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>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Fugees, Sérgio Mendes, Phil Collins, Black Sabbath, 2Pac, Bob Dylan, The Band, Rolling Stones, Emeli Sandé, Ella Fitzgerald, Charles Mingus, Taj Mahal, Dianne Reeves,…
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Taylor Swift’s “Style” captures the push-pull dynamics of a turbulent romance with sleek production and nods to nostalgia, standing tall on *1989*. Sam Smith’s “Like I Can” blends heartfelt vocals and polished power pop, finding popularity on TikTok years after its UK Top 10 charting. Zedd’s “Stay the Night,” with Hayley Williams, merges emotional intensity and polished EDM, though its formulaic pop-EDM appeal feels tied to its 2013 moment.
Maverick Sabre leans into raw introspection on “No One,” showcasing his emotional depth, though it stayed under the radar compared to his earlier hits. David Guetta’s “What I Did for Love,” featuring Emeli Sandé, is anchored by its vocal heft but leans heavily on familiar EDM motifs. Meanwhile, Fergie’s “L.A. Love (La La)” shines more through its rhythmic hook and global themes than any bold artistic leap, earning its spot on global charts.
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Sarah Vaughan’s “Send In The Clowns,” from her 1981 album, highlights her vocal depth, turning Sondheim’s poignant lyrics into an intimate experience. Katie Melua’s “Spider’s Web” blends subtle guitar work and orchestral flourishes to examine moral ambiguity, while Brandi Carlile’s “Before It Breaks” presents a raw, restrained emotional journey with contributions from Rick Rubin and the Hanseroth brothers.
Jennifer Rush’s “The Power of Love” stands as a power ballad classic, marked by its global chart-topping success, whereas Heart’s “Magic Man” fuses personal storytelling with 1970s rock drama. The Tedeschi Trucks Band’s “Signs, High Times” opens their 2019 album on a groove-filled, bluesy note, showcasing Derek Trucks’ slide guitar and Susan Tedeschi’s commanding vocals. Each track brings its unique stamp to their respective albums.
February 13, 2005 - Madonna, Alicia Keys, Jamie Foxx, Usher, James Brown, Black Eyed Peas, Gwen Stefani, The Lonely Boys, Maroon 5, Franz Ferdinand, Melissa Etheridge, Joss Stone, Green Day,…
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Paramore’s “The Only Exception” showcases a softer, stripped-down ballad in 6/8 time, veering from their usual energy. Hayley Williams’ heartfelt delivery anchors the track, which gained commercial traction, hitting No. 17 in Australia and earning a Grammy nod. Its quiet introspection marked a shift, resonating on the UK Rock Chart but drawing mixed feelings about its restrained predictability. Similarly, Marina’s “How to Be a Heartbreaker” paired cheeky breakup rules with a polished pop backdrop. Produced by Benny Blanco and Dr. Luke, the track aimed for mainstream success, achieving platinum status but peaking modestly on UK and US charts, balancing humor with a team-driven sound.
Jack Savoretti’s “Candlelight” leans into cinematic elegance with lush, atmospheric instrumentation, hinting at James Bond vibes but sanding down emotional edges for mass appeal. Meanwhile, Ne-Yo’s Disney piece, “Never Knew I Needed,” oozes romance with polished R&B stylings but feels like a chapter in a broader narrative rather than a standout. Sugarland’s “Stuck Like Glue” blends country and reggae, delivering an earworm that polarized fans with its quirky energy, while Alyssa Reid’s “Alone Again” borrowed Heart’s ’80s hit, blending nostalgia with crisp pop charm to climb European charts. These tracks highlight diverse approaches to balancing emotional weight and commercial appeal.? Take our 12-track quiz.
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Sam Smith’s “Lay Me Down” carries raw emotion, evolving from a modest 2013 release to gaining wider notice with a 2015 reissue and a remix featuring John Legend that hit No. 1 in the UK. Similarly, James Blake’s haunting “Retrograde” highlights sparse production, delicately blending post-dubstep and soul. Rihanna’s “Needed Me” pairs cool detachment with DJ Mustard’s grinding beats, sticking to a slow-burn electro-R&B vibe, while Miley Cyrus’s “Wrecking Ball” leans on emotional heft paired with over-the-top visuals for cultural impact.
Bombay Bicycle Club’s “Luna” layers vibrant harmonies and tabla rhythms, balancing exotic textures with indie sensibility, whereas Rag’n’Bone Man’s “Skin” delivers cinematic emotionality rooted in TV-inspired drama. Tracks like One Direction’s “Steal My Girl” and Imagine Dragons’ “I Bet My Life” favor polished production over innovation, while Tinie Tempah and Labrinth’s “Lover Not a Fighter” leans into radio-ready pop-rap charm. Elbow’s “Magnificent (She Says)” and Example’s “Perfect Replacement” round out the list, offering tracks that feel precise yet miss risks that could truly resonate.? Take our 12-track quiz.
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The Kills’ “The Good Ones” thrives on raw minimalism, with Alison Mosshart’s snarl paired against Jamie Hince’s taut guitar, creating electrifying tension. Its success on the UK Singles Chart (#23) and sharp Rojo-directed video amplify its gritty outsider aesthetic. Elsewhere, The Strokes’ “Reptilia” blends Julian Casablancas’ detached vocals with tightly wound guitar interplay and gained long-term appeal through its presence in games like *Guitar Hero III*.
U2’s “All Because of You” aims for anthemic energy but lacks depth, performing better live during their Vertigo Tour. Meanwhile, The Duke Spirit’s “Lion Rip” offers moody rawness tied to their early ambitions, showcasing Liela Moss’s mesmerizing vocals. Nada Surf’s “Hi-Speed Soul” delivers vibrant alt-rock dynamics, balancing melody and propulsion, while The Datsuns’ “Harmonic Generator” captures rowdy garage rock urgency with brash intensity.
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>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Erykah Badu, Luther Vandross, Michael Bublé, The Smiths, Jethro Tull, The Bad Plus, Sonny Rollins We Celebrate D’Angelo, Sheryl Crow, Brandy, Sérgio Mendes, Whitney…