Sabrina Carpenter

Sabrina Carpenter swaps espresso for iced tea chaos with Seth Meyers’ day drinking

Sabrina Carpenter joins Seth Meyers for NBC’s Late Night “Day Drinking” segment, abandoning espresso martinis for half-pints and a Long Island iced tea punch bowl. Holiday mischief ensues at The Ripple Room, with drinking games loosening tongues.

Carpenter skips confessions during truth-or-drink, but discloses a fan once stole her clothing for attention—and succeeded. Meyers sings the national anthem grim-faced, while Carpenter nails a tongue-twisting coffee order in an Italian accent.

Sampling her own outrage, Sabrina Carpenter slams ICE raid post as ‘disgusting’

Interpolating fury with precision, Sabrina Carpenter refuses any association with a White House social media post that attaches her 2022 single “Juno” to footage of ICE raids. She calls the move "evil and disgusting," distancing her work from what she denounces as an “inhumane agenda.”

The singer issues a firm denunciation: “Do not ever involve me or my music,” making it clear her artistic output won’t be repurposed for political messaging she considers morally bankrupt.

Sabrina Carpenter swaps charts for Cheshire Cats in Alice in Wonderland remake

Sabrina Carpenter trades chart hits for fantastical rabbit holes as she signs on to star in a fresh screen adaptation of Lewis Carroll’s “Alice in Wonderland.” In a move that pairs production clout with vocal folds, she’s not only headlining but also producing the film.

The project marks her first foray into a major feature in both capacities, with music playing a central role. Wonderland, it seems, is getting a soundtrack—Carpenter-style.

Sabrina Carpenter “arrests” Anne Hathaway mid-set; melodrama meets merch table

Interpolating pseudo-handcuff routines and faux police walkouts, Sabrina Carpenter’s tour antics flirt with the absurd as she theatrically “arrests” surprise guests during her set. Anne Hathaway steps into this parody with a glamorous shrug, while Marcello Hernandez plays along in deadpan compliance, their cameos folding seamlessly into the polished chaos.

In each instance, Carpenter orchestrates the spectacle with a wink, circling melodrama and performance art in equal measure. The repeated gag resists novelty yet manages to spark precisely because of its self-aware flamboyance.

Sabrina Carpenter watches men like a nature doc—half muse, half mess

Sabrina Carpenter, in a Vogue Italia interview, reflects on her ambivalence toward men, calling them “a really fun species to watch”—equal parts endearing and exasperating. She contrasts feeling adored and inspired by some with being confused and ridiculed by others.

Her album Man’s Best Friend echoes this dichotomy, with “Manchild” lamenting emotional immaturity and “Tears” nearly praising the bare minimum. Carpenter insists heartbreak didn't leave her bitter, just mildly jaded—“Here we go again.”