Curated playlists, portraits, albums & weekly selection
Browse artists by genre or popularity. Search by name
Explore pop, jazz, rock, rap, world & 25+ more styles
Music news daily about your favorite artists
Books, merch, instruments & collector’s picks
Al Caiola, Frank Vignola, Bucky Pizzarelli, John Pizzarelli, Marc Ribot, Jim Hall, Mike Stern, Lee Ritenour, John Mclaughlin, Paco De Lucia, Al Di Meola, George Benson, Jan Akkerman, Robben Ford, Jimmy Page
Depeche Mode, Beck, Mariana Peregrina, Emel Mathlouthi, Anna Calvi, Scott Weiland, Cowboy Junkies, Shearwater, Soviet Space Dogs, Seal, The Chip Shop Boys, The Last Shadow Puppets
Lily Allen’s “LDN” pairs breezy ska rhythms with sharp critiques of London’s grittiness, while Miley Cyrus’s “7 Things” captures teenage heartbreak in pop-punk style. Feeder’s “Forget About Tomorrow” reflects on loss with emotional depth, and Coldplay’s “Speed of Sound” melds introspective lyrics with shimmering melodies. Meanwhile, Limp Bizkit channels raw defiance in the volatile “My Generation.”
Megadeth’s thrashy “Train of Consequences” critiques gambling’s dangers with biting riffs, while Siouxsie and the Banshees’ unexpectedly playful “O Baby” layers sunny melodies over eerie visuals. The Cult’s gritty “Star” brings bluesy hard rock swagger, and Fish’s “Big Wedge” aims at materialism with sharp hooks. Stereolab’s sprawling “Jenny Ondioline” mixes motorik grooves with dreamy experimentation.
The text highlights standout tracks like The Kane Gang’s sleek mid-‘80s rendition of “Respect Yourself,” and Bruce Springsteen’s punchy “Dancing in the Dark,” blending introspection with high-energy production. Duran Duran took a funky shift with “Notorious,” while Kool & The Gang’s “Hi De Hi Hi De Ho” brought playful grooves. Modern Romance’s salsa-infused “Ay Ay Ay Ay Moosey” leaned into quirky fun, and Dynasty’s disco gem “I Don’t Want To Be a Freak” captured late ‘70s club vibes. The Temptations renewed themselves with the polished “Treat Her Like a Lady,” while Jellybean reworked “Jingo” into a percussion-heavy ‘80s club staple. Ottawan’s “You’re OK” and the Gibson Brothers’ “Que Sera Mi Vida” kept disco’s infectious spirit alive, rounding out tracks that celebrated rhythm, reinvention, and unabashed fun.
The page highlights standout early-2000s tracks, including the Honeyz’s smooth “Not Even Gonna Trip” from *Nutty Professor II,* Destiny’s Child’s empowering “Independent Women Pt. 1,” and Mystikal’s energetic “Shake Ya Ass,” shaped by The Neptunes. Samantha Mumba’s heartfelt “Lately” pairs longing with sleek production, while Alesha Dixon’s “Breathe Slow” offers introspection. Jay-Z’s “Show Me What You Got” merges swagger with orchestral flair, and Beyoncé’s “Partition” boldly intertwines sensuality and empowerment. DMX’s intense “Get It On the Floor” doubles down on raw energy, while Lethal Bizzle’s gritty “Pow!” amplifies grime’s untamed edge. Tracks like Erick Sermon’s Bollywood-sampling “React” and the Beastie Boys’ heartfelt “An Open Letter to NYC” reflect creative risks and cultural reflections.
Echosmith’s “Cool Kids” resonates with universal themes of alienation and longing, blending indie-pop shimmer and polished production, while Beyoncé’s “Sweet Dreams” delivers a sharp-edged synthpop-R&B hybrid laced with desire and fragility. Miley Cyrus’s “Party in the U.S.A.” embraces casual Americana with infectious simplicity, and Manic Street Preachers’ “Some Kind of Nothingness” layers orchestral drama over existential musings. Rebecca Ferguson’s “I Hope” shines with emotive strength and intimate vulnerability, contrasting the lighthearted defiance of Pixie Lott’s retro-tinged “Mama Do.” Meanwhile, Michael Bublé’s warm croon on “Santa Claus Is Coming to Town” settles into predictable yet comforting holiday familiarity.
Harry Nilsson, Joni Mitchell, David Bowie, Led Zeppelin, Skid Row, Elvis Costello, The Attractions, Bruce Springsteen, Peter Frampton, Gentle Giant, Steve Miller Band, Crosby, Stills, Nash, Van Morrison