50 Cent

50 Cent’s Diddy Doc Lands on Netflix—Allegations, Trials, and 4 Years Served

50 Cent’s documentary on Sean “Diddy” Combs, now titled Sean Combs: The Reckoning, lands on Netflix December 2. Initially hinted at in December 2023, the project traces allegations of sexual assault, recent trial developments, and Combs’ four-year sentence tied to federal prostitution charges.

Directed by Alexandria Stapleton, the four-part series stitches together unheard stories, archival footage, and testimonies from former collaborators. The teaser hints less at exposé than reflection on celebrity culture and complicity.

50 Cent stages fake G-Unit breakup mid-flight over Yayo’s slow clapback response

50 Cent feigns a dramatic break from G-Unit mid-flight on a private jet, blaming Tony Yayo’s sluggishness in clapping back at Jim Jones and Memphis Bleek. Framed as soul-searching, his gripe centers on Yayo’s delayed defense after both rappers criticized him for comments comparing 50 Cent to Jay-Z.

Memphis Bleek minimizes the jab, insisting he thrives solo and doesn’t need Hov’s patronage. Jim Jones is less diplomatic, serving insults coated in grime-era bravado and hygiene shade, mocking Yayo’s image and dependency.

Nicki Minaj blames Jay-Z for album drama, 50 Cent weighs in with wig and a wink

Nicki Minaj escalates her ongoing feud with Jay-Z and Roc Nation through a stream of AI-generated images and sarcastic jabs on social media. 50 Cent, never one to sidestep a spectacle, shares and then quietly deletes a clip of Jay-Z in a pink wig, quipping, “I like when she get mad.”

Minaj briefly threatens to cancel her sixth album, blaming Jay-Z, before reinstating its March 27 release. Her grievances trace back to past accusations against Roc Nation of blackballing and financial disputes, intensified when Kendrick Lamar headlined the Super Bowl over Lil Wayne.

50 Cent sues over fake producer credit, flopped film, and unpaid bubbly promo

50 Cent intensifies his legal clash with Skillhouse producer Ryan Kavanaugh, claiming the film used his image and name without sealing a formal agreement or offering compensation.

The lawsuit alleges the project falsely advertised him as a producer and lead figure, even incorporating his champagne brand to bolster its credibility—then used his likeness to prop up rival streaming ambitions, all while the film flopped critically and financially.