Every month, we update our “Most Trending Vintage [music genre] Songs” series to spotlight the vintage tracks experiencing the highest engagement growth over the last six months.
These rankings combine data from our platform with external streaming metrics, offering a comprehensive view of the classics that are resonating with listeners today.
Spanning 29 genres, the charts aren’t about the most famous songs but rather the ones gaining momentum. By tracking upward trends in vintage music, we can uncover which genres are making a comeback and which sounds might inspire contemporary artists to reconnect with timeless influences.
We don’t claim to be exhaustive. It’s possible you won’t find a title you expected to see on this list. Sorry about that — these things happen.
Explore the shifts, rediscover the hits, and see what’s capturing the attention of a new generation of listeners.
Here is the Mar 4,2025 edition
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Big Beat
The Big Beat chart remains stable this month, with no new entries or departures. Armand Van Helden‘s “My My My” continues to dominate at number one, showcasing its enduring appeal.
Notable tracks like The KLF‘s “Last Train To Trancentral [Live From The Lost Continent]” and Utah Saints‘ “Something Good ’08” hold their positions firmly. Fatboy Slim‘s “Right Here Right Now” climbs slightly to rank eight, bringing its energetic beats back into focus.
Overall, the chart maintains a consistent lineup, reflecting the genre’s timeless classics and their continued resonance with listeners.
2000s Garage Rock
The 2000s Garage Rock chart sees one new entry this month: Kasabian’s “Goodbye Kiss,” debuting at number 20. Written by guitarist Sergio Pizzorno, the track blends melancholic lyrics with the band’s signature energy, earning recognition even through Lana Del Rey’s acoustic cover for BBC Radio 1’s Live Lounge.
Other tracks remain unchanged in their rankings, with The White Stripes’ “I Just Don’t Know What To Do With Myself” retaining its top spot. Hits like Yeah Yeah Yeahs‘ “Maps” and Black Rebel Motorcycle Club’s “Love Burns” continue to anchor the list.
While there are no significant movements, the inclusion of “Goodbye Kiss” adds fresh perspective to the chart’s nostalgic vibe.
Britpop
Del Amitri’s “Always The Last To Know” enters the Britpop chart at number 20, offering a reflective take on relationships with Justin Currie’s distinctive vocals. Released in 1992, the song gained international traction thanks to heavy MTV rotation during its time.
Oasis swaps places with Primal Scream, as “Some Might Say” rises to number two while “Jailbird” drops to number six. Meanwhile, Edwyn Collins’ “A Girl Like You” advances to fifth place, highlighting its lasting charm.
Despite these minor shifts, the core of the chart remains anchored by classic Britpop anthems such as Cast’s “Walkaway” and The Beautiful South’s “Perfect 10.”
90s Sophisti-Pop
This month, Talk Talk’s “Life’s What You Make It” exits the 90s Sophisti-Pop chart, making room for The Beautiful South’s “A Little Time,” which moves up to number 20. Known for its bittersweet storytelling, the latter track reinforces the band’s presence in the genre.
Sting dominates the top three with “Shape Of My Heart,” “Mad About You,” and “The Soul Cages,” maintaining his influence over sophisti-pop enthusiasts. Everything But The Girl’s “Missing” and Sade’s “Kiss Of Life” also retain strong positions, underscoring their timeless appeal.
With minimal changes, the chart emphasizes the enduring legacy of its iconic tracks.
2010s R&B
Two new entries grace the 2010s R&B chart this month: Ne-Yo’s “Never Knew I Needed” at number 19 and Bryson Tiller’s “Don’t” at number 20. Ne-Yo’s contribution to *The Princess and the Frog* showcases his knack for smooth ballads, while Tiller’s breakout hit interpolates Mariah Carey’s “Shake It Off” for a modern twist.
Kendrick Lamar’s “All The Stars (w/ Sza)” leaps from sixth to fourth place, gaining momentum despite being a few years old. Similarly, Khalid’s “Better” climbs to fifteenth, proving its lasting popularity among fans.
