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James Taylor's 'Sweet Baby James' is his second studio album released in February 1970 by Warner Bros. Track Listing : 1.Sweet Baby James (James Taylor) - 02:54 . 2.Lo And…
Janet Jackson's 'Discipline' is her tenth studio album released on February 26, 2008 by Island. Track Listing : 1.I.D. (Intro) (Rodney Jerkins, Dernst Emile) - 00:48 . 2.Feedback (Rodney Jerkins,…
'Corinne Bailey Rae' is her eponymous debut album released on February 24, 2006 by EMI.Track Listing : 1.Like A Star (Corinne Bailey Rae) - 04:01 . 2.Enchantment (Corinne Bailey Rae,…
>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Joni Mitchell, Yes, Duke Ellington, Coleman Hawkins, Herbie Hancock, Dinah Washington, Freddie Hubbard We Celebrate Smokey Robinson, Jean-Paul Bluey, Incognito, Toni Iommi, Black Sabbath,…
Pat Metheny’s reworking of Carly Simon’s “That’s The Way I Always Heard It Should Be” transforms its emotional weight into intricate instrumental nuances, highlighted by the unique 42-string Pikasso guitar. Shawn Lane’s “Rice with the Angels” takes a more chaotic yet cohesive approach, blending fusion and jazz elements in a raw, immersive live performance alongside Jonas Hellborg and Jeff Sipe, creating a soundscape that’s both intense and intricate.
Rory Gallagher injects lively storytelling into “Secret Agent” from his 1976 album “Calling Card,” pairing cheeky themes with energetic slide guitar, while Eric Clapton and Jeff Beck’s live duet on “Little Brown Bird” showcases subtle blues interplay over showy technique. Steve Hackett’s “Every Day” balances personal gravity with prog-pop charm, highlighted by shifting guitar tones and thoughtful arrangements, making it a standout on his *Spectral Mornings* album.
Al Jarreau’s “Trouble in Paradise” from his 1983 album balances smooth production and heartfelt lyrics, though it leans into safe territory compared to dynamic tracks like “Mornin’.” The Crusaders’ “Street Life,” anchored by Randy Crawford’s striking vocals, blends jazz-funk with urban storytelling, celebrated for its timeless appeal yet sometimes criticized for being overly polished. Meanwhile, Irma Thomas’s “It’s Raining” showcases understated heartbreak with a laid-back R&B feel, emphasizing nuanced vulnerability over big crescendos.
Teddy Pendergrass’ emotionally charged “Joy” triumphs as a late-’80s R&B standout post-recovery, while Thelma Houston’s disco classic “Don’t Leave Me This Way” carries raw urgency and cultural resonance. The Gap Band’s “Outstanding” enchants with its smooth romantic groove, though it risks repetitiveness. Tracks like Maceo Parker’s live “Pass the Peas” highlight razor-sharp funk delivery, reflecting collaborative genius even when staying within known boundaries. Together, these songs reveal rich layers of artistry across eras and genres.
Phil Collins' 'Face Value' feat. 'In the Air Tonight' is his debut solo studio album released on February 1981, 13 by Virgin / Atlantic Records.Track Listing : 1.In The Air…
Taj Mahal's 'The Real Thing' is a live album recorded on February 13, 1971 at Fillmore East, New York City with a band with four tuba players and released the…