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‘Vous Avez Dit Bizarre’ N°98 – Vintage 2000s Music Videos

‘Vous Avez Dit Bizarre’ N°98 – Vintage 2000s Music Videos

How well do you know the music of MGMT’s “Kids” blends nostalgic synth-pop with bittersweet themes, while Christina Aguilera’s “Hurt” channels raw grief through lush orchestration. Muse’s “Time Is Running Out” pulsates with urgency, and Kaiser Chiefs’ “Ruby” delivers indie rock vigor with an infectious chorus. Lady Gaga’s “Poker Face” slyly balances desire and control, and P!nk’s “So What” radiates breakneck defiance. Bloc Party’s “The Prayer” hovers between introspection and propulsion, and Underworld’s “Dinosaur Adventure 3D” pairs hypnotic beats with disorienting textures. Oxide & Neutrino’s “No Good 4 Me” retools Prodigy’s edge with UK garage grit, while Liam Lynch’s “United States of Whatever” crams irreverent humor into a chaotic minute-and-a-half.? Take our 12-track quiz.

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‘Music For The Dancers’ N°522 – Vintage 2000s Music Videos

‘Music For The Dancers’ N°522 – Vintage 2000s Music Videos

How well do you know the music of Hi-Gate’s “Pitchin’ (In Every Direction)” captures late ’90s trance with driving synths and club energy, while Phoenix’s “If I Ever Feel Better” blends introspection with upbeat grooves, showcasing their indie-pop charm. Tracks like DuMonde’s “Tomorrow” deliver euphoric German trance, and Soulwax’s edgy “E Talking” fuses indie with electronic grit. Britney Spears’ “Overprotected” critiques control with polished pop flair, and VooDoo & Serano’s relentless “Blood Is Pumpin’” keeps the rave spirit alive. Meanwhile, The Lovefreekz’s “Shine” celebrates disco-inspired house, and MC Tali’s “Blazin’” highlights drum and bass vibrancy.? Take our 12-track quiz.

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New Music Videos (Legends & Superstars) – N°477

New Music Videos (Legends & Superstars) – N°477

The Offspring’s “OK, But This Is The Last Time” echoes themes of “Self Esteem” with a self-aware twist. Robyn and David Byrne revisit “Dancing On My Own” at SNL50. Cher reinterprets “If I Could Turn Back Time,” reaffirming its legacy. Sam Smith’s “Love Is A Stillness” delivers quiet intimacy.

Pentatonix revives “The Sound of Silence” with layered harmonies. RAYE’s Grammy performance of “Oscar Winning Tears” marks a career milestone shaped by industry struggles.

​ Updated : Feb 17,2025

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‘L’Amour Toujours’ N°477 – Vintage 90s Music Videos

‘L’Amour Toujours’ N°477 – Vintage 90s Music Videos

How well do you know the music of Babybird’s cheeky “Candy Girl” brought mid-‘90s indie pop flair with wry humor and breezy melodies, while Dubstar’s “I Will Be Your Girlfriend” blended synth-pop charm and quirky influences. Gin Blossoms’ “Hey Jealousy” captured jangly angst and regret, and Goldbug’s bold rework of “Whole Lotta Love” added electronic style to rock staples. Chynna Phillips’ emotive “Naked and Sacred” and Cathy Dennis’ sleek “Falling” offered polished pop moments, while Sophie B. Hawkins’ spin on Dylan’s “I Want You” paired intimacy with subtle techno beats.? Take our 12-track quiz.

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This week In Guitar Virtuosi 05/52

This week In Guitar Virtuosi 05/52

Santana’s “Once It’s Gotcha” layers Latin jazz percussion with Carlos Santana’s subtle guitar and vocals, while Bill Frisell’s “Outlaws” shifts between jazz fusion and Americana across two albums, each offering distinct moods. Prince’s “Controversy” boldly questions identity with synth-heavy grooves, and Black Sabbath’s “Supernaut” delivers unrelenting riffs adored by legends like Jeff Beck. John Scofield’s “Acidhead” blurs jazz, funk, and electronic chaos, while James Blood Ulmer’s “President of Hell” dives into raw, experimental blues. Rock Candy Funk Party’s “Don’t Funk With Me” delivers playful funk energy, and Kenny Wayne Shepherd revives B.B. King classics with fiery solos and emotional depth. Steve Hackett’s “El Niño” storms through progressive rock with symphonic intensity, and George Benson’s “Valdez in the Country” melds finesse and groove in a jazz-funk classic.

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This week In Jazz Legends 05/52

This week In Jazz Legends 05/52

Bill Evans’ moody “Nardis” evolves into an introspective canvas, while Carmen McRae’s haunting take on “Round Midnight” fuses jazz clarity with late-night ache. The Modern Jazz Quartet reshapes “Softly, as in a Morning Sunrise” with chamber precision, and Ella Fitzgerald’s duet with Sammy Davis Jr. on “‘S Wonderful” brims with charm and playful chemistry. Donald Byrd’s groovy “Black Byrd” blends jazz with funk, and Wayne Shorter’s cerebral “Footprints” challenges rhythmic norms. Herbie Hancock’s “Rockit” pushes turntables into center stage, a futuristic clash of funk and electronica, while Weather Report’s “Badia” and “Boogie Woogie Waltz” showcase atmospheric restraint and bold grooves.

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‘Music For The Dancers’ N°109 – Vintage 90s Music Videos

‘Music For The Dancers’ N°109 – Vintage 90s Music Videos

How well do you know the music of New Kids on the Block’s upbeat “You Got It (The Right Stuff)” and Five’s swagger-filled “Slam Dunk (Da Funk)” define late-’80s and ’90s boyband vibes, while Whigfield’s “Another Day” pumps Eurodance energy. Mariah Carey’s “Someday” blends sharp lyrics with R&B polish, and Real McCoy’s “Run Away” layers infectious beats over introspective themes. Jamiroquai’s “Cosmic Girl” fuses funk with disco sheen, and Ini Kamoze’s “Here Comes the Hotstepper” struts with reggae-inspired confidence. Nomad’s “Devotion” and FPI Project’s “Rich in Paradise” capture the essence of early house music, while D:Ream’s “Things Can Only Get Better” thrives as a hopeful ’90s dance anthem.? Take our 12-track quiz.

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‘Vous Avez Dit Bizarre’ N°539 – Vintage 80s Music Videos

‘Vous Avez Dit Bizarre’ N°539 – Vintage 80s Music Videos

How well do you know the music of Madness bring playful energy with the instrumental “The Return of the Los Palmas 7,” blending celebratory melodies and ska rhythms, while XTC’s “Mayor of Simpleton” delivers clever pop-rock with intricate basslines. Nik Kershaw’s “Wouldn’t It Be Good” stands out for its wistful synth-pop charm, and Anti-Nowhere League’s raw punk take on “Streets of London” trades gentleness for ferocity. John Foxx’s “Underpass” captures icy electronic minimalism, and Big Country’s “King of Emotion” adds polished rock sensibilities. Zerra One’s “Rescue Me” channels atmospheric longing with synth-driven emotion, and with The Colourfield’s reflective “Things Could Be Beautiful,” these tracks showcase the diverse moods that shaped the ’80s music scene.? Take our 12-track quiz.

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