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Hip-Hop & Soul New Music Videos – N°493

41’s “Presidential (Save Me)” blends Brooklyn drill energy with sharp lyricism from Jenn Carter, Kyle Richh, and TaTa. Tyga’s “Body Talk” features Wiz Khalifa, Rubi Rose, and YG, delivering his signature explicit swagger. Sturdyyoungin’s “TRIPPIN” offers a vibrant beat with sleek production, while Inas Arnautović’s “500/500” brings hard-hitting Balkans hip-hop with trap influences.

Lartiste’s “Vaï & Viens” showcases a seamless rap-melody fusion, and Youssoupha’s “Dieu Est Grande” delivers introspection with cultural depth. Le Crime returns with the hypnotic “Prada,” while Shordie Shordie’s “On My Own” highlights his distinct vocal style. Offset’s “Antisocial” echoes his Migos roots, and Kevin Gates’ “Block Away” layers dark production with raw lyricism.

Updated : Jan 23,2025

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This week In ’90s Throwback’ 04/52

Sting’s “All This Time” mixes upbeat melodies with themes of grief, rebellion, and religion, while Puff Daddy’s “I’ll Be Missing You” crafts a sorrowful homage to The Notorious B.I.G. with borrowed riffs and gospel warmth. The Cure’s sprawling “From the Edge of the Deep Green Sea” layers yearning guitars, and Garbage’s gritty “Stupid Girl” blends alt-rock with irony. Tori Amos’s “Caught a Lite Sneeze” pairs harpsichord with industrial beats, while The Black Crowes’ take on “Hard to Handle” adds Southern grit to Otis Redding’s soul classic. Vanilla Ice’s “Ice Ice Baby” unapologetically flips Queen’s bassline, and Nirvana’s “Smells Like Teen Spirit” captures grunge angst with raw, unfiltered chaos. George Michael’s “Freedom ’90” turns rebellion into pop brilliance, blink-182’s “Mutt” speeds through punk-pop irreverence, and The Chili Peppers’ “Give It Away” bursts with funk-rock energy and altruism.

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New Music Videos (Ladies Only) – N°473

Hitsujibungaku’s “Koe” delivers brooding intensity as the *119 Emergency Call* theme song, while Jennie’s “Ruby” teases her debut solo album’s introspective yet sharp direction. Zoe Wees’ “Traitor” channels resilience, supported by her distinct emotive delivery, and Saya Gray’s “LIE DOWN..” blends synth-pop, indie-folk, and math-rock, previewing her *SAYA* album.

Marina Satti’s “Epano Sto Trapezi” fuses Greek traditions with modern beats, echoing her global rise. Flor Alvarez’s cumbia remix of “En La Cara” infuses storytelling with bold rhythms. Thai singer D-NA’s “Break My Heart” reflects post-group struggles, while Chloe Qisha’s “21st Century Cool Girl” showcases her sharp, alternative pop artistry.

Updated : Jan 21,2025

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Hip-Hop & Soul New Music Videos – N°492

Joey Bada$$’s “Sorry Not Sorry” asserts his East Coast dominance with sharp lyricism and jazz-infused beats by Conductor Williams. Saamou Skuu’s “Hypé” taps into French Drill energy, reflecting his Place des Fêtes roots and collaborations with Zeu and La F.

YZERR’s “Million Road” cements his influence post-BAD HOP’s Tokyo Dome farewell, while Finesse2Tymes’ “Outta My Mind” with Skilla Baby blends raw Memphis storytelling with gritty authenticity.

Updated : Jan 21,2025

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Hip-Hop & Soul N°96 – Vintage 90s Music Videos

Mark Morrison blends confidence with emotional intensity in “Horny,” a sultry 1996 R&B gem, while Brandy keeps it understated yet impactful with her breakout hit “I Wanna Be Down.” Whitney Houston’s “Exhale [Shoop Shoop]” leans into introspection with Babyface’s subtle production, and Prince reimagines “Betcha By Golly Wow!” as a romantic falsetto-driven ode. Tina Turner adds intrigue with “GoldenEye,” pairing her commanding vocals with U2’s cinematic composition, and Alexander O’Neal’s “All True Man” balances swagger and vulnerability atop sleek Jam & Lewis production. Haddaway slows down with the heartfelt ballad “I Miss You,” a softer contrast to his upbeat hits, while Warren G’s G-funk spin on Tina Turner’s “What’s Love Got To Do With It” finds a groove with Adina Howard’s sultry touch. Blackstreet’s “[Money Can’t] Buy Me Love” delivers glossy production and harmonies, while L.V.’s “Throw Your Hands Up” captures peak mid-’90s energy, blending celebration with West Coast charm.

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‘L’Amour Toujours’ N°294 – Vintage 80s Music Videos

Neil Diamond’s emotive “Love On The Rocks” captures heartbreak with cinematic flair, while Pat Benatar’s “We Belong” finds a softer pop groove layered with resilience. Tiffany’s bubbly take on *I Think We’re Alone Now* brought a rebellious yet polished charm to the late ’80s, and Dexys Midnight Runners’ chaotic yet unforgettable “Come On Eileen” merged Celtic folk with pop energy. Spagna’s synth-driven “I Wanna Be Your Wife” radiates ’80s vibrance, just as King’s “Love and Pride” channels youthful individuality with polished hooks. Shakin’ Stevens and Bonnie Tyler’s duet, “Rockin’ Good Way,” pairs playful energy with retro charm, and Lloyd Cole’s “Jennifer She Said” leans on thoughtful introspection against jangly guitars. Meanwhile, Dollar’s dreamy “I Wanna Hold Your Hand” reimagines a classic with glossy production and soft harmonies.

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‘Look Ma, No Mike!’ N°5 – Vintage 90s Videos

Cliff Richard’s festive “This New Year” blends nostalgia and optimism, while Del Amitri’s haunting “Nothing Ever Happens” critiques societal stagnation with piercing melancholy. Oasis’s swaggering “Shakermaker” captures Britpop’s laid-back charm, and The Black Crowes’ “Twice As Hard” dives into southern rock grit. Madonna’s soaring “Don’t Cry for Me Argentina” fuses theatrical flair with pop gravitas.

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‘Vous Avez Dit Bizarre’ N°708 – 2010s Music Videos

LadBaby’s cheeky “We Built This City” swaps rock ‘n’ roll for sausage rolls, blending humor and charity to back UK food banks, while The Lonely Island’s “I Just Had Sex” turns awkward intimacy into an absurd yet polished club parody with Akon. Billie Eilish’s “Bellyache” mixes playfulness and guilt in sparse beats, and Bowie’s reflective “Where Are We Now?” pairs Berlin nostalgia with tender fragility. Delphic’s “Doubt” and Kings of Leon’s “Beautiful War” dive into introspection, blending tension and grandeur, while White Lies’ “Bigger Than Us” storms in with existential alt-rock. Meanwhile, Flux Pavilion and Doctor P’s “Superbad” crashes through with thundering basslines, capturing dubstep’s noisy peak.

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