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New Music Videos (Latin) – N°478

New Music Videos (Latin) – N°478

new on RVM

Rochy RD’s “El Sistema Cambió” reflects on urban music’s evolution, while Pierre La Voz flips love’s usual narrative in “Inmune a Cupido.” DannyLux blends regional Mexican and pop on “Ya No Estás,” and Reality’s “Aunque Duela Remix” features Kidd Keo and Yung Sarria.

Lenier and Fariana’s “Ya Es Tarde” leans into reggaeton, while Jesse & Joy link with Elsa y Elmar for “Accidente.” Robot95 and Nanpa Básico fuse Afrobeat and tropical rhythms in “Bambú.”

Updated : Feb 10,2025

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Hip-Hop & Soul N°410 – 2010s Music Videos

Hip-Hop & Soul N°410 – 2010s Music Videos

How well do you know the music of

Nicki Minaj’s “Stupid Hoe” shines with chaotic, stripped-down beats and divisive energy, featuring rapid-fire lyrics and a theatrical music video by Hype Williams. Its biting tone, speculated as a jab at Lil’ Kim, polarized audiences, while the track peaked modestly at No. 59 on Billboard but broke Vevo’s 24-hour views record. Similarly, J. Cole’s “Middle Child” balances introspection and industry critique, highlighting his role bridging hip-hop generations. Produced by T-Minus, it became his highest-charting single at No. 4 on Billboard and earned 3× Platinum certification, blending personal reflection with a polished yet familiar sound.

Chris Brown’s “Yeah 3x” injects club-ready energy with its electro dance-pop sound, charting globally and going quintuple platinum in Australia despite plagiarism disputes with Calvin Harris. Meanwhile, AJ Tracey’s “Psych Out!” trades gritty bars for melodic finesse, achieving a No. 18 peak in the UK charts but leaning towards polish over rawness. Migos’ “Walk It Talk It,” featuring Drake, thrives on repetition, supported by a retro “Soul Train”-inspired video, peaking at No. 10 on Billboard and earning a 6× Platinum certification. Blueface’s “Thotiana,” backed by viral remixes, ascended to No. 8 on Billboard, though its sparse production and offbeat flow rendered it more fleeting cultural moment than rap cornerstone.

? Take our 12-track quiz.

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This week In Jazz Legends 06/52

This week In Jazz Legends 06/52

Ben Harper’s “Whipping Boy” blends blues and folk elements in his 1994 debut, “Welcome to the Cruel World,” maintaining a restrained charm that invites reflection. Whitney Houston’s “It’s Not Right but It’s Okay” channels late-’90s precision and resilience, backed by Rodney Jerkins’ slick production, with Grammy-winning vocal defiance and a club-ready Thunderpuss remix that kept listeners engaged.

D’Angelo’s “Brown Sugar” fuses funk and jazz with lyrical nods to his neo-soul style, while Soundgarden’s “Spoonman” integrates unconventional rhythm and actual spoon solos for a gritty twist on grunge. Erykah Badu’s “Other Side of the Game” offers subdued storytelling, with her conversational delivery defining its quiet intensity. Each track marks a unique moment tied to its creators’ distinctive vision.

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This week In ‘Hard & Metal Throwback’ 05/52

This week In ‘Hard & Metal Throwback’ 05/52

Kiss’s “War Machine” snarls with heavy riffs and ominous lyrics, while Iron Maiden’s “Aces High” channels WWII dogfights with galloping energy. Van Halen’s “Don’t Tell Me” brims with tension and grinding guitars, and Alice Cooper’s “No More Mr. Nice Guy” delivers satirical rebellion with pop-rock flair. Deep Purple’s “Burn” dazzles with fiery riffs and dual vocals, and AC/DC’s “Down Payment Blues” humorously laments financial struggles. Guns N’ Roses tackle heroin excess in “Mr. Brownstone,” and Metallica’s “Spit Out the Bone” thrashes against a dystopian tech future. From Billy Idol’s swaggering “Rebel Yell” to Alice in Chains’ raw “Dam That River,” each track balances grit and intensity.

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This week In Guitar Virtuosi 05/52

This week In Guitar Virtuosi 05/52

Santana’s “Once It’s Gotcha” layers Latin jazz percussion with Carlos Santana’s subtle guitar and vocals, while Bill Frisell’s “Outlaws” shifts between jazz fusion and Americana across two albums, each offering distinct moods. Prince’s “Controversy” boldly questions identity with synth-heavy grooves, and Black Sabbath’s “Supernaut” delivers unrelenting riffs adored by legends like Jeff Beck. John Scofield’s “Acidhead” blurs jazz, funk, and electronic chaos, while James Blood Ulmer’s “President of Hell” dives into raw, experimental blues. Rock Candy Funk Party’s “Don’t Funk With Me” delivers playful funk energy, and Kenny Wayne Shepherd revives B.B. King classics with fiery solos and emotional depth. Steve Hackett’s “El Niño” storms through progressive rock with symphonic intensity, and George Benson’s “Valdez in the Country” melds finesse and groove in a jazz-funk classic.

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Me:nu Du Jour February 1 (EN.FR.ES)

Me:nu Du Jour February 1 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Santana, The Fugees, Eric Clapton, Jefferson Airplane, Neil Young, Ike & Tina Turner, Green Day, Antony & the Johnsons, Herbie Hancock, Chick Corea, Miles…

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‘L’Amour Toujours’ N°654 – 2010s Music Videos

‘L’Amour Toujours’ N°654 – 2010s Music Videos

How well do you know the music of Nicki Minaj’s “Right Thru Me” blends emotional honesty with sleek production, while Alicia Keys’ “Try Sleeping with a Broken Heart” uses ’80s-tinged synths to tell a tale of resilience. Selena Gomez’s “The Heart Wants What It Wants” leans into raw heartbreak, contrasting with the carefree Caribbean flair of Cover Drive’s “Twilight.” Tracks like Gorgon City’s “Ready For Your Love” and Wankelmut’s “My Head Is A Jungle” electrify with polished beats, capturing both intimacy and energy.? Take our 12-track quiz.

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