Choose between a playlist made only of The Cult tracks and a playlist around The Cult, mixing songs by The Cult with matching artists and moods.
She Sells Sanctuary [On Howard Stern, 2024]
Give Me Mercy
She Sells Sanctuary
Fire Woman
Rain
Edie [Ciao Baby]
Wild Flower
Revolution
Lil' Devil
Heart Of Soul
Coming Down
Resurrection Joe
Rise
Star
Spiritwalker
NEW!!!!!
Love Removal Machine
The Cult
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ANTHRAX's "Cursum Perficio": A Patchwork of Sounds, Not Quite a Symphony
In anticipation of ANTHRAX's twelfth studio album, "Cursum Perficio," drummer Charlie Benante offers insights to Erin Greatrix of This Day In Metal. He describes the album as a mosaic of varied influences and distinct periods reflective of the band’s evolution.
Slated for release on September 18 under Megaforce in the U.S. and Nuclear Blast in Europe, this offering marks the group’s first full-length studio endeavor since their last record, promising a confluence of moods and ideas that traverse ANTHRAX's storied career.
Anthrax Completes the Journey with New Album, Rocks the Kids' World!
Anthrax reveals their first album in a decade, 'Cursum Perficio,' releasing on September 18th. The new single, 'It’s For The Kids,' is a fiery nod to their '80s roots, featuring powerful riffs from Jonathan Donais and Scott Ian paired with Joey Belladonna's signature vocals.
Guitarist Scott Ian describes the track as a love letter to fans, capturing the band's quintessential intensity. Drummer Charlie Benante elaborates on the album's title, linking it to the phrase "I finish the journey," an idea sparked by a Marilyn Monroe documentary.
Benson Boone’s “Mr Electric Blue” pokes fun at music biz debt, while Ed Sheeran’s “Drive” brings racing energy with help from John Mayer and Dave Grohl. Lorde opens her album...
"MiuMiu" by Sofía Reyes, Luísa Sonza, and RaiNao pairs sharp beats with a bilingual hook, while TINI and Beéle's “Universidad” leans into romantic confusion. Katteyes, Jere Klein, and Lucky Brown...
Fatima Altieri blends Creole phrasing and kompa-drill in “M'VLE AVÈW.” Raja Game Changerz delivers quiet confession on “Allah Janda.” Singhsta loops regret in “Bhulekha,” while Sikandar Maan’s “Move On” masks...
Alan Walker and sophie simmons reunite on “Me, Myself And The Night,” blending moody electro-pop with early Walker motifs. Ektor’s “PTSD” delivers sparse intensity, while Fred De Palma’s “Barrio Lambada”...
French rapper Kadja strikes a sharp tone with “Tu Dis Quoi,” while IDK’s “xcx” layers introspective Romanian verses over sparse beats. Adofo’s “Rifle Power” fuses dancehall with trap tension, and...
Fit For A King’s “Lonely God” leads their eighth album with themes of isolation and ambition. Alice Cooper’s “Wild Ones” revives his original lineup, drawing from 1950s rebellion. The Haunted’s...
Didi B and Doupi Papillon trade coded intimacy on “Entre Nous Deux,” while Danya Devs leans into Afro-pop sincerity with “Asambe.” Rose Muhando’s “Tuma Malaika” channels spiritual resolve in Swahili,...
Baekhyun’s “Elevator” casts emotional turbulence into a smooth R&B frame, while Reichi’s “Machigainai” slices through minimalist beats with clipped Osaka precision. KJRGL debuts with “Cloud_Six,” fusing K-pop polish and J-pop...
Chito Rana$’s “Bust Down” blends bilingual grit post-incarceration, while DeeBaby’s “Intro & 2 Mo’Cars” ties ambition to memory on *Ms. Salazar*. Kodak Black veers reflective in “Yellow Brick Road,” chasing...
Karol G’s “Latina Foreva” launches her “orange era” with reggaeton-pop fusion and snowy visuals, while Mariah Carey’s *The Mimi Sessions [Live]* reinterprets five 2005 tracks through stripped arrangements. Benson Boone’s...
“FOLOMiANA” sees Chriss Eazy, Kevin Kade, and The Ben blend Afrobeat with Kinyarwanda finesse. Chella’s “My Darling” weaves Igbo grief into groove. Jay Melody and Alikiba team on “Nishalowa,” a...
“AY YOLA - Homay” fuses Bashkir folklore and electronics, threading kurai and dombra through pulsing synths. Sombr’s “Undressed” sketches a breakup with stripped visuals and subdued emotion. Small X’s “ALBI,”...
The Haunted’s “In Fire Reborn” marches to a 6/8 beat with soldier’s-eye lyrics and a lineup featuring Marco Aro and Adrian Erlandsson. Battle Beast’s “Last Goodbye,” inspired by a cancer...
Pearl Jam’s "Future Days," written after Eddie Vedder's friend Dennis Flemion's death, reflects on loss and connection, appearing in "The Last of Us." Yorushika’s "Martian," inspired by Hagiwara Sakutaro’s “Cat,”...
Mafe Cardona makes her official debut with "Hastaluegui," twisting goodbye into something sly over a polished Latin beat. Guilherme e Santiago’s "Anjo Na Terra" blends sertaneja charm with smooth production,...
Shallipopi and Burna Boy rework "Laho II" into a Benin-rooted plea for strength. Jah Prayzah’s "Kuno" folds ancestry into lullaby-toned Shona rhythms with daughter Kayla. Matata and Bien mix Gengetone...
Blac Youngsta’s "Snake" brings GT—aka BTS—into a stark landscape of betrayal and vigilance, riding a sparse beat that leans more venom than redemption. His delivery remains sharp and transactional, reflecting...
Lara Fabian’s "Je Suis De Toi" reflects on family ties with sparse piano and strings, while Sydnie Christmas revisits "We’ll Meet Again," blending nostalgia with wartime memories. Waterhouse’s "On This...
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