Weeknd’s “Try Me” stays atop the chart, supported by other staples like ASAP Rocky’s “Everyday” and Summer Walker’s “Playing Games.” These additions and movements keep the chart dynamic yet rooted in its era-defining sounds.
Neo-Mellow
The Neo-Mellow chart remains unchanged this month, maintaining its lineup from January to February. Gary Jules & Michael Andrews’ “Mad World” continues to lead the pack, capturing the genre’s introspective essence.
Familiar tracks like Keane’s “Everybody’s Changing,” Jack Johnson’s “Sitting Waiting Wishing,” and Norah Jones’ “Don’t Know Why” hold their positions firmly, reflecting the enduring appeal of these melodic anthems.
With no new entries or departures, the chart underscores the timeless quality of its selections, resonating with listeners across generations.
P0st-Disco
The Post-Disco chart sees minimal changes this month, with no new entries or exits. The S.O.S. Band’s “Take Your Time [Do It Right]” retains its top spot, showcasing the genre’s dancefloor roots.
Notable movements include Marky Mark and The Funky Bunch’s “Good Vibrations,” which climbs from seventh to ninth place, while Shalamar’s “Take That To The Bank” advances to fourteenth position. These shifts highlight the dynamic nature of the chart despite its stability.
Overall, the list remains anchored by classics like Imagination’s “Just An Illusion” and Maze’s “Back In Stride Again (w/ Frankie Beverly),” ensuring a blend of nostalgia and energy.
Yacht Rock
This month, Billy Ocean’s “Suddenly” debuts at number eighteen on the Yacht Rock chart. Known for its romantic lyrics and smooth delivery, the track adds a fresh dimension to the genre’s polished sound.
Other notable placements remain consistent, with Don Henley’s “The Boys Of Summer” at number one and Chicago’s “You’re the Inspiration” climbing slightly to sixth place. Fleetwood Mac’s “The Chain” and “Everywhere” continue to anchor the list.
While most tracks retain their positions, the inclusion of “Suddenly” brings renewed attention to Billy Ocean’s signature style, enhancing the chart’s variety.
Diva House
Whigfield’s “Close To You” enters the Diva House chart at number nineteen, bringing a slice of 1990s European dance music flair. Recorded in Italy and produced by Larry Pignagnoli and Davide Riva, the track aligns with the genre’s high-energy vibe.
Incognito’s “Always There (w/ Jocelyn Brown)” moves up to third place, swapping spots with La Bouche‘s “Sweet Dreams.” Meanwhile, Lonnie Gordon’s “Happenin’ All Over Again” maintains its strong presence in the top ten.
Despite minor reshuffling, the core of the chart remains rooted in its iconic hits, with SNAP!‘s “Rhythm Is A Dancer” and CeCe Peniston’s “Keep On Walkin'” continuing to define the genre’s spirit.
Vintage Power Pop
The Vintage Power Pop chart remains stable this month, with no new entries or significant movements. Blondie‘s “The Tide Is High” continues to lead the pack, underscoring the genre’s catchy hooks and energetic melodies.
Classic tracks like XTC‘s “Mayor Of Simpleton,” Squeeze‘s “Tempted,” and Todd Rundgren‘s “Bang The Drum All Day” maintain their rankings, reinforcing their status as power pop staples.
With no departures or additions, the chart highlights the enduring legacy of its selections, offering a nostalgic journey through the genre’s defining sounds.
Eurodance
The Eurodance chart sees two new entries this month: Daze’s “Together Forever” at number sixteen and Trucks’ “It’s Just Porn Mum” at number twenty. “Together Forever” repackages Eurodance energy with a playful nod to the Tamagotchi craze, while Trucks’ track blends electronic pop-rock with sly humor.
Notable movements include 2 Brothers On The 4th Floor’s “Dreams,” which debuts at number nineteen, bringing its mid-’90s charm back into focus. Meanwhile, U96‘s “Club Bizarre” swaps places with Scooter‘s “Nessaja,” maintaining the genre’s high-energy appeal.
Despite these additions, staples like Dr. Alban‘s “It’s My Life” and SNAP!‘s “Rhythm Is A Dancer” continue to anchor the chart, ensuring a balance of nostalgia and freshness.
