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Ciara’s “Ecstasy” blends sensual tension with sleek choreography, while Miley Cyrus turns apocalypse into pop fantasy backed by members of Alvvays. Laufey returns with “Silver Lining,” spinning romantic ambiguity through jazz-pop with masquerade visuals. Ed Sheeran fuses Persian instruments and heartfelt lyrics in a multicultural groove. MORE
Updated : Apr 4,2025
Vybz Kartel returns with “God Is The Greatest,” a reflection on survival and faith following his 2024 release. Ding Dong, Skeng, and Kaka Highflames join forces on “Street Jump,” blending dancehall flair with street swagger. MORE
Updated : Mar 31,2025
Martin Garrix and Arijit Singh reunite on “Weightless,” blending deep house and Hindi vocals in a meditation on fragile intimacy. Dani Mocanu’s “China” turns satire into swagger, while Vikkstar’s “Chemical” shifts him from gaming to future house alongside Adalaide Adams. MORE
Updated : Apr 13,2025
The Mar 24, 2025 edition of our bi-weekly music charts presents the top 20 tracks across 16 genres, including Alt Z, Alternative R&B, Dancehall, Art Pop, Metalcore, Nigerian Pop, and more. New entries from Melanie Martinez, Doechii, Bad Bunny, Daughtry, and Wizkid bring notable shifts, while chart regulars like Billie Eilish, Gims, Rema, and Twenty One Pilots hold multiple positions. Based on combined internal metrics and external streaming data, this snapshot reflects current audience trends over the past 30 days. Updated : Mar 24,2025
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Quincy Jones, Kraftwerk, Living Colour, Weather Report, Doobie Brothers, Bo Diddley, Dolly Parton, Linda Ronstadt, Emmylou Harris, Todd Rundgren We Celebrate Bon Jovi, Lou…
Melody’s “Esa Diva” wins Benidorm Fest and undergoes a revamp before Eurovision 2025. Chappell Roan bends country-pop with “The Giver” on SNL. Emmy’s “Laika Party” represents Ireland, a nod to the Soviet space dog. Ioana Ignat’s “Parfum” lingers on love’s memory, while Chxrry22 flips gender roles in “Just Like Me.” Lizzo’s “Still Bad” shrugs off heartbreak with disco energy. BANKS teases her fifth album with “Meddle In The Mold,” and Sophie Scott crafts a hypnotic club track with “Red Light.”
Updated : Mar 15,2025
Black Sabbath’s “N.I.B.” from their 1970 debut is a bold blend of Tony Iommi’s heavy riffs and Geezer Butler’s bass intro, complemented by Ozzy Osbourne’s haunting vocals, depicting Lucifer’s transformation through love. Metallica’s “Damage, Inc.,” closing their 1986 “Master of Puppets,” delivers raw thrash energy, driven by Cliff Burton’s layered bass intro and technical precision, cementing its place as a live favorite.
AC/DC’s “Thunderstruck” from 1990’s “The Razors Edge” thrives on Angus Young’s hypnotic guitar riff, bringing arena rock fervor despite its catchy simplicity. Guns N’ Roses’ “Welcome to the Jungle” unleashes urban chaos with Slash’s slithering guitar riff and Axl Rose’s piercing wails. Rush’s “YYZ,” a prog-rock marvel from 1981’s “Moving Pictures,” dazzles with its 10/8 time signature and seamless interplay between Geddy Lee, Neil Peart, and Alex Lifeson.
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Talking Heads’ “And She Was” merges surreal LSD-inspired storytelling with upbeat pop, highlighted by whimsical details like a Yoo-Hoo factory backdrop. Pet Shop Boys’ cover of “Always on My Mind” transforms Elvis sentimentality into a pulsating synth anthem, taking risks with its flashy reinterpretation. Michael Jackson’s “Thriller” blends catchy grooves with horror theatrics, immortalized by Vincent Price’s spoken-word interlude and the iconic music video.
Stray Cats’ “Rock This Town” reinvigorates rockabilly with an energetic modern twist, while Pop Will Eat Itself’s “Can U Dig It?” crafts a frenetic, sample-driven love letter to pop culture. The Bangles’ “Manic Monday,” penned by Prince, perfectly encapsulates workweek chaos with relatable lyrics and polished harmonies. Blancmange’s “Waves,” though lushly arranged, trades their usual snappy synth pop for subdued orchestration, leaving listeners divided.
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