Judges Of The Underworld

Pain Of Oizys

Nemesis

Comfort Of Complicity

Deine Liebe

Slayer Of Holofernes

Let's Get It On

Teacher's Pet / Skool Daze (Live, 1990)


Venom

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Echo Chamber

VENOM Founders Brew a 1981 Storm Again—Same Chaos, Fewer Mullets

Jeff "Mantas" Dunn and Anthony "Abaddon" Bray, co-creators of VENOM's early sonic chaos, mark a milestone that predates eyeliner-core and corpse paint clichés. They plan a live tribute to "Welcome to Hell," the band's 1981 debut, which somehow still echoes through patch-covered denim worldwide.

The venue? Tauberfrankenhalle, Lauda-Königshofen. The date? April 24, 2026—where nostalgia finds distortion and two original torchbearers reclaim their corner of black metal’s origin story.


Source: BLABBERMOUTH.NET RSS Feed – Published on September 27, 2025

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Asian Pop New Music Videos – N°509

Featuring: Stray Kids, MONSTA X, Pabllo Vittar, TENBLANK, Brandy Senki, BEATPELLA HOUSE, Yohani, Rombongan Bodonk Koplo, Ariunaa, Perfume, Number_i, ME:I, KUN, J. Lalrosanga, Johnny Huynh, Coldzy, YEONJUN, HUENINGKAI, 수빈, TWICE,...

Me:nu Du Jour June 1 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Police, Sting, Roxy Music, Rolling Stones, Beatles, Blink-182, Eagles, Miles Davis, John McLaughlin We Celebrate Alanis Morissette, David Ruffin, Tito Puente We Watch Paul...

Me:nu Du Jour May 25 (EN.FR.ES)

>> EN FRANCAIS | >> EN ESPAÑOLTODAY We Listen To Jeff Beck, Donald Fagen, Jean-Luc Ponty, Omara Portuondo, Mike Oldfield, The Cure, alt-J, Phoenix, Dio, John Coltrane We Celebrate Paul Weller, Desmond Dekker, Eric...

A Tarantellas Mix

Originating in mystery and folklore, this energetic rhythm mirrors Italy's spirited soul, unfolding in brisk 6/8 or the occasional 12/8 tempo woven together by tambourines, accordions, mandolins, fiddles, and guitars....

New Music Videos (Ladies Only) – N°495

“Demasiado Bueno” sets Alexia’s skeptical romance against bachata-tinged pop, while Cher Lloyd’s “Green Light” signals reinvention with neon visuals and momentum. LANA’s “Here” delivers minimalist detachment, and Zoe Wees’ “Hello...

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