Heartland Rock
This month, Bryan Adams‘ “Straight From The Heart” enters the Heartland Rock chart at number fifteen. Released in 1983, the track marked Adams’ breakthrough moment, blending heartfelt lyrics with his signature rock style.
America’s “You Can Do Magic” climbs from ninth to eighth place, while Joe Cocker’s “Don’t You Love Me Anymore?” advances to ninth. These shifts highlight the enduring appeal of classic heartland anthems.
With minimal changes elsewhere, the chart remains rooted in its timeless selections, featuring hits like Don Henley’s “The Boys Of Summer” and Bob Seger‘s “Night Moves.”
New Jack Swing
Dionne Warwick’s “Take Good Care Of You And Me” joins the New Jack Swing chart at number fifteen, offering a soulful duet with Jeffrey Osborne. Produced by Barry Manilow, the track emphasizes themes of mutual care in relationships.
Other tracks maintain their positions, with The S.O.S. Band’s “Take Your Time [Do It Right]” holding steady at number one. Bell Biv DeVoe‘s “Poison” and SWV‘s “Can We (w/ Missy Elliott)” continue to define the genre’s vibrant sound.
While there are no significant movements, the inclusion of “Take Good Care Of You And Me” adds a touch of nostalgia and emotional depth to the lineup.
Post-Grunge
Linkin Park’s “Points Of Authority” debuts at number twenty on the Post-Grunge chart, showcasing the band’s signature blend of rap-rock and alternative influences. Originally featured on their debut album *Hybrid Theory*, the track highlights their innovative approach to genre fusion.
Counting Crows’ “Accidentally In Love” rises to second place, swapping spots with Limp Bizkit’s “Behind Blue Eyes.” This movement underscores the continued relevance of these post-grunge staples.
With no other departures or entries, the chart remains anchored by familiar tracks like Candlebox’s “Far Behind” and Rage Against The Machine’s “Bombtrack,” preserving the genre’s raw energy.
Trip Hop
Three new entries grace the Trip Hop chart this month: Death In Vegas’ “Aisha” at number eight, Groove Armada‘s “I See You Baby (w/ Gramma Funk)” at number eleven, and Roots Manuva’s “Witness [1 Hope]” at number thirteen. “Aisha” brings its atmospheric vibe, while “I See You Baby” adds a sultry twist, and “Witness [1 Hope]” injects sharp social commentary.
Thievery Corporation’s “Lebanese Blonde” moves up to third place, overtaking Zero 7’s “In The Waiting Line (w/ Sophie Barker).” Portishead’s “Sour Times” retains its top spot, reinforcing its status as a trip-hop cornerstone.
These additions and movements breathe new life into the chart while preserving its moody, introspective essence, highlighted by classics like Björk’s “Army Of Me” and Air’s “Playground Love.”
80s New Wave Pop
This month, Thompson Twins‘ “Lies” enters the 80s New Wave Pop chart at number five, bringing its synth-driven energy back into focus. Originally released in 1982, the track climbed to number 30 on the Billboard Hot 100, marking a pivotal moment for the band.
The Lightning Seeds’ “Pure” debuts at number seven, adding a fresh layer of nostalgia to the genre. Known for its modest beginnings and eventual mainstream success, the track highlights Ian Broudie’s transition from producer to frontman.
With these additions, the chart remains anchored by classics like Blondie‘s “The Tide Is High” and Belinda Carlisle’s “Heaven Is A Place On Earth,” ensuring a blend of innovation and tradition.
Gangster Rap
Snoop Dogg‘s “Drop It Like It’s Hot (w/ Pharrell Williams)” joins the Gangster Rap chart at number nineteen, infusing it with a minimalist yet impactful sound. Released in 2004, the track became Snoop Dogg‘s first Billboard Hot 100 number one, showcasing his enduring influence.
Jay Z’s “Izzo [H.O.V.A.]” climbs to twentieth place, emphasizing his signature style and collaboration with Kanye West. Sampling “I Want You Back” by The Jackson 5, the song exemplifies Jay Z’s ability to blend classic elements with modern production.
