All My Friends

Nasty

Biri Marung

Till Forever Falls Apart

Bouncin

Chills

Needs

I Can See The Future


Ashe

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This week In Guitar Virtuosi 06/52

Michel Petrucciani’s take on Miles Davis’ "So What" from a 1998 Stuttgart concert highlights its staying power, with Anthony Jackson’s steady bass and Steve Gadd’s subtle drumming anchoring restrained improvisation....

This week In Soul Artists 06/52

Whitney Houston’s "You Give Good Love" introduced her voice with a restrained elegance, aiming for niche resonance while hinting at her potential; charting high on the Billboard Hot 100 and...

This week In Male Balladeers 06/52

Lenny Kravitz's "Dancin' Til Dawn" leans on his funk and rock roots, carried by his multi-instrumental talents and Lenny Pickett's sultry saxophone, though its mid-tempo groove feels more atmospheric than...

This week In Jazz Legends 06/52

Ben Harper’s "Whipping Boy" blends blues and folk elements in his 1994 debut, "Welcome to the Cruel World," maintaining a restrained charm that invites reflection. Whitney Houston's "It’s Not Right...

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