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American Hip-Hop & Soul New Music Videos – N°497

YoungBoy’s “5 Night” blends intensity with brooding beats. Future’s “Lil Demon” mixes menace and ambition. Fridayy and Meek Mill unite on “Proud Of Me,” blending R&B and hip-hop. G Herbo’s “Traffic” tells Chicago street stories. Babyfxce E and Monaleo sharpen Flint rap on “PTP [Remix].”

Lil King and Raq Baby navigate South Side narratives on “Fallin.” BossMan Dlow flows effortlessly on “Sum Out of Nun.” Wiz Khalifa teams with Plaqueboy Max for “Again,” marked by a striking beat switch.

Updated : Mar 2,2025

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‘Music For The Dancers’ N°335 – Vintage 90s Music Videos

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Lenny Kravitz’s “Fly Away” delivers effortless grooves with its four-chord simplicity, blending pop-rock and funk for wide appeal—it even snagged a Grammy and topped the UK charts. Jamiroquai’s “High Times” stands out with polished R&B-funk, showcasing tight production and Jay Kay’s vocal charisma, though its tame lyrics on travel fatigue leave it feeling safe rather than bold.

Urban Cookie Collective’s “Sail Away” rides the ’90s Eurodance wave with radiant vocals by Diane Charlemagne, climbing charts across Europe while sticking to a familiar formula. Meanwhile, “Crispy Bacon” by Laurent Garnier masters minimalist techno, its relentless bassline and stripped-back intensity epitomizing late ’90s club culture with playful menace.? Take our 12-track quiz.

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‘Look Ma, No Mike!’ N°13 – Vintage 2000s Music Videos

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Dumdums’ “Army of Two” blends crisp production, plaintive vocals, and rhythmic precision, capturing early-2000s British guitar pop but plateauing at number 27 like their previous singles. JJ72’s “Snow,” marked by melancholic energy and Mark Greaney’s theatrical vocals, saw a delayed rise to number 21 on its re-release, contrasting their fragile yet defiant presence with peers like Coldplay and Embrace.

Oasis’s “Songbird,” Liam Gallagher’s tender ode, strips back typical bombast for raw simplicity, maintaining a modest spot in their catalog. Beth Orton’s “Conceived” is understated and intimate, leaning on her folk-pop blend yet leaving ambitions underexplored. Meanwhile, Freefaller’s “Do This! Do That!” delivers catchy, straightforward pop/rock, reflecting early-2000s radio’s formulaic appeal.? Take our 12-track quiz.

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This week In ‘2000s Throwback’ 07/52

Carolina Chocolate Drops’ take on Blu Cantrell’s “Hit ‘Em Up Style” transforms modern pop into a string-band jam with banjos and fiddles, tying it to their Piedmont roots. Prince’s “Fury” mixes acid rock and funk with blistering guitar but feels restrained, contrasting its live performances where his energy electrifies the track. Meanwhile, Tenacious D’s “Dude (I Totally Miss You)” walks the line between humor and heartfelt emotion, thriving in their animated live sets.

Beth Hart’s “Hiding Under Water” channels her raw blues-rock energy, with live renditions cutting deeper into her vulnerability. Robbie Williams’ “Monsoon” sits comfortably on “Escapology,” blending polished instrumentation with emotional volatility. PJ Harvey’s “The Sky Lit Up” sprints with controlled chaos, while George Benson and Al Jarreau’s “Summer Breeze” reimagines soft rock as jazzy sophistication, contrasting nostalgia with urbane warmth.

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‘Vous Avez Dit Bizarre’ N°108 – Vintage 80s Music Videos

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Talking Heads’ “And She Was” merges surreal LSD-inspired storytelling with upbeat pop, highlighted by whimsical details like a Yoo-Hoo factory backdrop. Pet Shop Boys’ cover of “Always on My Mind” transforms Elvis sentimentality into a pulsating synth anthem, taking risks with its flashy reinterpretation. Michael Jackson’s “Thriller” blends catchy grooves with horror theatrics, immortalized by Vincent Price’s spoken-word interlude and the iconic music video.

Stray Cats’ “Rock This Town” reinvigorates rockabilly with an energetic modern twist, while Pop Will Eat Itself’s “Can U Dig It?” crafts a frenetic, sample-driven love letter to pop culture. The Bangles’ “Manic Monday,” penned by Prince, perfectly encapsulates workweek chaos with relatable lyrics and polished harmonies. Blancmange’s “Waves,” though lushly arranged, trades their usual snappy synth pop for subdued orchestration, leaving listeners divided.

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