Despite minor shifts, staples like Dr. Dre’s “Nuthin’ But A ‘G’ Thang (w/ Snoop Dogg)” and Jay Z’s “Run This Town (w/ Rihanna, Kanye West)” continue to define the genre’s legacy.
80s Glam Metal
Ozzy Osbourne‘s “Bark At The Moon” rises to the top of the 80s Glam Metal chart this month, swapping places with Cheap Trick’s “The Flame.” The movement underscores Ozzy’s lasting impact on the genre, characterized by his powerful vocals and theatrical performances.
Def Leppard‘s “Rock Of Ages” advances to sixth place, while Poison‘s “Nothin’ But A Good Time” holds steady at number twenty. These tracks highlight the era’s defining anthems, blending hard rock with catchy hooks.
With no new entries or departures, the chart maintains its lineup of iconic glam metal hits, offering a nostalgic journey through the decade’s most memorable sounds.
90s Mellow Gold
Bruce Springsteen’s “Lucky Town” debuts at number twenty on the 90s Mellow Gold chart, reflecting his introspective songwriting and timeless appeal. Recorded in 1991, the track captures themes of change and renewal, resonating deeply with listeners.
Notable movements include Bee Gees‘ “Alone,” which advances to tenth place, overtaking “For Whom The Bell Tolls.” Meanwhile, Carly Simon’s “You’re So Vain” climbs slightly to sixteenth position, reinforcing its status as a mellow gold staple.
While the core of the chart remains rooted in its classic selections, the inclusion of “Lucky Town” adds a touch of emotional depth to the lineup.
Old School Hip Hop
This month, the Old School Hip Hop chart sees minimal changes, with no new entries or significant movements. Space Jam’s “Hit’em High” retains its top spot, underscoring the genre’s energetic roots.
Familiar tracks like LL Cool J‘s “Phenomenon,” Public Enemy‘s “Fight The Power,” and Run DMC’s “Ghostbusters” maintain their positions firmly, highlighting the era’s defining moments in hip hop history.
With its consistent lineup, the chart continues to celebrate the foundational sounds that shaped the genre, offering a tribute to its pioneers and their lasting influence.
Boy Bands Retro
This month, New Edition’s “Mr. Telephone Man” enters the Boy Bands Retro chart at number twenty, bringing a touch of ’80s nostalgia. Produced by Ray Parker Jr., the track highlights the group’s early success and smooth vocal harmonies.
Familiar tracks like All-4-One’s “I Swear,” NSYNC‘s “Bye Bye Bye,” and One Direction‘s “History” maintain their positions firmly, underscoring the enduring appeal of boy band anthems.
With no other significant movements, the chart remains anchored by its iconic selections, offering a tribute to the genre’s defining sounds across decades.
Indie Rock
Bright Eyes’ “First Day of My Life” debuts at number twenty on the Indie Rock chart this month, adding a heartfelt acoustic ballad to the lineup. Known for its tender lyrics and simple melody, the track resonates deeply with listeners.
Gerry Cinnamon’s “Sometimes” advances slightly to third place, while LCD Soundsystem‘s “All My Friends” holds steady at fifth position. These movements highlight the continued relevance of indie rock staples.
Despite minor shifts, the core of the chart remains rooted in its classic selections, featuring hits like Death Cab for Cutie‘s “I Will Follow You Into The Dark” and Franz Ferdinand‘s “Take Me Out.”
Girl Groups
All Saints‘ “Black Coffee” joins the Girl Groups chart at number nineteen, infusing it with atmospheric electronic arrangements and vocal harmonies. Released in 2000, the track reached number one on the UK Singles Chart, showcasing the group’s versatility.
Notable movements include Sugarbabes’ “Hole In The Head” climbing to tenth place, overtaking MC Lyte’s “Keep On Keepin’ (w/ Xscape).” Meanwhile, En Vogue‘s “Hold On” continues to anchor the list, maintaining its strong presence.
While there are no significant departures, the inclusion of “Black Coffee” adds depth to the chart’s diverse lineup.
