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Explore the echoes of time as the tuba emerges from the shadows, casting its deep spell over modern soundscapes. With artists like Michel Godard and Boom Pam highlighting its surprising flexibility across genres, the tuba remains a chameleon in the ever-evolving universe of jazz, leaving reverberations that resonate far beyond traditional boundaries.
Steely Dan, Boney M., Sammy Hagar, The Cars, David Bowie, ABBA, Elton John, Ry Cooder, Chicago, Rod Stewart, Genesis, Sex Pistols
George Michael, Boy George, Culture Club, Rickie Lee Jones, Nina Hagen, Natalie Merchant, Dana Gillespie, Seu Jorge, Momus, Christopher Walken
Judy Cheeks’ “Reach” balances house beats with pop flair, a 1994 anthem that hit #12 on UK charts, while Baby D’s “So Pure” bursts with mid-‘90s rave energy, blending breakbeats and euphoric vocals. SL2’s “DJs Take Control” channels raw early ‘90s rave culture with its frantic beats, and The Farm’s “Groovy Train” stands out for its upbeat Madchester vibe. Clock’s “That’s the Way [I Like It]” reimagines disco as 90s Eurodance, while Shaft’s cheeky “Roobarb and Custard” transforms a children’s theme into a rave staple. Each track captures distinct facets of their decade’s club culture.
This day (January 10, 1976), in Hines, Illinois, died Chester Arthur Burnett a.k.a Howlin' Wolf, an American blues singer, guitarist and harmonica player.Tracklist : 1 . Evil 2 . Highway…
LadBaby’s cheeky “We Built This City” swaps rock ‘n’ roll for sausage rolls, blending humor and charity to back UK food banks, while The Lonely Island’s “I Just Had Sex” turns awkward intimacy into an absurd yet polished club parody with Akon. Billie Eilish’s “Bellyache” mixes playfulness and guilt in sparse beats, and Bowie’s reflective “Where Are We Now?” pairs Berlin nostalgia with tender fragility. Delphic’s “Doubt” and Kings of Leon’s “Beautiful War” dive into introspection, blending tension and grandeur, while White Lies’ “Bigger Than Us” storms in with existential alt-rock. Meanwhile, Flux Pavilion and Doctor P’s “Superbad” crashes through with thundering basslines, capturing dubstep’s noisy peak.
Robyn’s “Be Mine!” blends raw heartbreak with defiance in minimal electropop, while Rihanna and Ne-Yo’s “Hate That I Love You” thrives on heartfelt duality and smooth production. Amy Winehouse lays bare her soul in the melancholic “Love Is A Losing Game,” and Jordin Sparks’ “No Air” hits dramatic heights with Chris Brown. Steps add elegance to pop with “It’s the Way You Make Me Feel,” and Kate Bush’s poignant “This Woman’s Work” lingers as a timeless emotional confession.
Five Star’s “System Addict” sparkles with slick production and ’80s choreography, while Chaka Khan’s “I Feel for You” electrifies with Stevie Wonder’s harmonica and Melle Mel’s rap flair. Bronski Beat’s “Hit That Perfect Beat” pulses with hi-NRG energy, and Alexander O’Neal and Cherrelle’s “Saturday Love” captures weekend longing. Wham!’s punchy “I’m Your Man” delivers cheeky confidence, and Erasure’s “Sometimes” blends shimmering synths with heartache.