Raye

Ticketmaster Snafu: Raye Offers Glitch-Glitched Fans Vinyl and Tickets

Raye faces an unintended glitch as 65 fans find themselves shut out from her Paris concert due to a Ticketmaster hiccup. She unveils a heartfelt apology, signaling her dismay over the situation and feeling let down by the system.

In a move to soften the misfortune, she bestows these fans with the gift of complimentary future show tickets and signed vinyl, her small attempt to mend the disarray. This ripple stems from her 'This Tour May Contain New Music' tour, punctuating her ongoing musical journey with a hiccup she'd rather have sidestepped.
Source: News | NME – Published on February 17, 2026

RAYE asks “Where Is My Husband!” as Album 2 remains nameless but pre-orderable

RAYE resurfaces with “Where Is My Husband!”, a horn-laced lament that debuted at Glastonbury 2025, opening her set with theatrical flair and existential romantic confusion. The track signals the first taste of her upcoming second album—still unnamed, still unreleased, but already up for pre-order with the cryptic placeholder “Album 2.”

Following last year’s creative hiccup involving stolen notebooks, she now pivots toward a 2026 world tour across Europe, the UK, and North America, teasing new material and supported by sisters Absolutely and Amma.

Jude Law and Jason Bateman feud over food while RAYE sings to a stare-off

Netflix's upcoming series Black Rabbit casts Jude Law and Jason Bateman as restaurateur brothers navigating family tensions and buried conflicts. RAYE appears as herself, performing in an episode set inside the show’s elite venue.

Channeling Dinah Washington, she releases a rendition of "What a Difference a Day Makes," recorded while maintaining unnervingly intense eye contact with Bateman. The series premiers September 18, with direction shared among Bateman, Laura Linney, Ben Semanoff and Justin Kurzel.

Raye turns trauma into testimony, calling music her medicine at All Points East

Standing before a hushed crowd at All Points East, Raye proclaims that “music is medicine,” deliberately threading vulnerability and raw testimony into her set. She recounts a personal story of sexual assault, her voice trembling under the weight of memory but steeled by intent.

The stage becomes both confessional and battleground, as she leans into music not only as crescendo but catharsis. A curated kind of public reckoning, choreographed in chords and silence.