Pop Dance
Dj Snake’s “Let Me Love You” climbs to eleventh place on the Pop Dance chart this month, gaining momentum despite being a few years old. Featuring vocals from Justin Bieber, the track blends pop sensibilities with dancefloor energy.
Tiësto‘s “Just Be (w/ Kirsty Hawkshaw)” moves up to fifteenth position, while Benny Benassi‘s “Satisfaction” maintains its status as a staple of the genre. These movements reflect the dynamic nature of the chart.
With minimal changes elsewhere, the lineup remains anchored by familiar hits like Loud Luxury‘s “Body” and Eric Prydz’s “Call On Me,” ensuring a balance of nostalgia and innovation.
Neo Soul
Mary J. Blige‘s “Everything” enters the Neo Soul chart at number twenty, blending R&B and soul with powerful vocals. Sampling James Brown’s “The Payback” and The Stylistics’ “You Are Everything,” the track showcases Blige’s ability to deliver emotional performances.
Missy Elliott‘s “4 My People (w/ Eve)” debuts at fifteenth place, bringing her signature energy and rapid beats to the lineup. Meanwhile, Fugees‘ “Killing Me Softly With His Song” and Gnarls Barkley‘s “Crazy” continue to define the genre’s essence.
These additions and movements enhance the chart’s diversity, while staples like De La Soul‘s “All Good? (w/ Chaka Khan)” and Aaliyah‘s “Hot Like Fire (w/ Missy Elliott & Timbaland)” ensure its timeless appeal.
Art Rock
The Art Rock chart remains largely unchanged this month, maintaining its lineup from January to February. Kate Bush‘s “Army Dreamers” continues to lead the pack, showcasing her unique storytelling and vocal prowess.
Familiar tracks like Roger Waters’ “Another Brick In The Wall (w/ Cyndi Lauper)” and Electric Light Orchestra’s “Twilight” hold their positions firmly, reflecting the genre’s enduring appeal.
With no new entries or departures, the chart highlights the timeless quality of its selections, offering a journey through art rock’s most iconic moments.
2010s Trap
This month, Post Malone’s “Goodbyes” debuts at number nineteen on the 2010s Trap chart, bringing its melancholic tone and polished production into focus. Featuring Young Thug, the track explores themes of loss and regret with a radio-ready sheen.
Gucci Mane’s “Curve,” featuring The Weeknd, enters at number twenty, blending trap beats with R&B sensibilities. Released in 2017, the song showcases Gucci Mane’s influence on the genre while highlighting his collaboration with one of R&B’s leading voices.
While other tracks maintain their rankings, these additions enhance the chart’s diversity, balancing nostalgia with modern innovation.
Nu Metal
Alice In Chains’ “Angry Chair” joins the Nu Metal chart at number eighteen, adding a grunge-infused edge to the lineup. Written by Layne Staley, the track delves into themes of pain and addiction, resonating deeply with listeners familiar with the band’s raw sound.
Other notable placements remain consistent, with Ministry’s “N.W.O. [New World Order]” at number one and Rage Against The Machine’s “Bombtrack” holding steady in sixth place. These tracks underscore the genre’s rebellious spirit and powerful instrumentation.
Despite minimal changes elsewhere, the inclusion of “Angry Chair” enriches the chart’s emotional depth and historical significance.
Post-Punk
XTC‘s “Dear God” climbs to twentieth place on the Post-Punk chart this month, bringing its introspective lyrics and catchy melodies back into focus. Originally released in 1986, the track critiques organized religion while maintaining an upbeat tempo.
The Smiths’ “There Is A Light That Never Goes Out” advances slightly to third position, overtaking Captain Sensible’s “Wot.” Meanwhile, Echo & The Bunnymen’s “Nothing Lasts Forever” holds steady at eighth place, reinforcing its status as a post-punk staple.
With no other significant movements, the chart remains anchored by classics like Talking Heads’ “This Must Be The Place [Naive Melody]” and New Order’s “Blue Monday ’88,” preserving the genre’s raw energy and intellectual depth.