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Jack White's New Tracks Rock SNL; Keeps Trump's Critique and Art Plans Rolling
Jack White graces Saturday Night Live with two freshly minted tracks, "Derecho Demonico" and "G.O.D. And The Broken Ribs," a mere day after their release. Sporting a flair for the theatrical, White dives into classic blues guitar riffs, riffing off Adam and Eve imagery.
His bandmates—Keeler, Davis, and Emmet—lend their rhythmic hands. White's performance follows his Grammy-nominated 2024 album "No Name" and precedes his anticipated European tour. Concurrently, he continues his public critique of Donald Trump while unveiling plans for an art show in London.
Jack White Swaps Guitar for Glue: Launches Debut Art Show in London
Jack White is stirring the art scene by unveiling his inaugural visual art show in London. Titled "These Thoughts May Disappear," it occupies Damien Hirst’s Newport Street Gallery from May 29 to September 13.
The exhibition marks White's first gallery endeavor, where he exploits reclaimed materials to craft sculptures, furniture designs, and installations, echoing Dada and De Stijl influences. Notably, White collaborates with Gordon Newton and Robert Sestok, showcasing his multifaceted background beyond music.
Jack White compares Trump’s Oval Office glitz to a pro-wrestler’s locker room
Interpolating the tone of a reality show confessional and the sarcasm of a punk zine, Jack White lashes out against Donald Trump’s baroque White House redesign, likening its gilded accents to a wrestler's dressing room. The musician, who once restored vintage furniture, accuses Trump of aesthetic vulgarity and capitalist self-worship, tagging Ric Flair’s Instagram as a not-so-subtle jab.
His post, featuring a gaudy Oval Office shot with Zelenskyy, comes with acidic rhetorical flair—“Would you even buy a used car from this conman?”
Jack White tags all 30 MLB parks—bat in hand, no curtain call needed
Interpolating the ritual of minor obsessions with the grandeur of stitched leather and pine tar, Jack White declares the completion of his decade-spanning pilgrimage: attending a baseball game in all 30 Major League stadiums. His final stop? Citizens Bank Park, where the Tigers overtake the Phillies, wrapping his mission in team-colored symmetry.
His affinity runs deeper than spectator status—throwing first pitches, investing in bat companies, donating to Detroit field restorations, even appearing on Topps baseball cards. No self-congratulatory fanfare, just cleats, chalk, and a bat-wielding backstage frenzy before shows.
John C. Reilly dons mitre and mischief as Jack White brings mass to music video
John C. Reilly steps into the role of Archbishop Harold Holmes in Jack White’s latest video tied to his 2024 album, No Name. Reilly’s performance lands just after the release of his own project, What’s Not to Love.
Draped in ecclesiastical flair, the video gives White a quasi-liturgical platform, channeling theatricality rather than revelation. Reilly presides with ceremonial gravitas, blurring the line between ritual and satire.
