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‘L’Amour Toujours’ N°314 – Vintage 90s Music Videos

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Tina Turner’s “Love Thing” from *Simply the Best* blends her vocal prowess with early-’90s pop flair but sits awkwardly among her classic hits like “Private Dancer.” George Michael’s “Heal the Pain,” an ode to McCartney’s style, offers melodic warmth but lacks standout energy despite a later duet with McCartney himself. Sheryl Crow’s raw “What I Can Do For You” tackles sexual harassment with sharp commentary, showcasing her early knack for meaningful rock.

Melissa Etheridge’s “I Want to Come Over” channels longing with her passionate voice, finding chart success globally. Heather Nova’s “Heart and Shoulder” offers polished alt-pop vulnerability, while Tanita Tikaram’s “Only the Ones We Love” aligns subdued folk-pop with elegiac strings. Zucchero’s duet “Diamante” melds Italian soul with Randy Crawford’s jazz finesse, and Tasmin Archer’s harrowing “In Your Care” emphasizes gravity over radio appeal.

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‘Vous Avez Dit Bizarre’ N°107 – Vintage 2000s Music Videos

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Franz Ferdinand’s cheeky “Do You Want To” struts through indie rock with spiky guitars and sardonic lyrics, capturing mid-2000s swagger, while Rihanna’s chilling “Disturbia” pairs a claustrophobic beat with detached vocals, crafting a shadowy dance-pop hit. MGMT’s “Time to Pretend” revels in hedonistic irony atop euphoric synths, balancing glittering highs with reflective lows.

Blink-182’s “Feeling This” merges lust and rhythm with Travis Barker’s intricate drumming, while Linkin Park’s “One Step Closer” channels raw nu-metal angst through fiery riffs and direct lyrics. Electric Six’s wild “Danger! High Voltage” flaunts campy theatrics with surreal vocals, and Editors’ cold, driving “Munich” thrives on urgency and rhythmic precision. Each track, in its own way, captures its era’s energy.

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‘Vous Avez Dit Bizarre’ N°546 – Vintage 90s Music Videos

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Elastica’s “Line Up” captures mid-’90s Britpop energy with punk influences, shining despite its brief chart tenure, while “Aeroplane” by Red Hot Chili Peppers balances funk theatrics and playful whimsy, marked by Flea’s bass and a quirky kids’ choir. Meanwhile, Air’s “Sexy Boy” stands out for its catchy production, grounded by a clever bassline, though its tongue-in-cheek charm overshadows depth.

My Bloody Valentine’s “To Here Knows When” flips convention, crafting a textured shoegaze haze, while Nitzer Ebb’s “Lightning Man” delivers hypnotic EBM intensity. Anthrax switches gears with “Nothing,” favoring groove-driven metal, and Chris Rea’s “Auberge” leans into nostalgic, bluesy rock. From My Bloody Valentine’s layered abstraction to GusGus’s sleek “Polyesterday,” each holds a unique chapter in ’90s sound evolution.

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‘We Are Live’ N°16 – Vintage 80s Music Videos

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The page highlights diverse ‘80s tracks, like Dexys Midnight Runners’ brassy tribute “Geno,” blending fan-to-idol narrative with fiery saxophones, and The Icicle Works’ “Evangeline,” a moody neo-psychedelic piece reflective of its late-’80s era. Sammy Hagar’s raw “I’ve Done Everything For You” contrasts with Rainbow’s polished “I Surrender,” led by Joe Lynn Turner’s radio-friendly vocals, while Scorpions’ “Passion Rules the Game” balances rock grit with melodic finesse.

Other notable mentions include the jangle-filled optimism of The Bluebells’ “Cath,” The Silencers’ Celtic-tinged “I See Red,” and The Dickies’ playful punk postcard “Fan Mail.” Ratt’s glam-metal anthem “You’re In Love” rides on confidence but sticks close to formula, and Cockney Rejects’ gritty “Bad Man” narrates East End strife. Spider’s “Gimme Gimme It All” channels defiant hard rock energy but feels tethered to its influences, offering snapshots of the decade’s evolving sounds.

