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‘Music For The Dancers’ N°330 – Vintage 80s Music Videos

How well do you know the music of Shalamar’s “Right In The Socket” grooves through disco-funk vibes, powered by charismatic vocals and Leon Sylvers III’s vibrant production, while Luther Vandross’s “She Won’t Talk to Me” showcases silky frustration over late-’80s R&B finesse. Sheryl Lee Ralph’s “In the Evening” captures ’80s dancefloor liberation, contrasting starkly with the apocalyptic satire of Nena’s “99 Red Balloons.” Billy Idol’s “Dancing With Myself” blends punk grit with reflective defiance, and The Bangles’ electrifying “Hazy Shade of Winter” amplifies Simon & Garfunkel’s introspection into intense rock anthems. Meanwhile, AC/DC heats things up with the explosive energy of “Heatseeker,” delivering riffs and theatrics that epitomize their hard rock swagger.? Take our 12-track quiz.

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Me:nu Du Jour February 9 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To The Doors, Peggy Lee, Father John Misty, Franz Ferdinand, John Scofield, Dizzy Gillespie, John Lee Hooker, McCoy Tyner We Celebrate Carole King, Chick Corea…

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This week In Guitar Virtuosi 06/52

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Michel Petrucciani’s take on Miles Davis’ “So What” from a 1998 Stuttgart concert highlights its staying power, with Anthony Jackson’s steady bass and Steve Gadd’s subtle drumming anchoring restrained improvisation. Meanwhile, John Coltrane’s quartet version of “I Want to Talk About You” on *Soultrane* strips an old big-band tune to its emotional core, balancing reverence with hints of the freedom he’d later fully embrace.

Wayne Shorter’s “Starry Night” from *Without a Net* showcases conversational interplay within his quartet, while Chick Corea’s ambitious “Moseb the Executioner” merges diverse traditions despite feeling structurally dense. Dizzy Gillespie’s “A Night in Tunisia” pushes Afro-Cuban rhythms into bebop’s restless energy, contrasting with Jimmy Smith’s warmer jazz-organ twist on “Honky Tonk,” particularly live. Each track offers glimpses of its artist’s unique touchpoint in jazz history.

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Me:nu Du Jour February 8 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Michael Bublé, Ben Harper, Television, Pat Metheny, Gil Scott-Heron, Frank Sinatra, Frank Gambale, Jimmy Smith We Celebrate Jimmy Smith, Anderson .Paak We Watch Tony…

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‘Music For The Dancers’ N°113 – Vintage 90s Music Videos

How well do you know the music of Bart Simpson’s “Do the Bartman” brings animated swagger with Nancy Cartwright’s playful delivery and Michael Jackson’s uncredited touch, chart-topping globally. Will Smith’s “Gettin’ Jiggy Wit It” blends hip-hop flair with a Sister Sledge sample, bursting with charm and charting high. Rednex’s “Cotton Eye Joe” remixes Appalachian folk with Eurodance absurdity, becoming a wedding staple. Underworld’s “Born Slippy (Nuxx)” thrives on its raw, euphoric chaos, while C+C Music Factory’s “Gonna Make You Sweat” pairs powerhouse vocals with energetic beats. SNAP’s “Exterminate!” delivers dark Eurodance vibes, and Take That’s “Could It Be Magic” reinvents a Manilow classic with boy-band bravado.? Take our 12-track quiz.

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Me:nu Du Jour February 7 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To The Stooges, Santana, Van Halen, J Dilla, Emmylou Harris, Lambchop, Chick Corea, John Coltrane, Ella Fitzgerald, Duke Ellington, Hank Mobley, Kurt Elling, Paquito D’Rivera…

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‘Vous Avez Dit Bizarre’ N°542 – Vintage 2000s Music Videos

How well do you know the music of Colin MacIntyre’s Mull Historical Society blends nostalgia and loss in the indie-pop gem “Watching Xanadu,” while Arab Strap’s “Love Detective” delivers raw discomfort through spoken word and sparse keys. El Presidente’s glam-charged “Rocket” struts with bold riffs, contrasting with the reflective melancholy of Goldfrapp’s synth-laden “A&E.” Funeral for a Friend’s “Escape Artists Never Die” wraps intensity in post-hardcore urgency, and Patrick Wolf’s “The Libertine” pairs dramatic strings with windswept emotion. Bloc Party’s “So Here We Are” stands out for its shimmering guitars and quiet introspection, offering a poignant counterpoint to the sharper edge of its accompanying tracks.? Take our 12-track quiz.

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‘Look Ma, No Mike!’ N°133 – 2010s Music Videos

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N-Dubz’s “Girls,” with its hedonistic themes and polished beats, sees Dappy’s over-the-top theatrics paired with a glossy yet disjointed music video, peaking modestly at No. 18 in the UK. Troye Sivan’s “Youth” shines as millennial synth-pop, blending sparkling hooks and universal themes of first love, landing higher in charts like Australia (No. 17) and achieving multi-platinum accolades globally.

The Vamps and Matoma teamed up for “All Night,” a streamlined EDM-pop crossover with childlike vocal production quirks, staying on UK charts for 26 weeks. Sophie Ellis-Bextor slowed the pace with “Young Blood,” an introspective chamber pop piece that peaked at No. 34 in the UK, offering cinematic strings and tender vocals that departed from her dance-pop roots.

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