hackett’s “Every Day” balances personal gravity with prog-pop charm, highlighted by shifting guitar tones and thoughtful arrangements, making it a standout on his *Spectral Mornings* album.

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‘Vous Avez Dit Bizarre’ N°331 – Vintage 2000s Music Videos

‘Vous Avez Dit Bizarre’ N°331 – Vintage 2000s Music Videos

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Morrissey’s “I’m Throwing My Arms Around Paris” channels unrequited love through an embrace of a cold, unresponsive city, blending poetic alienation with melodic simplicity. On the flip side, Papa Roach’s “Last Resort” navigates raw emotions of suicide and despair, highlighted by aggressive guitars and a relentless hook, securing its place as a cultural touchstone of early 2000s metal. Meanwhile, Cold War Kids’ “Hang Me Up to Dry” leans into an eerie melodic pull, with Nathan Willett’s vocals oscillating between desperation and resignation.

Sum 41’s “The Hell Song” distills anguish into a blazing pop-punk anthem, combining biting riffs with introspective lyrics, while Korn’s “Falling Away from Me” uses eerie melodies and crushing bass lines to address domestic abuse. The Beta Band’s “Squares” crafts a layered exploration of unease through experimental use of samples and warped beats, contrasting sharply with My Chemical Romance’s punk-charged rework of Bob Dylan’s “Desolation Row,” a rapid, distorted sprint rooted in raw energy. Finally, Mogwai’s “Friend of the Night” finds introspective balance with its piano-led arrangement, embracing a softer side of post-rock dynamics.? Take our 12-track quiz.

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This week In ’90s Throwback’ 07/52

This week In ’90s Throwback’ 07/52

Jamiroquai’s “Cosmic Girl” blends disco-funk revival with ’90s electronic flair, boasting syncopated rhythms and galactic-inspired lyrics, though its mechanical edge may feel rigid. Critics like Caroline Sullivan liken its harmonies to Earth, Wind & Fire, and David Morales’ remixes add sleekness, though they lose some of the track’s quirky charm. Green Day’s “Longview” stands out as a slacker anthem, its iconic bassline wrapping themes of boredom and inertia in sharp humor, with Billie Joe Armstrong’s delivery perfectly matching its restless energy.

Cher’s “Believe” marked a bold reinvention with its Auto-Tune effect, making it a defining pop track of the late ’90s, earning Grammys and dominating charts globally. Nirvana’s “Lithium” encapsulates Cobain’s balance of spiritual tension and raw vulnerability, becoming a mainstay of “Nevermind” and a radio favorite. 2Pac’s “All About U” pairs a laid-back funk beat with biting commentary on fame, while Boyz II Men’s tearful “It’s So Hard To Say Goodbye To Yesterday” showcases a cappella brilliance, though it leans into emotional over-polish.

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