386 Search Results Found

You searched for: "Blur"

Matching Artists

This week In ‘Hard & Metal Throwback’ 06/52

This week In ‘Hard & Metal Throwback’ 06/52

Gary Moore’s “GM Shreds” flaunts blazing alternate picking, legato runs, and emotive string bends, showcasing his mastery over blues, rock, and metal. While the solos channel classics like “The Loner” and “Still Got the Blues,” the lack of strong melody makes it more a technical masterclass than a replayable track. Jeff Beck’s “Dirty Mind,” blending sharp guitar riffs with Imogen Heap’s ethereal vocals, thrives on contrasts, earning a Grammy but feeling polished to the point of restraint.

Tommy Emmanuel’s “Travelling Clothes” offers warm, pastoral guitar tones inspired by Alison Krauss’s style, though its comfort risks predictability. Meanwhile, Pat Metheny’s “Go Get It” bursts with high-energy interplay with Antonio Sánchez, though its relentless pace can feel overwhelming. Eddie Van Halen’s bold solos like “Eruption” and “Cathedral” mix technical ingenuity with live spontaneity, while Shawn Lane’s “Get You Back” and Joe Bonamassa’s “Beck’s Bolero” reveal meticulous tributes paired with individual flair.

Continue Reading This week In ‘Hard & Metal Throwback’ 06/52
‘Vous Avez Dit Bizarre’ N°668 – 2010s Music Videos

‘Vous Avez Dit Bizarre’ N°668 – 2010s Music Videos

How well do you know the music of

Alan Walker’s “Faded” blends atmospheric introspection with mainstream appeal, driven by Iselin Solheim’s haunting vocals and a looping piano refrain. Its staggering success, including 11× platinum in Sweden, leans on polished production but risks overreliance on repetition. In contrast, Twenty One Pilots’ “Stressed Out” captures millennial anxieties with introspective lyrics and a blend of alt-rock and hip-hop, earning a peak at No. 2 on the Billboard Hot 100.

Bazzi’s “Mine” rides viral fame into polished pop territory, blending simple melodies with sleek production, embodying catchy appeal despite shallow emotional depth. Meanwhile, Billie Eilish’s “Bury a Friend” explores dark self-reflection through a skeletal, minimalist sound, backed by unsettling lyrics, securing cultural resonance with its haunting vision and tightly controlled creativity.

? Take our 12-track quiz.

Continue Reading ‘Vous Avez Dit Bizarre’ N°668 – 2010s Music Videos
‘Vous Avez Dit Bizarre’ N°324 – Vintage 80s Music Videos

‘Vous Avez Dit Bizarre’ N°324 – Vintage 80s Music Videos

How well do you know the music of Robert Plant’s “Heaven Knows” melds ’80s synths with rock roots, while Bad Manners’ “Lorraine” keeps ska lively with cheeky brass energy. The Sugarcubes’ “Cold Sweat” highlights Björk’s dynamic vocals amidst chaotic precision. Scorpions electrify with “Rock You Like a Hurricane,” and Bauhaus gets darkly theatrical with “Lagartija Nick,” adding gothic grit. Heaven 17’s “And That’s No Lie” layers lush synth-pop, and Stevie Nicks’ “I Can’t Wait” pulses with bold ’80s production.? Take our 12-track quiz.

Continue Reading ‘Vous Avez Dit Bizarre’ N°324 – Vintage 80s Music Videos
This week In ‘Hard & Metal Throwback’ 05/52

This week In ‘Hard & Metal Throwback’ 05/52

Kiss’s “War Machine” snarls with heavy riffs and ominous lyrics, while Iron Maiden’s “Aces High” channels WWII dogfights with galloping energy. Van Halen’s “Don’t Tell Me” brims with tension and grinding guitars, and Alice Cooper’s “No More Mr. Nice Guy” delivers satirical rebellion with pop-rock flair. Deep Purple’s “Burn” dazzles with fiery riffs and dual vocals, and AC/DC’s “Down Payment Blues” humorously laments financial struggles. Guns N’ Roses tackle heroin excess in “Mr. Brownstone,” and Metallica’s “Spit Out the Bone” thrashes against a dystopian tech future. From Billy Idol’s swaggering “Rebel Yell” to Alice in Chains’ raw “Dam That River,” each track balances grit and intensity.

Continue Reading This week In ‘Hard & Metal Throwback’ 05/52
‘We Are Live’ N°11 – Vintage 90s Music Videos

‘We Are Live’ N°11 – Vintage 90s Music Videos

How well do you know the music of The page spotlights standout tracks with raw energy and rebellious tones. Levellers’ folk-rock anthem “One Way” channels defiance, while Blur’s “Beetlebum” drifts into hazy introspection. Placebo’s “Every You Every Me” pairs angst with sharp lyrics, and Queen’s “Tie Your Mother Down” blends gritty riffs with irreverence. Manic Street Preachers’ “Motown Junk” delivers biting critique, and The Only Ones’ “Another Girl, Another Planet” fuses punk urgency with melodic charm.? Take our 12-track quiz.

Continue Reading ‘We Are Live’ N°11 – Vintage 90s Music Videos
‘Vous Avez Dit Bizarre’ N°99 – Vintage 80s Music Videos

‘Vous Avez Dit Bizarre’ N°99 – Vintage 80s Music Videos

How well do you know the music of The text spotlights standout ’80s tracks, from Echo & the Bunnymen’s haunting “The Killing Moon,” blending fate with ethereal melodies, to the pulsating allure of New Order’s “Blue Monday ’88,” a sleek remix of their electronic anthem. Grace Jones’s hypnotic “Slave to the Rhythm” commands with layered production, while Ultravox’s “Vienna” captivates through its brooding precision. Adam and the Ants’ quirky “Ant Rap” fuses New Wave with early hip-hop, and The Police’s introspective “King of Pain” balances emotional depth with sparse, experimental touches. Fad Gadget’s “Collapsing New People” offers industrial tension, while Bowie’s “Absolute Beginners” mixes heartfelt balladry with glossy instrumentation.? Take our 12-track quiz.

Continue Reading ‘Vous Avez Dit Bizarre’ N°99 – Vintage 80s Music Videos
This week In Male Balladeers 05/52

This week In Male Balladeers 05/52

Neil Finn and Eddie Vedder’s stripped-back cover of “Throw Your Arms Around Me” conveys fragility with raw harmonies, while Steppenwolf’s snarling 1968 take on “Hoochie Coochie Man” transforms the blues classic into gritty rock. Glen Hansard’s “Bird of Sorrow” is a restrained yet aching lament, contrasting the lush emotionality of Antony and the Johnsons’ “You Are My Sister” featuring Boy George. Meanwhile, James Blake’s minimalist “The Wilhelm Scream” layers delicate electronics with existential musings, and Elliott Smith’s “A Fond Farewell” delivers haunting introspection. Biffy Clyro’s “Mountains” balances chart power with intricate rhythms, while Peter Doherty’s lo-fi “Back From the Dead” veers between chaotic brilliance and vulnerability.

Continue Reading This week In Male Balladeers 05/52