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Last week In Visual Artists 11

James Rizzi, Anthony Mandler, Ellen von Unwerth, Jay Blakesberg, Michael Spencer Jones, Rene Francois Magritte, Kwaku Alston, Steven Gomillion, Terence Donovan, Todd Gray, Pete Turner, Young & Sick. They are…

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Stefano Bollani – Sheik Yer Zappa

Released on November 4, 2014, "Sheik Yer Zappa" is Stefano Bollani's tribute to the great Frank Zappa.Track Listing : 1.A Cosmik Intro (Stefano Bollan) - 03:55 . 2.Cosmik Debris (Frank…

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Me:nu Du Jour February 24 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Led Zeppelin, James Brown, Corinne Bailey Rae, Joe Bonamassa, Fleetwood Mac, Thundercat, Rhiannon Giddens, St Vincent, Keith Jarrett, Sun Ra We Celebrate George Thorogood,…

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We remember Lee Morgan

This day (February 19, 1972), in New York, died Edward Lee Morgan, an American hard bop trumpeter.Tracklist : 1 . I Remember Clifford (1958) 2 . w/ John Gilmore -…

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Me:nu Du Jour February 18 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOL TODAY We Listen To Aretha Franklin, Frank Sinatra, The Supremes, The Postal Service, Jackson Browne, Stacey Kent, Phil Collins, Miles Davis We Celebrate Randy Crawford, Irma Thomas,…

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Hip-Hop & Soul N°108 – Vintage 2000s Music Videos

How well do you know the music of

Tracks like Flo Rida’s “Low” with its crunk-era vibe and T-Pain’s iconic hook captured mid-2000s nightlife, while Usher’s “Yeah!” featuring Lil Jon and Ludacris blended R&B charm with crunk energy to dominate charts globally. Beyoncé’s “If I Were a Boy” stripped back flash for emotional depth, creating a poignant yet polished ballad, and 50 Cent’s “P.I.M.P.” paired steel drum loops with swagger, balancing mainstream appeal and gritty themes.

Meanwhile, Afroman’s “Because I Got High” turned stoner humor into a worldwide hit, contrasting with 2Pac’s reflective “Thugz Mansion,” which sought peace amidst turmoil. Ne-Yo’s “Mad” delivered polished vulnerability, and Wyclef Jean and Mary J. Blige’s emotive “911” leaned into melodramatic storytelling. Wu-Tang Clan’s “Gravel Pit” thrived on chaos, while Sisqó’s “Got to Get It” served as a stepping stone to his solo heights.

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