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This week In Singing Ladies 07/52

Sarah Vaughan’s "Send In The Clowns," from her 1981 album, highlights her vocal depth, turning Sondheim’s poignant lyrics into an intimate experience. Katie Melua’s "Spider’s Web" blends subtle guitar work...

This week In Guitar Virtuosi 06/52

Michel Petrucciani’s take on Miles Davis’ "So What" from a 1998 Stuttgart concert highlights its staying power, with Anthony Jackson’s steady bass and Steve Gadd’s subtle drumming anchoring restrained improvisation....

This week In Jazz Legends 06/52

Ben Harper’s "Whipping Boy" blends blues and folk elements in his 1994 debut, "Welcome to the Cruel World," maintaining a restrained charm that invites reflection. Whitney Houston's "It’s Not Right...

Singing (Ladies only) Justin Timberlake

Sofia Karlberg brings a stripped-down charm to Justin Timberlake’s “Can’t Stop the Feeling!,” while The xx completely deconstruct “My Love” with haunting minimalism. Tori Kelly’s “Suit & Tie” showcases her...

Covers By Beth Hart

Beth Hart’s fiery takes dominate standout tracks, from her emotionally charged “I Don’t Need No Doctor” to a raw spin on “A Change Is Gonna Come,” pulling blues into unbridled...

This week In Soul Artists 03/52

Etta James’ fiery vocals never touched Wilson Pickett's groove-laden "In the Midnight Hour," despite myths of a collaboration with B.B. King and Stevie Ray Vaughan. Wilson Pickett’s gritty delivery also...

This week In ’90s Throwback’ 03/52

Massive Attack’s "Unfinished Sympathy" melds orchestral strings and heartfelt vocals into a timeless trip-hop classic, while Aerosmith’s gritty "Eat the Rich" blends hard rock with biting satire. Deftones’ brooding "My...

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