Hayley Williams

Hayley Williams and David Byrne try tenderness in twisted Dahl sendoff song

Hayley Williams and David Byrne share a track titled “Open The Door,” part of Netflix’s animated take on Roald Dahl’s The Twits. The song—one of three Byrne contributions—closes the film and attempts to uncover a shred of warmth from a tale soaked in grotesque absurdity.

Williams, channeling Beesha’s perspective, brought lyrical ideas to Byrne, who shaped them into melody. The duo’s ongoing exchange includes mutual covers and shared stage time, underscoring a curiously fertile collaboration.

Paramore joins boycott, vanishes from Israeli streams—then reappears uninvited

Paramore’s music briefly vanished from Israeli streaming platforms after joining the ‘No Music For Genocide’ boycott, only to reappear days later, stirring backlash from fans.

Hayley Williams breaks the silence via Instagram, citing complications with Atlantic Records and confusion surrounding the takedown process, affirming her commitment to the boycott while appreciating fans who questioned the band’s silence.

Hayley Williams hides 17 solo tracks in a hair dye box, skips the album thing entirely

Hayley Williams sidesteps traditional release models with a cryptic rollout tied to her Good Dye Young hair dye launch. A purchase unlocks access codes linking fans to 17 standalone tracks—no album, no tracklist, just scattered singles each wearing its own outfit.

Two days later, the songs disappear, only to re-emerge on streaming services as individual entries. Meant for her core audience, the campaign invites fans to shape the experience, remixing covers, playlists, and meanings amid her newfound independence post-Atlantic Records.

Hayley Williams skips streaming frenzy, leaks 17 tracks behind a password wall

Hayley Williams discreetly premieres 17 new tracks via a password-protected website, sidestepping traditional release drama for an experience veiled in exclusivity. The digital enclave doesn't just serve music—it also hosts performance footage, a tentative merch display, and other scattered curiosities.

Nothing screams overexposure here; Williams opts instead for controlled access, turning her latest material into something more like a private viewing than a streaming free-for-all.

Hayley Williams quietly leaks 17 tracks—calls it “khh,” calls no attention to it

Hayley Williams discreetly uploads 17 unreleased tracks to her website under a digital folder named “khh,” sparking questions rather than answering any. The makeshift collection includes “Mirtazapine,” a melancholic number she premiered last week on Nashville’s WNXP radio.

No context, no fanfare—just a cryptic drop that bypasses streaming platforms entirely. The gesture reads less like a rollout and more like leaving a diary unattended at a house party, waiting to see who lingers.