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Hip-Hop & Soul N°247 – Vintage 2000s Music Videos

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Chingy’s “Holidae In,” featuring Ludacris and Snoop Dogg, captured early 2000s party vibes with its infectious hotel escapades, peaking at No. 3 on the Billboard Hot 100. Similarly, Clipse’s “When the Last Time” paired their sharp delivery with The Neptunes’ signature bounce, charting at No. 19 and solidifying its club anthem status. D12’s “Shit on You” showcased their brash humor while staying true to their Detroit roots.

Three 6 Mafia’s “Stay Fly,” blending Willie Hutch’s soulful sample with swagger, soared to No. 13 and became a Southern hip-hop staple. Pharoahe Monch’s commanding “Simon Says,” driven by a cinematic Godzilla sample, turned heads with its intensity and boldness. Meanwhile, Raghav’s “Angel Eyes” brought reggae-pop fusion to the forefront, hitting No. 7 on UK charts, though it leaned more on tribute than unique identity.? Take our 12-track quiz.

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‘Music For The Dancers’ N°334 – Vintage 80s Music Videos

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UB40’s “Rat in Mi Kitchen” combines an upbeat reggae rhythm with political edge, using a metaphorical rat to critique Margaret Thatcher’s government. Catchy horns and Ali Campbell’s vocals drive its charm. Blondie’s “Call Me,” penned for *American Gigolo*, captures late-night energy with Debbie Harry’s dynamic delivery atop Giorgio Moroder’s production, reigning atop charts with its infectious swagger.

Elvis Costello’s energetic rework of “I Can’t Stand Up for Falling Down” transforms heartbreak into danceable urgency, while Freeez’s electro-funk “IOU” pushes early ‘80s sampling tools for a slick, tech-forward vibe. Simply Red’s funk-inspired “The Right Thing” melds polish with Mick Hucknall’s bold vocals, and Matt Bianco’s lively “Get Out of Your Lazy Bed” spreads jazz-infused cheer, daring listeners to stay put.

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New Music Videos (Ladies Only) – N°480

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Ikkimel’s “Böser Junge” blends canine metaphors with club influences. Stela Cole’s “Stereoqueen” reworks Destiny’s Child for playful defiance. Chirine Lajmi’s “Ta3abni Fra9ou” mixes Arabic pop with heartache. Delia’s “Dor” combines electronic textures with introspection.

Lisa Hyper’s “Bitter Sweet” captures dancehall turbulence. Rose Villain’s “Fuorilegge” blends genres for Sanremo 2025. Halsey releases punk-infused “Safeword.” HEYOON’s “ASAP” teams with Chris Patrick for viral pop. Loana’s “À Petit Feu” highlights Réunion’s rising talent.

Updated : Feb 28,2025

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‘Vous Avez Dit Bizarre’ N°106 – Vintage 90s Music Videos

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Korn’s “A.D.I.D.A.S.” captures raw irreverence, blending juvenile cheekiness with nu-metal chaos, while The Prodigy’s “Smack My Bitch Up” hits with abrasive beats and a controversial narrative bolstered by its shocking video twist. Sinéad O’Connor’s “You Made Me the Thief of Your Heart” channels unfiltered grief, a standout vocal performance swirling within cinematic production. Pavement keeps it sardonic with “Cut Your Hair,” skewering music industry superficiality through infectious lo-fi charm.

Red Hot Chili Peppers’ funky “Give It Away” thrives on its unrelenting energy but teeters on chaotic, while Bad Religion’s “21st Century (Digital Boy)” critiques consumer detachment with punk sharpness. PJ Harvey’s haunting “Down by the Water” shifts into an unsettling experimental blues realm, as Elton John’s “Recover Your Soul” opts for polished yet restrained introspection. The Wonder Stuff’s “Welcome to the Cheap Seats” combines whimsy and rough-edged exuberance across formats, keeping their alt-rock energy intact.

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