Lola Young

Lola Young Sues ‘Messy’ Co-Producer Carter Lang Over Song Credits She Disputes

Lola Young files a lawsuit against Carter Lang, co-producer of the chart-climbing ‘Messy’, over disputed songwriting credits on four tracks she claims he had no part in composing. Her legal team, joined by Sony Music Publishing, calls his assertions baseless and long-delayed, hinting at opportunism rather than collaboration.

While Lang's prior work with artists like SZA and Post Malone looms large, Young’s camp insists any genuine contributions would have been credited already. Both parties remain publicly silent on the specific songs in question.

Lola Young Exits Stage Quietly Mid-Tour, Leaving Fans and Theories Hanging

Lola Young halts her Audacy's We Can Survive performance with no prior fanfare—her absence attributed to what her manager describes as a “sensitive matter.” The message appears on her Instagram Story, leaving fans with more questions than answers.

Mental health hovers over the statement like an uninvited guest, acknowledged but unexplained. The decision seems neither impulsive nor performative—just a clipped announcement mid-tour as the spotlight dims without warning.

Lola Young spirals through heartache and haze on ‘D£aler’—Elton John approves

Lola Young cracks open the tender mechanics of self-inflicted chaos on ‘D£aler’, a soul-tinged, pop-laced single chronicling emotional freefall post-heartbreak. “Pack my bags, my drugs, and disappear,” she offers, somewhere between escapism and resignation.

Elton John calls it “the biggest smash I’ve heard in years,” betting his house on its success. Set to feature on her upcoming album ‘I’m Only Fucking Myself’, due September 19, the track follows the sensual ambivalence of ‘One Thing’ and the wistful ambivalence of ‘Not Like That Anymore’.

Lola Young pens odes to self-sabotage in upcoming album, out Sept. 19

Lola Young’s third album, I’m Only F–king Myself, arrives Sept. 19, co-written with her close-knit circle of Connor Dickinson, Will Brown, and Solomonophonic. She frames it as a love letter to her own derailments, describing the project as “my ode to self sabotage.”

Her latest single, “Not Like That Anymore,” lands June 20, following the chart-peaking “One Thing” and the slow-burning juggernaut “Messy,” which hit No.1 in the U.K. and cracked the U.S. Billboard Hot 100.

Lola Young skips theatrics, Rae dodges memes at Spotify Grammys prelude

Lola Young resurfaces at Spotify’s Best New Artist Grammys soirée with a performance that leans more defiant than nostalgic, her gritty vocals slicing through the ambient sheen of the high-profile crowd. Reappearing on stage after a relatively quiet spell, she refrains from any theatrics, letting her sound do the exposition.

Katseye follows with a set sharpened and calculated, while Addison Rae pivots from meme to melody in polished form, sidestepping expectation while half-winking at it. The evening plays like a well-oiled timeline of sonic personas navigating a streaming-first hierarchy.