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This week In Male Balladeers 07/52

Robbie Williams’ "Angels," co-written with Guy Chambers, blends sweeping production with karaoke-ready appeal, securing its place in late-'90s pop history despite chart peaks of No. 4 in the UK and...

This week In Guitar Virtuosi 06/52

Michel Petrucciani’s take on Miles Davis’ "So What" from a 1998 Stuttgart concert highlights its staying power, with Anthony Jackson’s steady bass and Steve Gadd’s subtle drumming anchoring restrained improvisation....

This week In Male Balladeers 06/52

Lenny Kravitz's "Dancin' Til Dawn" leans on his funk and rock roots, carried by his multi-instrumental talents and Lenny Pickett's sultry saxophone, though its mid-tempo groove feels more atmospheric than...

Grands Ensembles Africains

In the '60s and '70s, Francophone West African big bands like Bembeya Jazz and Rail Band dominated the music scene. Their fusion of traditional and Western instruments created rich textures...

This week In Jazz Legends 06/52

Ben Harper’s "Whipping Boy" blends blues and folk elements in his 1994 debut, "Welcome to the Cruel World," maintaining a restrained charm that invites reflection. Whitney Houston's "It’s Not Right...

Abdel Wahab Classics

In the magnificent realm of Egyptian pop, Mohamed Abdel Wahab reigns supreme, weaving melodic magic through collaborations with Umm Kulthum, Abdel Halim Hafez, and Leila Mourad. His legacy lives on...

This week In Male Balladeers 05/52

Neil Finn and Eddie Vedder’s stripped-back cover of "Throw Your Arms Around Me" conveys fragility with raw harmonies, while Steppenwolf’s snarling 1968 take on "Hoochie Coochie Man" transforms the blues...

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