Choose between a playlist made only of Garbage tracks and a playlist around Garbage, mixing songs by Garbage with matching artists and moods.
No Gods No Masters
Stupid Girl [Trnsmt 2024]
The Men Who Rule The World
There's No Future In Optimism
The Creeps
There’s No Future In Optimism [Live]
Wolves
I Think I'm Paranoid
Only Happy When It Rains
Stupid Girl
Cherry Lips [Go Baby Go!]
Queer
Push It
Milk
Why Do You Love Me
The World Is Not Enough
You Look So Fine
Sex Is Not The Enemy
When I Grow Up
Androgyny
Shut Your Mouth
Special
Tell Me Where It Hurts
Breaking Up The Girl
Glastonbury 2005
HD
LIVE!FULL SHOW in 4K / Milwaukee Summerfest / July 6th, 2016
99 plus interview
ßþ ту ÑÂтþрþýу üу÷ыúø/ Behind the musicGarbage
Not Your Kind of People Concert @ Webster Hall, NYC (May 22, 2012)
Run Baby Run
Sex Is Not The Enemy (Montreux 2005)
Breaking Up The Girl
Only Happy When It Rains (Live, Bizarre 96)
Vow
Why Do You Love Me
Blood For Poppies
Tell Me Where It Hurts
Empty
#1 Crush
Bleed Like Me
Big Bright World
Magnetized
The Trick Is To Keep Breathing
Bad Boyfriend
It's All Over But The Crying
Push It
Run Baby Run
Thirteen
You Look So Fine
Stupid Girl
Cup Of Coffee
Garbage
1 Search Results Found
Shirley Manson revisits Angelfish days, covers 'Adored'—for Gaza, not glory
Shirley Manson resurfaces with her pre-Garbage outfit, Angelfish, on January 30 in Edinburgh for a rare reunion show after a decade-long pause. Set in the Liquid Room, the benefit gig funnels all proceeds toward humanitarian aid for Palestinian children.
The band performs original tracks like ‘Trash It’ and ‘Mummy Can’t Drive’ while detouring through covers including The Stone Roses’ ‘I Wanna Be Adored.’ The short-lived resurrection continues with another show the following night, held under the same cause-driven spotlight.
Source: News | NME – Published on January 31, 2026
Garbage calls curtain on U.S. tour, blames industry theft and van-life burnout
Interpolating fatigue with economic frustration, Shirley Manson declares Garbage’s current U.S. headline tour their final bow, citing “the thievery of the record industry” as the culprit behind increasingly untenable touring costs. Onstage in Washington, DC, she pulls back the velvet curtain, outlining a bleak reality where young acts slum in vans or shady motels, risking safety for exposure.
Raising a toast to the crowd, Manson thanks their fans for ignoring industry obituaries, while noting the band is unlikely to return to many cities. The tour’s title—‘Happy Endings’—lands with puckish irony.
Source: News | NME – Published on September 20, 2025
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