Charlie Puth

Charlie Puth's 'Whatever's Clever!' Gets Quirky with Goldblum Cameo and Choir

Charlie Puth showcases an eclectic array of musical elements in his latest work, 'Whatever’s Clever!'. Incorporating a choir, an orchestra, and even a quirky interlude by Jeff Goldblum, the composition cleverly defies expectations.

Utilizing his Berklee College of Music background, Puth crafts a playful auditory experience that stands out for its unexpected musical combinations. All the while, his adventurous spirit remains grounded in technical expertise.

Charlie Puth Directs Moises' AI Orchestra, Launches $100K Remix Challenge

Charlie Puth takes the reigns as chief music officer at Moises, the AI-driven music platform out of Salt Lake City. With tools for stem separation and chord identification, the platform, enriched by licensed tracks, empowers musicians to refine their craft by providing insights for technique study and arrangement experimentation.

Puth, using his musical acumen, will steer Moises in enhancing its offerings. Meanwhile, Moises unveils a remix contest around Puth’s ‘Beat Yourself Up’, enticing creators with a $100,000 prize.

Charlie Puth doubles down after Super Bowl with a tour—and a Charli XCX mix-up

Charlie Puth unveils his Whatever’s Clever! World Tour just months after his Super Bowl appearance, enlisting Overcompensating’s Benito Skinner and Mary Beth Barone for an irreverent rollout that mischievously leans into mistaken identity gags with Charli xcx.

The tour spans nearly 50 dates, launching April 22 in San Diego and wrapping July 30 in Warsaw, with support from Daniel Seavey, Lawrence, and Ally Salort.

Ahead of the March 6 album drop, he teases fans with singles “Changes” and “Beat Yourself Up.”

Charlie Puth duets with “newcomer” Jeff Goldblum in jazzy LA kickoff

Charlie Puth kicks off his LA Blue Note residency with a surprise guest—none other than Jeff Goldblum, jazz’s most unexpected late bloomer. With a wink and a nod, Puth introduces the actor as a “new up-and-coming singer,” setting the stage for a duet that veers from the ironic to the earnestly melodic.

Goldblum croons through Cole Porter’s ‘Every Time We Say Goodbye’ before wading into a smoky, improvisational interpolation of Cyndi Lauper’s ‘Time After Time,’ a nod to his 1988 Vibes co-star.

Charlie Puth swaps muses for lattes, turning daily errands into demos

Charlie Puth hints at a creative shift, using daily life as raw material for his next sonic experiments. He sketches a future where melodies grow from mundane encounters, transfigured through carefully placed notes.

Instead of reaching for abstract inspiration, he mines everyday interactions, letting emotion dictate rhythm, as if the street corner or coffee shop could become a rehearsal space for his evolving sound identity.