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‘L’Amour Toujours’ N°470 – Vintage 80s Videos

‘L’Amour Toujours’ N°470 – Vintage 80s Videos

Cheryl ‘Pepsii’ Riley’s heartfelt “Thanks For My Child” spotlights single motherhood with raw emotion and grace, while Erasure’s “A Little Respect” balances vulnerability and synth-pop flair, becoming an LGBTQ+ anthem. Thin Lizzy’s tender “Sarah” departs from their grit, offering a sweet ode to Phil Lynott’s daughter, whereas Hall & Oates’ “Kiss on My List” shines with breezy irony and mellow piano tones. Halo James’ “Could Have Told You So” delivers polished melancholy, and Julian Lennon’s “Valotte” evokes introspection with lush production. Sinitta’s softer “Lay Me Down Easy” stands apart from her upbeat hits, and Stetsasonic’s “Float On” blends hip-hop and R&B with bold experimentation. Lastly, Daryl Hall & John Oates’ cheeky charm gives “Kiss on My List” lasting appeal.

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‘Vous Avez Dit Bizarre’ N°528 – Vintage 90s Videos

‘Vous Avez Dit Bizarre’ N°528 – Vintage 90s Videos

Megadeth’s thrashy “Train of Consequences” critiques gambling’s dangers with biting riffs, while Siouxsie and the Banshees’ unexpectedly playful “O Baby” layers sunny melodies over eerie visuals. The Cult’s gritty “Star” brings bluesy hard rock swagger, and Fish’s “Big Wedge” aims at materialism with sharp hooks. Stereolab’s sprawling “Jenny Ondioline” mixes motorik grooves with dreamy experimentation.

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‘Music For The Dancers’ N°308 – Vintage 80s Music Videos

‘Music For The Dancers’ N°308 – Vintage 80s Music Videos

The text highlights standout tracks like The Kane Gang’s sleek mid-‘80s rendition of “Respect Yourself,” and Bruce Springsteen’s punchy “Dancing in the Dark,” blending introspection with high-energy production. Duran Duran took a funky shift with “Notorious,” while Kool & The Gang’s “Hi De Hi Hi De Ho” brought playful grooves. Modern Romance’s salsa-infused “Ay Ay Ay Ay Moosey” leaned into quirky fun, and Dynasty’s disco gem “I Don’t Want To Be a Freak” captured late ‘70s club vibes. The Temptations renewed themselves with the polished “Treat Her Like a Lady,” while Jellybean reworked “Jingo” into a percussion-heavy ‘80s club staple. Ottawan’s “You’re OK” and the Gibson Brothers’ “Que Sera Mi Vida” kept disco’s infectious spirit alive, rounding out tracks that celebrated rhythm, reinvention, and unabashed fun.

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‘Look Ma, No Mike!’ N°128 – 2010s Music Videos

‘Look Ma, No Mike!’ N°128 – 2010s Music Videos

Echosmith’s “Cool Kids” resonates with universal themes of alienation and longing, blending indie-pop shimmer and polished production, while Beyoncé’s “Sweet Dreams” delivers a sharp-edged synthpop-R&B hybrid laced with desire and fragility. Miley Cyrus’s “Party in the U.S.A.” embraces casual Americana with infectious simplicity, and Manic Street Preachers’ “Some Kind of Nothingness” layers orchestral drama over existential musings. Rebecca Ferguson’s “I Hope” shines with emotive strength and intimate vulnerability, contrasting the lighthearted defiance of Pixie Lott’s retro-tinged “Mama Do.” Meanwhile, Michael Bublé’s warm croon on “Santa Claus Is Coming to Town” settles into predictable yet comforting holiday familiarity.

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‘Vous Avez Dit Bizarre’ N°78 – Vintage 90s Videos

‘Vous Avez Dit Bizarre’ N°78 – Vintage 90s Videos

The text spans iconic ’90s tracks like The Chemical Brothers’ explosive “Setting Sun” featuring Noel Gallagher’s sneering vocals and Nirvana’s sharp “In Bloom,” blending critique and raw energy. Pulp’s “Disco 2000” channels nostalgic longing through Britpop swagger, while Green Day’s “Boulevard of Broken Dreams” captures loneliness with haunting guitars. Faithless’ introspective “Take The Long Way Home” and The Stone Roses’ bold blues-rock “Love Spreads” push boundaries, whereas Michael Jackson’s “Stranger in Moscow” stands as a poignant reflection on isolation. Highlights like “Lump” by The Presidents of the USA and Dubstar’s melancholic “Not So Manic Now” add absurdity and synth-driven emotion, showcasing a decade rich in experimentation and unique narratives.

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‘L’Amour Toujours’ N°469 – Vintage 90s Music Videos

‘L’Amour Toujours’ N°469 – Vintage 90s Music Videos

Robert Plant’s reflective take on “If I Were a Carpenter” blends folk legacy with Celtic touches, while Celine Dion’s “The Reason” showcases her vocal prowess but stumbles with mixed critiques. Michael Bolton reimagines “When a Man Loves a Woman” with powerful intensity, earning Grammy success, and Lisa Stansfield’s “All Woman” offers raw emotional resonance. Blondie and Iggy Pop’s quirky duet on “Well Did You Evah!” injects punk humor into a Cole Porter classic. Bryan Adams shines acoustically with “Back to You,” while UB40’s reggae twist on “Homely Girl” brings laid-back charm. From MN8’s sleek “Baby It’s You” to The Farm’s socially conscious “Love Sees No Colour,” standout tracks stretch across folk, pop, reggae, and R&B, each adding its personal stamp to their era.

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‘L’Amour Toujours’ N°694 – 2010s Music Videos

‘L’Amour Toujours’ N°694 – 2010s Music Videos

Rihanna’s heartfelt “Stay” dials down pop extraversion into raw piano-led intimacy, while Miley Cyrus’s “Adore You” channels quiet ache amidst “Bangerz” chaos. Calvin Harris and Ellie Goulding’s “I Need Your Love” melds ethereal tones with club-ready beats, and Jay Sean’s “Down” marries late-2000s catchiness with Lil Wayne’s laid-back flow. Philip George revives garage nostalgia in “Alone No More,” and Shontelle delivers resilience with her polished “Impossible.” N-Dubz and Mr. Hudson’s “Playing With Fire” balances grit with vulnerability, while Zara Larsson’s breezy “So Good” sparkles with R&B charm.

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‘Vous Avez Dit Bizarre’ N°527 – Vintage 80s Videos

‘Vous Avez Dit Bizarre’ N°527 – Vintage 80s Videos

The Specials’ “War Crimes” critiques global conflict with reggae-infused rhythm, while Red Box’s “For America” disguises sharp geopolitical commentary in pop accessibility. Altered Images’ “Happy Birthday” blends mischievous new wave charm with quirky sophistication. U2’s “In God’s Country” paints American contradictions in a shimmering desertscape, and Megadeth’s “Wake Up Dead” delivers raw, thrash-fueled intensity. The Stone Roses’ “Sally Cinnamon” hints at their indie roots, weaving jangly guitars with subtle storytelling, while Dee C. Lee’s “See The Day” offers elegant, melancholic mid-’80s appeal. Erasure’s “The Circus” wraps working-class struggles in synthpop layers, and Wah!’s “The Story of the Blues” fuses post-punk grit with brass-driven warmth.

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