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Taylor Swift meets Trump? Bots orchestrate bogus backlash to new album

After Taylor Swift dropped her latest album, a curious online storm unfolded: waves of posts accusing her of harboring ties to Trumpism and white supremacy flood digital platforms. No, not a fringe reaction to a lyric—data analysts have traced the flood to a coordinated network of inauthentic accounts, their aim less critique than calculated sabotage.

This was no organic backlash but a digitally choreographed smear campaign, borrowing the aesthetics of outrage to fabricate ideological alignment between a pop star and extremist politics.


Source: Music – Rolling Stone – Published on December 9, 2025

Ed Sheeran misses Swift's engagement—still phone-free, still backyard songwriting

Ed Sheeran likens his creative bond with Taylor Swift to the dynamic between Carole King and James Taylor, a comparison made by Swift herself in 2017. Describing their relationship as sibling-like, Sheeran notes how easily they reconnect despite their infrequent encounters and different upbringings.

The pair wrote “Everything Has Changed” in Swift’s backyard early in their friendship, and recently had a four-hour conversation after Sheeran missed news of her engagement—he still doesn’t own a phone.


Source: Billboard – Published on December 9, 2025

Todd Rundgren ditches AI tunes, says they all sound vaguely like Taylor Swift

Todd Rundgren, never one to mince words, declares his disinterest in AI-generated music, quipping that it all sounds irritatingly like Taylor Swift. Sitting somewhere between bemusement and resignation, he laments tech’s flattening effect on creativity.

Swapping Pro Tools for hardware and dabbling in microdosing, Rundgren reflects on decades of accidental hits and sonic experimentation. The studio, for him, becomes less a digital command center than a playground for unpredictability.


Source: Music Industry News – Published on October 11, 2025

Swift Slips on Sequins with $4.99 ‘Showgirl Deluxe’ Cabaret Store Drop

Packaged under the moniker “The Life of a Showgirl (DELUXE So Glamorous Cabaret Version),” this offering from the Taylor Swift Official Store slides effortlessly into the branded spectacle of sequins and stage lights, priced at a demure $4.99.

The gleaming cover image—theatrical, calculated, and perfectly aligned with Swift’s merchandising ethos—suggests less a product drop than a winking nod to nostalgia varnished in silk and smoke.


Source: Taylor Swift Official Store – Published on October 9, 2025

Swift's $4.99 acoustic track trades glitter for echoes in tower-induced solitude

The Taylor Swift Official Store lists “The Life of a Showgirl (DELUXE Alone in my Tower Acoustic Version)” at $4.99. Stripped down and sparse, the title alone evokes a backstage monologue more than a pop spectacle.

No sweeping choruses or glitter-lit theatrics are promised—just a room, a tower, and perhaps a hesitant echo where adornment is traded for solitude. Vendor: Taylor Swift Official Store.


Source: Taylor Swift Official Store – Published on October 6, 2025

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