Galahad

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French The Kid

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Me:nu Du Jour June 30 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Al Jarreau, Sly & The Family Stone, Eurythmics, Queen, Madonna, The Prodigy, Iggy Pop, Lucinda Williams, Miles Davis, Joe Zawinul, Os Mutantes, Alice Cooper,...

Me:nu Du Jour June 21 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Jill Scott, John Mayall, Billie Holiday, Eddie Harris, Les McCann, Byrds, Deep Purple We Celebrate Lana Del Rey, Brandon Flowers, The Killers, John Lee...

Me:nu Du Jour June 18 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Jimi Hendrix, Beck, Fleetwood Mac, Nick Cave, Rod Stewart, Van Halen, Elton John, Elvis Presley, Joe Walsh, Tony Bennett, Kanye West, Bill Frisell, Roland...

New Music Videos (African) – N°505

Didi B and Doupi Papillon trade coded intimacy on “Entre Nous Deux,” while Danya Devs leans into Afro-pop sincerity with “Asambe.” Rose Muhando’s “Tuma Malaika” channels spiritual resolve in Swahili,...

New Music Videos (Latin) – N°507

Ozuna returns to afro-Caribbean fusion on “Sirenita,” while Duki swings irony through trap on “Golfista.” Myke Towers and Quevedo reunite for the coastal-toned “Soleao,” and Kidd Keo blurs languages in...

New Music Videos (Ladies Only) – N°504

Sarika Gill’s “Hor Gal” anchors Punjabi vocal assertiveness in beat-driven production, while Wolf Alice’s “Bloom Baby Bloom” trades distortion for piano-led introspection. Reneé Rapp’s “Leave Me Alone” signals autonomy post-television....

Animated New Music Videos – N°134

Pearl Jam’s "Future Days," written after Eddie Vedder's friend Dennis Flemion's death, reflects on loss and connection, appearing in "The Last of Us." Yorushika’s "Martian," inspired by Hagiwara Sakutaro’s “Cat,”...

New Music Videos (Latin) – N°500

Mafe Cardona makes her official debut with "Hastaluegui," twisting goodbye into something sly over a polished Latin beat. Guilherme e Santiago’s "Anjo Na Terra" blends sertaneja charm with smooth production,...

New Music Videos (Ladies Only) – N°495

“Demasiado Bueno” sets Alexia’s skeptical romance against bachata-tinged pop, while Cher Lloyd’s “Green Light” signals reinvention with neon visuals and momentum. LANA’s “Here” delivers minimalist detachment, and Zoe Wees’ “Hello...

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