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Echo Chamber

Swift Drops ‘Opalite’ BTS Footage, Internet Predictably Spirals into Glittery Chaos

Taylor Swift releases behind-the-scenes footage from her much-anticipated Opalite music video, sending the internet into a predictable frenzy. The visual, now joined by two extended versions, steers clear from frills and instead showcases Swift’s meticulous control over her visual narrative.

Geared toward viewers 16 and up, the extended takes provide elongated glimpses into both the polished production and the curated chaos behind its shimmering aesthetic.


Source: Music Industry News – Published on February 14, 2026

Opalite CD Single Graces U.S. Mailboxes for 48 Hours, Two Tracks, One Jewel Case

Available for a fleeting 48-hour window until January 23, 2026, at precisely 1:59 PM EST, the "Opalite" CD single offers two tracks—“Opalite” and its instrumental twin—packaged within a jewel case bearing double-sided artwork, because one image clearly isn’t enough.

Limited to one per customer, this $2.99 curiosity is strictly reserved for U.S. buyers with matching billing and shipping addresses, reminding international fans that geographic borders still matter, at least in merchandising.


Source: Taylor Swift Official Store – Published on January 21, 2026

Taylor Swift meets Trump? Bots orchestrate bogus backlash to new album

After Taylor Swift dropped her latest album, a curious online storm unfolded: waves of posts accusing her of harboring ties to Trumpism and white supremacy flood digital platforms. No, not a fringe reaction to a lyric—data analysts have traced the flood to a coordinated network of inauthentic accounts, their aim less critique than calculated sabotage.

This was no organic backlash but a digitally choreographed smear campaign, borrowing the aesthetics of outrage to fabricate ideological alignment between a pop star and extremist politics.


Source: Music – Rolling Stone – Published on December 9, 2025

Ed Sheeran misses Swift's engagement—still phone-free, still backyard songwriting

Ed Sheeran likens his creative bond with Taylor Swift to the dynamic between Carole King and James Taylor, a comparison made by Swift herself in 2017. Describing their relationship as sibling-like, Sheeran notes how easily they reconnect despite their infrequent encounters and different upbringings.

The pair wrote “Everything Has Changed” in Swift’s backyard early in their friendship, and recently had a four-hour conversation after Sheeran missed news of her engagement—he still doesn’t own a phone.


Source: Billboard – Published on December 9, 2025

Todd Rundgren ditches AI tunes, says they all sound vaguely like Taylor Swift

Todd Rundgren, never one to mince words, declares his disinterest in AI-generated music, quipping that it all sounds irritatingly like Taylor Swift. Sitting somewhere between bemusement and resignation, he laments tech’s flattening effect on creativity.

Swapping Pro Tools for hardware and dabbling in microdosing, Rundgren reflects on decades of accidental hits and sonic experimentation. The studio, for him, becomes less a digital command center than a playground for unpredictability.


Source: Music Industry News – Published on October 11, 2025

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